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How is this book unique?
The Tenant of Wildfell Hall is the second and final novel by the English author Anne Brontë. It was first published in 1848 under the pseudonym Acton Bell. Probably the most shocking of the Brontës' novels, it had an instant and phenomenal success, but after Anne's death her sister Charlotte prevented its re-publication. The novel is framed as a series of letters from Gilbert Markham to his friend and brother-in-law about the events leading to his meeting his wife.
A mysterious young widow arrives at Wildfell Hall, an Elizabethan mansion which has been empty for many years, with her young son and servant. She lives there in strict seclusion under the assumed name Helen Graham and very soon finds herself the victim of local slander. Refusing to believe anything scandalous about her, Gilbert Markham, a young farmer, discovers her dark secrets. In her diary, Helen writes about her husband's physical and moral decline through alcohol, and the world of debauchery and cruelty from which she has fled. This novel of marital betrayal is set within a moral framework tempered by Anne's optimistic belief in universal salvation.
- Sales Rank: #961058 in eBooks
- Published on: 2016-01-06
- Released on: 2016-01-06
- Format: Kindle eBook
Review
Novel by Anne Bronte (writing under the pseudonym Acton Bell), first published in three volumes in 1848. This epistolary novel presents a portrait of debauchery that is remarkable in light of the author's sheltered life. It is the story of young Helen Graham's disastrous marriage to the dashing drunkard Arthur Huntingdon--said to be modeled on the author's wayward brother Branwell--and her flight from him to the seclusion of Wildfell Hall. Pursued by Gilbert Markham, who is in love with her, Graham refuses him and, by way of explanation, gives him her journal. There he reads of her wretched married life. Eventually, after Huntingdon's death, they marry. -- The Merriam-Webster Encyclopedia of Literature
Review
"It is particularly gratifying to have a definitive library edition of The Tenant of Wildfell Hall."--Review of English Studies
From the Inside Flap
Over a short period in the 1840s, the three Brontë sisters working in a remote English
parsonage produced some of the best-loved and most-enduring of all novels: Charlotte's Jane Eyre, Emily's Wuthering Heights, and Anne's The Tenant of Wildfell Hall, a book that created a scandal when it was published in 1848 under the pseudonym Acton Bell.
Compelling in its imaginative power and bold naturalism, the novel opens in the autumn of 1827, when a mysterious woman who calls herself Helen Graham seeks refuge at the desolate moorland mansion of Wildfell Hall. Brontë's enigmatic heroine becomes the object of gossip and jealousy as neighbors learn she is escaping from an abusive marriage and living under an assumed name. A daring story that exposed the dark brutality of Victorian chauvinism, The Tenant of Wildfell Hall was nevertheless attacked by some critics as a celebration of the same excesses it criticized.
"Every reader who has felt the power of Jane Eyre and Wuthering Heights comes, sooner or later, to The Tenant of Wildfell Hall," observed Brontë scholar Margaret Lane. "Anne Brontë, with all the Brontë taste for violence and drama, and with her experience of the same rude scenes and savage Yorkshire tales that had fed the imaginations of her sisters, did not shrink. She used the material at hand, and shaped it with singular honesty and seri-
ousness....Anne is a true Brontë."
This edition of The Tenant of Wildfell
Hall is the companion volume to the Mobil Masterpiece Theatre WGBH television presentation broadcast on PBS.
The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hard-bound editions of important works of liter-ature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inau-gurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.
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The Tenant of Wildfell Hall is a dramatic serial on Mobil Masterpiece Theatre, a public television series presented by WGBH-TV, Boston, made possible by a grant from the Mobil Corporation.
"The Tenant of Wildfell Hall was conceived in the same atmosphere as Jane Eyre and Wuthering Heights. Wildfell Hall has power and imagination, and is so close to one of the tragedies in the sisters' own lives, that no perceptive reader can be indifferent to it."
--Margaret Lane
"I wished to tell the truth, for truth always conveys its own moral to those who are able to receive it."
--Anne Bronte
Most helpful customer reviews
81 of 87 people found the following review helpful.
An Exceptionally Powerful & Disturbing Novel!
By Jana L.Perskie
Young Helen Lawrence had just come out into society, and unfortunately two of her beaus, older men who, although settled, of good character and wealthy, didn't meet her romantic standards. I can't say that I blame the talented, attractive young woman. I was not particularly turned-on by either of the men, myself. Middle-aged, stodgy and tiresome, they were not the answer to an eighteen year-old's dreams - even a practical eighteen year-old. A third suitor, Arthur Huntington, handsome, charismatic, and known by some to be "destitute of principle and prone to vice," was obviously smitten by Helen, and she was drawn to him also. Her aunt emphasized that the young woman should, above all, look for character in a potential mate. She advised her niece to seek a man of principle, good sense, respectability and moderate wealth. She warned Helen away from Huntington, calling him a reprobate. Helen agreed that she should marry such a one whose character her aunt would approve of, but also argued that love should play a part in her selection. Meanwhile, Huntington, on his best behavior, continued to woo Helen until she finally accepted his proposal, on the condition of her relatives' approval. Helen knew that Arthur was somewhat deficient in sense, scruples and conduct. However, she also truly believed that with her own strong religious convictions and love, she could and would change him for the good. In spite of numerous examples of her beloved's past lechery and excesses, Helen insisted on the match. And so they married.
Within a few months Helen became much more familiar with her husband's character. He had no hobbies nor interests, as she did. She is a gifted painter, loves to read, enjoys the outdoors, and is not easily bored. Arthur demanded all Helen's time and attention, to entertain and pamper him. When he could no longer bear the country solitude, he left for London, to reacquaint himself with his old haunts and bachelor friends. He insisted his wife remain behind, at their estate, Grassdale Manor. Huntington's behavior worsened with time, even after Helen bore him a beautiful son. He brought his debauched friends into his home for months on end, hosting wild drinking orgies and participating in a variety of low behavior extremely insulting to his wife, indeed, even encouraging his friends to mock his spouse. Helen eventually discovered that one of the houseguests, the wife of a friend, was Arthur's longtime mistress. Thus a double adultery was being conducted at Grassdale Manor, while she and her son were in residence, along with excesses of every kind.
It was at this point that Helen, contrary to the customs of her times, locked her bedroom door against her husband. This seems like logical behavior in the 21st century. And many might ask why she did not leave Huntington long before. In the Victorian Age, the law and society defined a married woman as a husband's property. Women were totally dependant upon their mates, and husbands could actually have their wives locked away in asylums at their whim and convenience. There is a scene in the novel where Arthur has all Helen's paints and canvasses destroyed, and takes possession of her jewelry and money, so she cannot leave him. When the profligate begins to manipulate his young son, encouraging the child to drink and curse his mother, Helen does run away with her child.
As the novel opens, we find her living in a few rooms at the remote Wildfell Hall, under the assumed identity of Helen Graham, a widow. Here she earns her living by painting. The neighbors are curious and seek her out, one in particular, Gilbert Markham. However when Helen is not forthcoming about her past, she becomes the object of ugly gossip and jealousy. Much of this compelling story is narrated through a series of letters Markham writes to a friend, and through Helen's own diary entries.
The novel is divided into three sections: Helen's life at Wildfell Hall and her friendship with Gilbert Markham; Helen's diary describing the Huntington marriage; and the events following Markham's reading the diary. Anne Bronte's novel is powerful, haunting and quite disturbing. Miss Bronte, and her brother Branwell, served as governess and tutor to the children of wealthy aristocrats. Some of the behavior described here is apparently taken from events which Anne witnessed, and which marked Branwell severely. Ms. Bronte openly stated that in "The Tenant of Wildfell Hall" she, "wished to tell the truth, for truth always conveys its own moral to those who are able to receive it." This well written, extraordinary tale can most definitely hold its own against the works of Anne's more famous sisters, Emily and Charlotte Bronte, and those of other noted authors of the period.
JANA
47 of 49 people found the following review helpful.
Historically significant as well as a good read!
By Tigger
Although Anne Bronte seems to be the least-known of the Bronte trio and only published two novels, this book has a more fascinating history to me than its more famous 'cousins', Wuthering Heights (Emily) and Jane Eyre (Charlotte). Not only was Wildfell the one to blow the lid on the male "Bell" pseudonyms the sisters had been writing under, but it's considered to be one of the world's first feminist novels, before that term existed. It was so controversial at the time of publication it was banned in many areas of Europe.
Written as one long letter - and a diary within a letter, like Kostova's The Historian - from protagonist Gilbert Markham to his brother-in-law on how he met his wife, Helen, most of the actual story is presented in diary form by Helen herself. Initially presented to the reader as a mysterious widow who arrives in a small English village (where she first meets Gilbert), she becomes, very much against her will, a source first of endless curiosity, and then a target of malicious gossip.
It then lays bare all of the shameful undercurrents of marriage in the Victorian age, particularly for a woman who was unwise or just unlucky enough to seriously misjudge the man she married. If you think it's a tough mistake to make now, only imagine its consequences in an age where divorce was rarely an option and you were almost always stuck with what you got, no matter how repugnant, immoral or tyrannical. Everything is here: adultery, alcoholism, abuse, alienation and humiliation.
At the time, Bronte was apparently skewered by hypocritical moralistic critics who felt she shouldn't have exposed this underbelly of Victorian society's mores - or more precisely, its lack of compassion or even recognition of what women were expected to endure. Helen's character, a religiously devout woman but also a fighter who refused to accept the worst of the abuses or allow her son to be corrupted, was lambasted as an evil influence on women and girls. It's gratifying to know that as history's hindsight and passage tells us now, this novel ended up going a long way towards shaking up 19th century morals and and bringing about the first stirrings of women's rights.
Like most Victorian novels it runs long and the modern reader might feel that it drags when compared to the quicker pacing of contemporary fiction, but I really enjoyed it and felt transported to another time.
76 of 86 people found the following review helpful.
The Forgotten Sister
By JLind555
Anne is the Bronte we never read in school and most of us don't read afterwards, which is a big loss for those who don't, because she's at least as talented as her two older sisters. "The Tenant of Wildfell Hall" can hold its own against "Jane Eyre" or "Wuthering Heights" any day in the week, but it was panned in its own time, in large part because of its "unladylike" topic of alcoholism.
Anne Bronte knew alcoholism first hand through her brother Bramwell who drank himself to death, and her revulsion of the alcoholic personality is central to this book. The heroine of "Tenant", Helen Graham, is a headstrong and independent young woman, who marries Arthur Huntington against the advice of her family. She is one of those who loves not wisely but too well, because Arthur, a selfish and irresponsible womanizer, cares about nothing but satisfying his own wishes and desires.
Helen wants to help Arthur turn his life around, which Arthur couldn't care less about, and his drinking and adultery right under her nose eventually repels her to the point where she despises him as much as she once loved him. It is only when she sees him attempting to influence her young son to become a chip off the old block, that she realizes her responsibility as a mother to save her son from his father trumps her duty as a wife to stand by her husband. With the help of her brother, Helen runs away with her son to the anonymity of life in a small village. Here she meets Gilbert Markham, who falls in love with her, but realizes that their relationship has no future as long as her husband is alive. Arthur's ultimate death from alcoholism not only frees Helen from an abusive and degrading marriage, it also leaves her free to find happiness with Gilbert.
Anne Bronte pulled no punches in writing this book and that is probably what so perturbed readers of her own era; too bad for them, because they were unable to appreciate this book for what it is, one of the unrecognized classics of English literature.
Judy Lind
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