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About Far from the Madding Crowd by Thomas Hardy
How is this book unique?
Far from the Madding Crowd (1874) is Thomas Hardy's fourth novel and his first major literary success. It originally appeared anonymously as a monthly serial in Cornhill Magazine, where it gained a wide readership. Critical notices were plentiful and mostly positive. Hardy revised the text extensively for the 1895 edition and made further changes for the 1901 edition.
- Sales Rank: #2227391 in eBooks
- Published on: 2016-01-27
- Released on: 2016-01-27
- Format: Kindle eBook
From Library Journal
Random's Modern Library is reproducing this Hardy standard as a tie-in to a Masterpiece Theater presentation and offering a quality hardcover for a reasonable price.
Copyright 1998 Reed Business Information, Inc.
Review
"Vital, passionate, spirited -- from the moment Bathsheba appears she is beguiling. You can denounce her faults -- she's selfish and capricious -- but it's hard not to admire her determined independence."
--Independent
"Hardy's Far from the Madding Crowd is the most romantic book I have ever read. I love the line where he says: 'Whenever you look up, there I shall be -- and whenever I look up there will be you.' It is very simple and understated, but also incredibly romantic."
--Liz Jensen, Independent
Review
“Far from the Madding Crowd is the first of Thomas Hardy’s great novels, and the first to sound the tragic note
for which his fiction is best remembered.”
-Margaret Drabble
Most helpful customer reviews
248 of 254 people found the following review helpful.
A towering achievement of English literature
By Catherine S. Vodrey
This has to be my favorite of all Thomas Hardy's many classic works. "Far from the Madding Crowd" was published in 1874 when the novelist was 34 years old. It is one of the earliest works of English literature I can think of which has a fully rounded, fully independent, fully human female protagonist. Bathsheba Everdene runs a farm, is only semi-aware of her own extraordinary beauty, and is pursued by three very different men throughout the course of the book.
"Far from the Madding Crowd" may, in some sense, be the model for every cheapo drugstore romance novel ever written, but it is a classic for the very simple and very good reason that it transcends the genre it may have helped to start. Bathsheba's trials, in love and elsewhere, are completely realized, with terrific detail. Hardy has a powerful understanding of human nature and makes each of the characters both deep and broad, both simple and complex, both good and filled with fault. The result is a story with many characters, each of whom is as full-blooded and human as a reader could hope. It's a book which bears reading again and again, as each new reading shows the reader new detail and new depth not previously seen. A more three-dimensional character study may not exist in novel form--and the beauty of it is that all this terrific character examination is done against the backdrop of a wonderful plot as well. You really couldn't ask for a more richly satisfying novel.
59 of 62 people found the following review helpful.
Wild and wooly in Wessex
By A.J.
Few literary settings are more distinctive than Thomas Hardy's Wessex, a hilly, chalky, bucolic quilt of pastures and villages occupying the southwest of England, its residents sworn to the immutable cultural traditions of centuries long past. But it is not the goal of "Far from the Madding Crowd" to be merely a sentimental portrait of a region for which Hardy has a great affection, but a grandiose drama about the eventual union of a man and the woman he loves. In summary, Hardy does accede to a Happily Ever After ending, but how he gets to this point is why his novel deserves to be read.
It's not surprising that the novel was originally attributed to George Eliot because the protagonist, Gabriel Oak, as the novel's moral anchor, is very similar in character to Eliot's Adam Bede. Oak is trying to make a living on his own as a farmer, but a stroke of bad luck compels him to take a job as a shepherd for a beautiful young woman named Bathsheba Everdene who has recently inherited her uncle's farm and commands a large number of workers and servants. Oak iconically personifies the rustic setting, not only because of his surname but because of the intimacy with which he communes with nature, and his fondness for playing the flute seems designed to evoke an image of Pan.
Oak has an awkward history with Bathsheba -- he had known her before her windfall, but in her independent spirit she spurned his love. As the head of Weatherbury farm, however, she can't get by on her independence alone, and she needs Oak's expertise in ensuring her sheep are healthy and fit for wool production. Her romantic attention turns toward a profligate soldier named Francis Troy who, through an unlikely error, has just barely avoided wedding Fanny Robin, one of the Weatherbury servants. Bathsheba's eventual marriage to Troy breaks the hearts of Oak and another rival, a neighboring farmer named Boldwood whose affections she had once teased and whose obsessive nature erupts at a most climactic moment in the novel.
The plot developments are a flamboyant display of contrivance, but Hardy masters his devices so well it's impossible not to go along with him for the ride. As an example, consider the jilted Fanny who is so weary from sickness that she has to use a dog as a crutch to get to her destination where she finally dies; not until Hardy reveals what's written on the lid of her coffin do we (and Oak) realize the role Troy played in her death. Likewise, Troy's impulsive reaction to this incident seems like a purposely destructive measure that intends to stir even more turbulence into the story.
A large part of Hardy's appeal is his prose, which maximizes the value of a mastery of language; his sentences are like finely cut gems that demand to be held up to a light and studied for their craftsmanship. I believe that Hardy is the consummate novelist; he approaches the art of the novel as a painter looks upon a canvas, a weaver upon a tapestry, a composer upon an opera -- as the supreme representation of man in harmony with nature and in conflict with fate.
76 of 82 people found the following review helpful.
A classic treasure
By bookyeti
Forget the infamous "love triangle". In Far from the Madding Crowd, Thomas Hardy introduces us to the precarious "love square".
At the core of all the turmoil is beautiful farm girl, Bathsheba Everdene - spirited, vain, intelligent and adept at toying with the hearts of men. Inevitably beguiled by her charms a humble and kind farmer, Gabriel Oak, fervently attempts to win Bathsheba's affections. Enter the competition....
(suitor#2) Farmer Boldwood - a wealthy and temperate middle-aged man respected in the community, eventually plunges into maniacal obsession at the mere possibility of making the beloved Miss Everdene his wife; and (suitor#3) Sergeant Francis Troy - a dashing young philandering soldier, with his share of inner demons, ruthlessness and vanity, vies for Bathsheba's hand in marriage.
Bathsheba's ultimate decision, and the cataclysm it evokes, lies at the epicenter of Hardy's unforgettable ambivalent story.
"Far from the Madding Crowd", Thomas Hardy's fourth novel, saw publication in 1874 and earned him widespread popularity as a writer. A delicately woven tale of unrequited love and regret, set in the mid-19th century, "Far From the Madding Crowd" is a masterpiece of pure story-telling.
Hardy's classic style is a pleasure to read as he masterfully brings his characters and their dealings to life. I would not hesitate to say it definitely captured my heart as another favourite.
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