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About Winesburg, Ohio by Sherwood Anderson
How is this book unique?
Winesburg, Ohio (full title: Winesburg, Ohio: A Group of Tales of Ohio Small-Town Life) is a 1919 short story cycle by the American author Sherwood Anderson. The work is structured around the life of protagonist George Willard, from the time he was a child to his growing independence and ultimate abandonment of Winesburg as a young man. It is set in the fictional town of Winesburg, Ohio (not to be confused with the actual Winesburg), which is based loosely on the author's childhood memories of Clyde, Ohio. Mostly written from late 1915 to early 1916, with a few stories completed closer to publication, they were "...conceived as complementary parts of a whole, centered in the background of a single community." The book consists of twenty-two stories, with the first story, "The Book of the Grotesque", serving as an introduction. Each of the stories shares a specific character's past and present struggle to overcome the loneliness and isolation that seems to permeate the town. Stylistically, because of its emphasis on the psychological insights of characters over plot, and plain-spoken prose, Winesburg, Ohio is known as one of the earliest works of Modernist literature.
- Sales Rank: #2219121 in eBooks
- Published on: 2016-01-30
- Released on: 2016-01-30
- Format: Kindle eBook
Most helpful customer reviews
115 of 122 people found the following review helpful.
Unhappy people trapped in sad webs of their own making
By Linda Linguvic
Sherwood Anderson published this collection of short stories in 1919 all set in fictional town of Winesburg, Ohio. Even though it's written in the third person, it's told through the narrative voice of George Willard, the town reporter, who shows up in most of the stories, sometimes taking an active role and at other times just telling a story.
It is obvious that the writer loves these people, and is frustrated at the isolation and unhappiness of their lives, even though he makes it clear that they hold within themselves everything needed to make them happy. The character in the first story is a dying old writer who is attempting to write about all the people he has known as a "book of grotesques". What follows is the collection of stories, which each character fulfilling that expectation.
There are the young lovers who don't quite connect; there is a old man so obsessed with religious fervor that he attempts to sacrifice his grandson; there is a married man who regrets it all and tries to warn a younger man of future unhappiness; there's a doctor and a sick woman who try to connect. The book is full of people who toil all their lives and never achieve happiness. As I made my way through the book I kept hoping that even one of the characters would rise above the morass. It didn't happen.
The writer has a wonderful sense of place and the town of Winesburg in the early part of the 20th Century is very real. These people were not poor or disadvantaged in the usual sense of the word; they didn't suffer fire, floods or famine. Instead, they trapped themselves in their own psychological webs that made it impossible for them to lead anything but sad unfulfilled lives. This is a fine book and stands alone as a clear voice of its time.
48 of 51 people found the following review helpful.
A daughter's gift...
By John P. Jones III
... Isn't one of the ultimate benchmarks of successful parenting when your child selects a book from her bookshelf, and says: "Here Dad, you may enjoy this"? Of course I had to overcome that instinctive shudder when I recognized the not very "zippy" title as belong to one of those "school assignment" books I had so successfully dodged. Yet considering it is far past the time to reconsider that initial aversion, and that the only teacher I have to please is myself; and then there is the matter of the pedigree of the recommender... so why not?
I did not get past the introduction before I uncovered a recommendation that reinforced the others. Sherwood Anderson was a mentor to both Ernest Hemingway and William Faulkner, no small matter in itself. The not very fictional town of Winesburg, Ohio is based on the very real town of Clyde, Ohio, wherever that is. It proves to be located not that far off the shores of Lake Erie, between Cleveland and Toledo. Clyde still has only around 6,000 people, and their website promotes the virtues of small town living. But where is their most famous writer? You have to "drill down" two levels in their website, to find a brief, two sentence mention of the writer who literally "put them on the map." They'd rather talk about their Civil War General, James McPherson, or the Whirlpool plant. So, perhaps the ultimate endorsement: he had told too much about them, a realistic assessment of the town that jars with the "pro-business" image the website promotes, and thus numerous folks today are still not fond of him.
The book itself is composed of 24 short stories; many of them could be "stand alone" in their excellence. In some cases the character appears only in that story, such as The Reverend Curtis Hartman in "The Strength of God," or Enoch Robinson in "Loneliness." There are other characters, such as Helen White, and George Willard, who is a reporter for the local newspaper at 18, and is a thinly disguised Sherwood Anderson, who appear in multiple stories. Anderson's introductory story, entitled "The Book of the Grotesques" about a writer who: "All of the men and women the writer had ever known had become grotesques," which may be a bit harsh, but clearly this book is peopled with life's outliers, and many "lives of quiet desperation." Issues that haunt the papers today were covered by Anderson then, such as the male teacher who may have placed his hands on the boys once too often, and was run out of town, and the female teacher who had "a thing" for a lad 12 years her junior. There is also the voyeuristic preacher, and the farmer who is an instrument of "God's will." All not your normal Chamber of Commerce fare.
Anderson's prose is lean; his characters are drawn tightly and swiftly, and he seems to have a knack for the specific detail that says so much more about the person. There is also much normalcy in the book; much concerns the longing of the human heart, the figurative and literal groping with the opposite sex that is part of the coming of age process, and beyond. As in real life, the relationships can become complex and ambivalent, and Anderson even speculates on the nature of the solace his fictional mother may have been obtaining from the local doctor. Some reviewers were concerned that everything didn't tie together in the end - but I figure that is the essence of real life. In the conclusion, George Willard, just like the real life Sherwood Anderson, boards the train, and leaves town, seeking his place in the wider world. The irony is that the material for his finest writing was obtained during his first 18 years, in Clyde.
Much belated apologies, certainly for myself, as well as those 1-star reviewers, to the English teachers who tried in their Sisyphean task. Mea culpa. And thanks to my daughter for this solid 5-star read.
44 of 47 people found the following review helpful.
Surprisingly Modern
By SeaShell
I'm ashamed to say that I avoided this book for decades - decades! - based soley on a cover. My mother had the book on her bookshelves, an older edition with a painting of a turn of the century couple courting on the front. It looked vaguely impressionist, and left me to conclude that the stories inside would probably be a bunch of sentimentalist claptrap. How wrong I was!
The book inside is more akin to a Hopper painting than a Degas. Anderson manages an amazing level of character development within the short stories. The stories themselves work independently, but also work together to tell the story of an American Midwestern town. And the feeling one is left with is that everything you have read is essentially and authentically American.
To comment on the Kindle version specifically, it seems well formatted to this reader. I've noticed a typo here and there, but nothing glaring, and nothing that distracts from the experience of reading the book.
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