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The Monk: , by Matthew Gregory Lewis - Illustrated (Comes with a Free Audiobook), by Matthew Gregory Lewis
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How is this book unique?
The Monk: A Romance is a Gothic novel by Matthew Gregory Lewis, published in 1796. A quickly written book from early in Lewis's career (it was written in ten weeks, before he turned 20), its convoluted and scandalous plot has made it one of the most important Gothic novels of its time, often imitated and adapted for the stage and the screen. Newly arrived in Madrid, Leonella and her niece Antonia visit a church to hear the sermon of a celebrated priest, Ambrosio, and while waiting tell their story to two young men, Don Lorenzo and Don Christoval. Antonia's Grandfather is the Marquis de las Cisternas, who was unhappy with his son’s marriage, causing her parents to flee, leaving their young son behind only to be told a month later he has died. Leonella has come to Madrid to convince the Marquis’ son, Raymond de las Cisternas, to resume their pension, which has been cut off. As the story is told, Lorenzo falls in love with Antonia. The mysterious priest, who was left at the abbey as a child, delivers the sermon, and Antonia is fascinated with him. Lorenzo vows to win the hand of Antonia, but must first visit his sister Agnes, who is a nun at the nearby abbey. Having fallen asleep in the church, he awakens to find someone delivering a letter for his sister from Raymond de las Cisternas. On the way home, a gypsy warns Antonia that she is about to die, killed by someone who appears to be honorable.
- Sales Rank: #1583742 in eBooks
- Published on: 2016-01-11
- Released on: 2016-01-11
- Format: Kindle eBook
Review
"One of the most shocking Gothic novels."
-- "Independent"
About the Author
Matthew Lewis is the author of two histories and two historical fiction novels about Richard III and the Wars of the Roses. The medieval period is a particular passion of Matthew's, a passion he hopes to share through his blog. He is dedicated to teaching and discussing this period, operating two history podcasts and providing bitesized facts to his Twitter and Facebook following.
Most helpful customer reviews
95 of 96 people found the following review helpful.
The most influential of the Gothic horror novels
By Daniel Jolley
The Monk is perhaps the most significant and certainly the most controversial of the Gothic novels of the late 18th century. Amazingly, its author, nineteen-year-old Matthew Lewis, wrote the novel in a period of only six weeks. Although inspired by the work of Ann Radcliffe (among other Gothic writers), Lewis goes far beyond the sensibilities of his predecessors and does not choose to explain away the supernatural events fuelling this inflammatory novel. The Monk is a tale of human evil in its most vile form; the unspeakable acts described in these pages are committed by the supposedly most devout individuals in society. The Catholic Church was incensed with the novel's publication, and it is actually quite remarkable that The Monk was published at all and that its author faced nothing more dire than censorship and indignant protest as a consequence of it.
Ambrosio is the most celebrated, revered monk in Madrid (in the era of the infamous Spanish Inquisition) - his sermons attract crowds far too large to gain admittance to the sanctuary, and everyone holds him up as a veritable saint walking the earth. His fall from grace is precipitous indeed. Secretly, Ambrosio is vain and proud, blissfully assured of his own near-perfection. At the first temptation of lust, however, this holy man reveals himself to be the ultimate hypocrite, giving in rather easily to the type of desire he rails against each Sunday. After learning that his friend Rosario is in fact a lovely woman in disguise named Matilda, he revels in the love she declares for him and quickly becomes her secret lover. Quickly and ever more thoroughly consumed by his new-found passion and carnal lasciviousness, he grows tired of the ever-willing Matilda and turns his perverted eye toward the sweet and wholly innocent young Antonia. Through the witchcraft of Matilda, he comes to consort with demons in the sacred crypts underneath the abbey itself, giving up his morality and piety in the blind pursuit of actions worse than mere rape.
Ambrosio is not the only hypocritical, secretly sinful church official in Madrid, however. The prioress of the convent bordering the abbey is a sickeningly cruel and spiteful agent of perfidy herself. When she discovers that Agnes, one of her novitiates, is pregnant, she is so mortified at the impending shame this fact will bring down upon her and the convent that she resorts to the most barbaric of punishments for the poor and pitiable young lady. While her crimes do not quite exceed those of Ambrosio, the devastating consequences of her sinful acts result in long-lasting, deeply grievous repercussions.
The novel takes a while to really come together. After seeing Ambrosio in his publicly sanctimonious guise and watching his pitiful descent into the passions and lusts inspired by Matilda, we spend a great deal of time becoming acquainted with Antonia, Agnes, and the gentlemen who love them and will eventually fight bravely to try and save them both physically and morally from their sad fates. The story of the Bleeding Nun apparition is an important part of this section of the book and gives the reader his first real introduction to the supernatural aspects of the story. It is almost possible to forget about Ambrosio completely for a time; when he returns to the story, however, he commits unspeakable acts and profanes the very name of the God he supposedly serves in such excess that he earns a permanent spot in the annals of literature's most despicable villains.
It is in the crypts, among the moldering corpses of the dead, that the most blasphemous acts take place. Antonia's fate is quite horrible, but it is actually Agnes' tale of woe that takes the reader to the most horrific of extremes. Just when the worst seems to be over, we learn in graphic detail the almost unimaginable extent of the ordeal suffered by Agnes and her innocent child - the tale is quite gruesome even by today's standards, almost unimaginably so by those of Lewis' own time. The suffering of the innocent Agnes and Antonia is, in my opinion, unparalleled in the realm of Gothic horror.
Even some critics who are less than found of the Gothic horror genre have embraced this novel, partly because it does distinguish itself from the more Romantic writings of an author such as Ann Radcliffe. As such, it seems less pretentious and much more visceral than the typical Gothic tome. Lewis holds nothing back in presenting his portrayal of evil in the hearts of men and women. There is a love story aspect to the events surrounding Agnes and Antonia, but the author does not indulge in flowery descriptions of love, nor does he concern himself with rapturous expositions on the beauty of nature. There is very little of beauty to be found in these pages at all, and what innocence exists is ultimately lost at the hands of corrupted servants of God. With such complexity underlying the plot, The Monk is open to a number of interpretations, and its microscopic portrayal of evil's power to overcome the best of men and women continues to fascinate and leave a lasting impression on one generation of readers after another. Even in our own time, The Monk is more than capable of shocking the reader with its unbridled revelations.
33 of 33 people found the following review helpful.
The Ultimate Gothic Classic
By A Customer
Matthew Lewis wrote "The Monk" in ten short weeks at the age of nineteen. Immediately the subject of controversy upon its publication in 1796, Lewis was prosecuted and subsequent editions of the book were heavily censored. Coleridge described it as blasphemous, "a romance, which if a parent saw it in the hands of a son or daughter, he might reasonably turn pale." Yet, "The Monk" was so popular that its author became a minor celebrity-coming to be known as "Monk" Lewis--and Sir Walter Scott prounounced that "it seemed to create an epoch in our literature." And whether "The Monk" truly created an epoch in English literature, or merely marked the early apogee of a genre, it stands as a stunning example of the Gothic novel.
"The Monk" tells the story of Ambrosio, the ostensibly pious and deeply revered Abbot of the Capuchin monastery in Madrid, and his dark fall from grace. It is a novel which unravels, at times, like the "Arabian Nights", stories within stories, a series of digressions, the plot driven by love and lust, temptations and spectres, and, ultimately, rape, murder and incest. It is sharply anti-Catholic, if not anti-clerical, in tone, Ambrosio and most of its other religious characters being profane, murderous, self-centered hypocrites cloaked in displays of public piety. And while it sometimes seems critical of superstition, "The Monk" is replete with Mephistophelian bargains, supernatural events, appartions, and spectres, as well as entombment and dark forebodings of mystery and evil. It is, in short, a stunningly entertaining, albeit typically heavy-handed, Gothic novel, perhaps the ultimate classic of the genre.
28 of 29 people found the following review helpful.
Stories with the story
By K. C. Vogel
The Monk is a wonderful Faustian tale. However, this is far from just being about the monk himself. All the side characters get their chance to tell their tales. With each new story you realize when it was done, "Oh, yeah, forgot about the rest of the story." All of these overlapping tales do come together quite well. Be warned that the opening is a bit slow but like in a Dickens book you must pay attention to the beginning as it all gets wrapped up in the end.
The one drawback I saw was that of characters who are so emotionally distraught that they have to take to their sickbeds in grief. Guess when you have money you can afford to waste away for weeks. Makes me wonder how these people would handle the strain of having teenagers.
That aside this is a marvelous read and a true classic. If Faust wasn't already out there then this could have easily taken its place. For here we see the downfall of false piety and the triumph of true nobility of character. Oh, yes--there are also ghosts, murder, and broken hearts a plenty.
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