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  • Orthodoxy (1908) is a book by G. K. Chesterton that has become a classic of Christian apologetics. Chesterton considered this book a companion to his other work, Heretics. In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of Christian religion. He sees it as the answer to natural human needs, the "answer to a riddle" in his own words, and not simply as an arbitrary truth received from somewhere outside the boundaries of human experience. The book was written when Chesterton was an Anglican. He converted to Catholicism 14 years later. The title, Orthodoxy, is meant to avoid such sectarian questions.

    • Sales Rank: #658161 in eBooks
    • Published on: 2016-01-04
    • Released on: 2016-01-04
    • Format: Kindle eBook

    Amazon.com Review
    If G.K. Chesterton's Orthodoxy: The Romance of Faith is, as he called it, a "slovenly autobiography," then we need more slobs in the world. This quirky, slender book describes how Chesterton came to view orthodox Catholic Christianity as the way to satisfy his personal emotional needs, in a way that would also allow him to live happily in society. Chesterton argues that people in western society need a life of "practical romance, the combination of something that is strange with something that is secure. We need so to view the world as to combine an idea of wonder and an idea of welcome." Drawing on such figures as Fra Angelico, George Bernard Shaw, and St. Paul to make his points, Chesterton argues that submission to ecclesiastical authority is the way to achieve a good and balanced life. The whole book is written in a style that is as majestic and down-to-earth as C.S. Lewis at his best. The final chapter, called "Authority and the Adventurer," is especially persuasive. It's hard to imagine a reader who will not close the book believing, at least for the moment, that the Church will make you free. --Michael Joseph Gross

    Review
    "Whenever I feel my faith going dry again, I wander to a shelf and pick up a book by G.K. Chesterton."
    --from the foreword by Philip Yancey, author of What's So Amazing About Grace? and The Jesus I Never Knew

    "My favorite on the list [of top 100 spiritual classics of the twentieth century] is Chesterton's Orthodoxy. It offers wonderful arguments for embracing religious traditions, but it also has humor you don't typically find in religious writing."
    --Philip Zaleski, author and journalist

    Named by Publisher's Weekly as one of 10 "indispensable spiritual classics" of the past 1500 years.
    --Publisher?s Weekly

    "Chesterton's most enduring book.... Charming."
    --World



    From the Hardcover edition. --Review

    "Whenever I feel my faith going dry again, I wander to a shelf and pick up a book by G.K. Chesterton."
    --from the foreword by Philip Yancey, author of What's So Amazing About Grace? and The Jesus I Never Knew

    "My favorite on the list [of top 100 spiritual classics of the twentieth century] is Chesterton's Orthodoxy. It offers wonderful arguments for embracing religious traditions, but it also has humor you don't typically find in religious writing."
    --Philip Zaleski, author and journalist

    Named by Publisher's Weekly as one of 10 "indispensable spiritual classics" of the past 1500 years.
    --Publisher?s Weekly

    "Chesterton's most enduring book.... Charming."
    --World



    From the Hardcover edition.

    Orthodoxy is the trunk of the tree from which all the other branches of Chesterton grow. It is a masterpiece of rhetoric, it has never been out of print since it was first published in 1908, and it is simply one of the best books written in the 20th century. If you only read one book by Chesterton well then shame on you but if you only read one book by Chesterton, it has to be Orthodoxy. But don t compound your shame by thinking you can get away with reading it only once. Or only twice. The first problem is that every sentence in the book makes you stop and think, which makes you lose the thread of the main argument. Every act is an act of self sacrifice. Think about that. Or, Death is more tragic than death by starvation. Or, The mere pursuit of health always leads to something unhealthy. Or, Progress should mean that we are always changing the world to suit the vision. Progress does mean (just now) that we are always changing the vision. Or this one: Angels can fly because they can take themselves lightly. Besides the fact that almost every sentence in the book is a show-stopper, the next problem is that the next sentence, or even the next word is never what you expect which makes you lose the thread of the main argument. A madman is not the man who has lost his reason. The madman is the man who has lost everything except his reason. When you do love a thing, its gladness is a reason for loving it, and its sadness a reason for loving it more. We do not need a censorship of the press. We have a censorship by the press. And there s a third problem: when you read the book a second time, completely different sentences will jump off the page at you, leading you to conclude that Chesterton has somehow managed to re-write the book since the first time you read it. Which makes you lose the thread of the main argument. So, what is the main argument that seems so hard to keep a hold of in this book? It is this: that the central Christian theology (sufficiently summarized in the Apostles Creed) is the best root of energy and sound ethics. Simple. Chesterton begins the book by describing a book he didn t write, a romance about a man who sets sail from England in order to discover a new land. He accidentally gets turned around and returns to England, thinking it is the new place he had sought to discover, and finds himself looking at familiar things as if seeing them for the first time. Chesterton had intended to write that story as a way of illustrating what he perceived to be one of life s greatest riddles and challenges: How can we contrive to be at once astonished at the world and yet at home in it? But more importantly, Chesterton s unwritten story of romantic discovery is a metaphor for his own spiritual odyssey. He had set out to discover a new heresy that he could call his own. But when he had put the finishing touches on it he discovered that it was traditional Christianity, or orthodoxy: I have kept my truths but I have discovered, not that they were not truths, but simply that they were not mine. When I fancied that I stood alone I was really in the ridiculous position of being backed up by all Christendom. --Dale Ahlquist, American Chesterton Society

    Review
    "Whenever I feel my faith going dry again, I wander to a shelf and pick up a book by G.K. Chesterton."
    --from the foreword by Philip Yancey, author of What's So Amazing About Grace? and The Jesus I Never Knew

    "My favorite on the list [of top 100 spiritual classics of the twentieth century] is Chesterton's Orthodoxy. It offers wonderful arguments for embracing religious traditions, but it also has humor you don't typically find in religious writing."
    --Philip Zaleski, author and journalist

    Named by Publisher's Weekly as one of 10 "indispensable spiritual classics" of the past 1500 years.
    --Publisher?s Weekly

    "Chesterton's most enduring book.... Charming."
    --World

    Most helpful customer reviews

    232 of 241 people found the following review helpful.
    Entertaining, humorous, intelligent, and full of surprises
    By David Graham
    Portly, fun loving, witty G.K. Chesterton decided to write this book as a companion volume to his book HERETICS. Since HERETICS had criticised contemporary philosophies, ORTHODOXY was written to present an alternative viewpoint, and is therefore both affirmative in tone and autobiographical in many places. A sampling of his chapter titles gives some idea of Chesterton's sense of fun as well as his unusual approach to the matter of Christianity. Chapter one is "In Defense of Everything Else" (one pictures Chesterton with a whimsical, impish smile on his face as he wrote this). There are also chapters on "The Suicide of Thought", "The Ethics of Elfland" (a really superb chapter), "The Maniac", and "The Paradoxes of Christianity". In this easily readable book (only 160 pages in the small paperback edition), Chesterton shows that theological reflections and philosophical ruminations need be neither boring nor incomprehensible. This was jolly good fun to read, being both funny and intellectually stimulating. Highly recommended.

    54 of 56 people found the following review helpful.
    From a Failed Pagan
    By A Customer
    Love this book. Chesterton is sort of the Mark Twain of apologetics. Reading it I found that I was laughing one minute and seriously blown away the next. I am not a Christian, but this book gave me hope that maybe there is a place for a logic and faith based Christianity which is both orthodox and stronger than a fearful fundamentalism. I like the fact that Chesterton opposes his critics while for the most part honestly respecting them as intelligent people. It's the sign of a man secure in his ideas.
    I would recommend this book to any other failed pagans out there. Would also be a good read for any agnostic interested in the role of imagination in simple, thoughtful living.

    83 of 90 people found the following review helpful.
    A brilliant defence of the Christian faith.
    By A Customer
    This book is Chesterton's defence of orthodox Christianity. It is partly autobiographical, in the sense that Chesterton describes various insights into the nature of reality, and various puzzles about reality, and then shows how (to his astonishment) the Christian faith accounts for the insights and answers the puzzles.
    The following quote expresses this idea:
    "This, therefore, is, in conclusion, my reason for accepting the religion and not merely the scattered and secular truths out of the religion. I do it because the thing has not merely told this truth or that truth, but has revealed itself as a truth-telling thing. All other philosophies say the things that plainly seem to be true; only this philosophy has again and again said the thing that does not seem to be true, but is true. Alone of all creeds it is convincing where it is not attractive; it turns out to be right, like my father in the garden."
    But don't just take my word for it! You can read it online from the G.K.Chesterton web page and then buy the book!

    See all 284 customer reviews...

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  • Little Women is a novel by American author Louisa May Alcott (1832–1888), which was originally published in two volumes in 1868 and 1869. Alcott wrote the books rapidly over several months at the request of her publisher. The novel follows the lives of four sisters—Meg, Jo, Beth, and Amy March—detailing their passage from childhood to womanhood, and is loosely based on the author and her three sisters. Little Women was an immediate commercial and critical success, and readers demanded to know more about the characters. Alcott quickly completed a second volume (entitled Good Wives in the United Kingdom, although this name derived from the publisher and not from Alcott). It was also successful. The two volumes were issued in 1880 in a single work entitled Little Women. Alcott also wrote two sequels to her popular work, both of which also featured the March sisters: Little Men (1871) and Jo's Boys (1886). Although Little Women was a novel for girls, it differed notably from the current writings for children, especially girls. The novel addressed three major themes: "domesticity, work, and true love, all of them interdependent and each necessary to the achievement of its heroine's individual identity." Little Women "has been read as a romance or as a quest, or both. It has been read as a family drama that validates virtue over wealth", but also "as a means of escaping that life by women who knew its gender constraints only too well".[6]:34 According to Sarah Elbert, Alcott created a new form of literature, one that took elements from Romantic children's fiction and combined it with others from sentimental novels, resulting in a totally new format. Elbert argued that within Little Women can be found the first vision of the "All-American girl" and that her multiple aspects are embodied in the differing March sisters. The book has been adapted for film twice as silent films, and four times with sound, in 1933, 1949, 1978 and 1994. Four television series were made, including two in Britain in the 1950s and two anime series in Japan in the 1980s. A musical version opened on Broadway in 2005. An American opera version in 1998 has been performed internationally and filmed for broadcast on US television in 2001.

    • Sales Rank: #1057774 in eBooks
    • Published on: 2016-01-28
    • Released on: 2016-01-28
    • Format: Kindle eBook

    From School Library Journal
    Grade 7-12-Louisa May Alcott's story about the four March sisters who learn the hard lessons of poverty and of growing up in New England during the Civil War.
    Copyright 1998 Reed Business Information, Inc.

    From Library Journal
    How would one describe this latest recording of the classic story from Alcott (Little Men, Audio Reviews, LJ 11/15/96)? The answer must be, clear, competent, and unexciting. Laura Grafton is a precise reader, but her voice lacks expressiveness, and she makes little attempt to vocally differentiate (and/or animate) the characters. The result is an inoffensive and slightly dull rendering. There's nothing wrong; the tapes just won't grab the attention of the casual listener. The producer has made a praiseworthy attempt to reduce costs by having each cassette side carry double text. At $22.95, this tape set is an excellent value. Unfortunately, this double-track format requires a stereo cassette player with a fully functioning balance control. Most portable cassette players and some car stereo systems do not have this feature. Since, at least anecdotally, a large percentage of recreational audiocassette library borrowers are commuters or exercisers, one should consider whether this format would be used by patrons. Libraries purchasing this format might also consider purchasing (and lending) the associated headphone adaptor plugs. Recommended for libraries with limited audiobook budgets and/or appropriate user populations.AI. Pour-El, Iowa State Univ., Ames
    Copyright 1999 Reed Business Information, Inc.

    Review
    "The American female myth."
    —Madelon Bedell

    Most helpful customer reviews

    257 of 273 people found the following review helpful.
    "Little Women," - The Original
    By Renee Shields
    Like the previous reviewer, I was surprised to find that he book I had been occasionally rereading for over 50 years was NOT the original novel. My own copy, much loved and well thumbed, has been with me since I was a ten year old. I bought the Kindle version just to have it in my portable library, since I thought I knew it almost by heart. To my surprise, when I started looking it over, I found that the book was not the same at all. My original copy must have been "modernized" at some point. All of the familiar passages were there, but there was a great deal that I didn't remember reading before. Some of that was a specifically Victorian kind of moralizing, but there was also some expansion of the story.. I'm not sure that I would have appreciated it all when I was younger, but I found it a delight to read now, as an example of a book of its times. Now I'm going to download the rest of the Alcott catalogue and see how it compares to the books I thought were the originals when I read them many years ago. This was still an exemplary book. It will always be one of the classics.

    315 of 347 people found the following review helpful.
    Whole Story edition is only half a story - I'm shocked!
    By bensmomma
    I was so, so looking forward to reading "Little Women" to my daughter, so she could be caught up in it as I was at an early age. I particularly chose the "Whole Story" edition because of its broad margins, easy-to-scan pages, and charming illustrations and margin notes that add historical texture to the story.

    Imagine my shock to discover that at the end of THIS edition, Jo has not written a book, Amy has not gone off to Europe, Professor Baer has not made an appearance of any kind and....you'll never believe this....Beth is still carrying on a conversation (I'm trying not to spoil the plot of the real thing here).

    That's because, apparently, "Little Women" was initially published in two parts ("Little Women" and "Good Wives"), which are generally published as the same book. Whole Story has chosen to stop at the half-way point, so much of the story you remember, loved, cried, and laughed over is just not here.

    Imagine getting only the first half of Tom Sawyer...leave him stranded on the island forever!

    I feel completely conned. It's a five-star story - make that maybe even a seven-star story - but it's a one-star edition.

    160 of 174 people found the following review helpful.
    An American classic.
    By Michael
    I am a 14-year-old girl and just got around to reading Little Women about a year ago. It is a great American classic written by Louisa May Alcott. It is about the four March sisters: Meg, Jo, Beth and Amy. They live in New England during the Civil War. They are poor, but they try to make the best of it as they grow and learn. We follow them through good times and bad as they, with help from Marmee and Laurie (their next-door neighbor), bear their own unique burdens. Meg's is poverty, Jo's is her temper, Beth's burden is not being able to play on a piano, and Amy's is her unaristocratic nose. (as funny as that sounds) You'll fall in love with Jo's oddities just as much as with Beth's gentil manners. It is a great book that everyone should read!

    See all 1392 customer reviews...

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    Sabtu, 30 Agustus 2014

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    The Odyssey: , by Homer : Illustrated, by Homer

    About The Odyssey by Homer
    How is this book unique?

  • E-reader & tablet formatted, Font Adjustments

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  • Unabridged Edition

  • Author Biography Inside

  • Illustrations included


  • The Odyssey (/ˈɒdəsi/; Greek: Ὀδύσσεια Odýsseia, pronounced [o.dýs.sej.ja] in Classical Attic) is one of two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad, the other work ascribed to Homer. The poem is fundamental to the modern Western canon, and is the second oldest extant work of Western literature, the Iliad being the oldest. Scholars believe it was composed near the end of the 8th century BC, somewhere in Ionia, the Greek coastal region of Anatolia.

    • Sales Rank: #861397 in eBooks
    • Published on: 2016-01-30
    • Released on: 2016-01-30
    • Format: Kindle eBook

    Review
    "[Robert Fitzgerald's translation is] a masterpiece . . . An "Odyssey" worthy of the original." -"The Nation" "[Fitzgerald's" Odyssey" and "Iliad"] open up once more the unique greatness of Homer's art at the level above the formula; yet at the same time they do not neglect the brilliant texture of Homeric verse at the level of the line and the phrase." -"The Yale Review " "[In] Robert Fitzgerald's translation . . . there is no anxious straining after mighty effects, but rather a constant readiness for what the occasion demands, a kind of Odyssean adequacy to the task in hand, and this line-by-line vigilance builds up into a completely credible imagined world." -from the Introduction by Seamus Heaney

    About the Author
    Homer was probably born around 725BC on the Coast of Asia Minor, now the coast of Turkey, but then really a part of Greece. Homer was the first Greek writer whose work survives. He was one of a long line of bards, or poets, who worked in the oral tradition. Homer and other bards of the time could recite, or chant, long epic poems. Both works attributed to Homer – the Iliad and the Odyssey – are over ten thousand lines long in the original. Homer must have had an amazing memory but was helped by the formulaic poetry style of the time.

     

    In the Iliad Homer sang of death and glory, of a few days in the struggle between the Greeks and the Trojans. Mortal men played out their fate under the gaze of the gods. The Odyssey is the original collection of tall traveller’s tales. Odysseus, on his way home from the Trojan War, encounters all kinds of marvels from one-eyed giants to witches and beautiful temptresses. His adventures are many and memorable before he gets back to Ithaca and his faithful wife Penelope. We can never be certain that both these stories belonged to Homer. In fact ‘Homer’ may not be a real name but a kind of nickname meaning perhaps ‘the hostage’ or ‘the blind one’. Whatever the truth of their origin, the two stories, developed around three thousand years ago, may well still be read in three thousand years’ time.

    Robert Fagles (1933-2008) was Arthur W. Marks ’19 Professor of Comparative Literature, Emeritus, at Princeton University. He was the recipient of the 1997 PEN/Ralph Manheim Medal for Translation and a 1996 Award in Literature from the American Academy of Arts and Letters. His translations include Sophocles’s Three Theban Plays, Aeschylus’s Oresteia (nominated for a National Book Award), Homer’s Iliad (winner of the 1991 Harold Morton Landon Translation Award by The Academy of American Poets), Homer’s Odyssey, and Virgil's Aeneid.

    Bernard Knox (1914-2010) was Director Emeritus of Harvard’s Center for Hellenic Studies in Washington, D.C. He taught at Yale University for many years. Among his numerous honors are awards from the National Institute of Arts and Letters and the National Endowment for the Humanities. His works include The Heroic Temper: Studies in Sophoclean Tragedy, Oedipus at Thebes: Sophocles’ Tragic Hero and His Time and Essays Ancient and Modern (awarded the 1989 PEN/Spielvogel-Diamonstein Award).

    Excerpt. © Reprinted by permission. All rights reserved.
    I

    Athene Visits Telemachus

    Tell me, Muse, the story of that resourceful man who was driven to wander far and wide after he had sacked the holy citadel of Troy. He saw the cities of many people and he learnt their ways. He suffered great anguish on the high seas in his struggles to preserve his life and bring his comrades home. But he failed to save those comrades, in spite of all his efforts. It was their own transgression that brought them to their doom, for in their folly they devoured the oxen of Hyperion the Sun-god and he saw to it that they would never return. Tell us this story, goddess daughter of Zeus, beginning at whatever point you will.

    All the survivors of the war had reached their homes by now and so put the perils of battle and the sea behind them. Odysseus alone was prevented from returning to the home and wife he yearned for by that powerful goddess, the Nymph Calypso, who longed for him to marry her, and kept him in her vaulted cave. Not even when the rolling seasons brought in the year which the gods had chosen for his homecoming to Ithaca was he clear of his troubles and safe among his friends. Yet all the gods pitied him, except Poseidon, who pursued the heroic Odysseus with relentless malice till the day when he reached his own country.

    Poseidon, however, was now gone on a visit to the distant Ethiopians, in the most remote part of the world, half of whom live where the Sun goes down, and half where he rises. He had gone to accept a sacrifice of bulls and rams, and there he sat and enjoyed the pleasures of the feast. Meanwhile the rest of the gods had assembled in the palace of Olympian Zeus, and the Father of men and gods opened a discussion among them. He had been thinking of the handsome Aegisthus, whom Agamemnon’s far-famed son Orestes killed; and it was with Aegisthus in his mind that Zeus now addressed the immortals:

    ‘What a lamentable thing it is that men should blame the gods and regard us as the source of their troubles, when it is their own transgressions which bring them suffering that was not their destiny. Consider Aegisthus: it was not his destiny to steal Agamemnon’s wife and murder her husband when he came home. He knew the result would be utter disaster, since we ourselves had sent Hermes, the keen-eyed Giant-slayer, to warn him neither to kill the man nor to court his wife. For Orestes, as Hermes told him, was bound to avenge Agamemnon as soon as he grew up and thought with longing of his home. Yet with all his friendly counsel Hermes failed to dissuade him. And now Aegisthus has paid the final price for all his sins.’

    Most helpful customer reviews

    276 of 289 people found the following review helpful.
    A nearly perfect conjunction of elements
    By Robert Moore
    Fagle's translation of THE ODYSSEY in the Penguin edition is an almost perfect act of publishing. The translation itself manages to be enormously readable, highly poetic, and extremely accurate, all at the same time. The Introduction by Bernard Knox should serve as a model for all scholars who are called upon to write critical introductions for classic works of literature. And the book design is is extraordinary; this edition of Homer's classic is easily one of the most attractive paperback books in my library. I had read this once before in translation (in the old Rieu version), and then later translated much of it in a second year Greek class. But in neither instance did I enjoy it as much as reading the Fagles's translation.
    Aristotle did not think that people should study philosophy too early in life, and perhaps that is also true of reading Homer. Part of me feels that we make a mistake in our education systems by making students read THE ODYSSEY before they are in a position to appreciate it. If one looks through the reviews here, a very large number of very negative reviews by a lot of high school students can be found. I find this unfortunate. In part I regret that we are forcing younger readers to read this book before they have fully matured as readers. Perhaps the book and the students themselves would be better served if we allowed them time to grow a bit more as readers before asking them to tackle Homer.
    THE ODYSSEY is so enormously enjoyable (at least for this adult reader) that it is easy to forget just how very old it is. What impresses me is how readable it is, despite its age. There are very, very few widely read works older than THE ILIAD and THE ODYSSEY. And the gap between how entertaining these works are and those that come before them is gigantic. Try reading THE EPIC OF GILGAMESH or even THE HESIOD and then turning to THE ODYSSEY, and one can grasp my point. This is a very, very old work of literature, but it wears its age lightly. In the end, the greatest praise one can pay THE ODYSSEY is the fact that it can be read for fun, and not just because it is a classic.

    351 of 370 people found the following review helpful.
    Epic achievement
    By A Customer
    Since you ask me, you word-hungry Amazonians,
    How I came solate in life to the end of a tale
    That schoolchildren read in comicbooks,
    A tale that is one of the sturdy legs
    Of the table on which our culture rests
    Since you ask, I will tell you, and gladly, too.
    My journey started, though you grin in disbelief,
    In ninth-grade Latin class, where "Ulysses"
    Duped the cyclops by calling himself "Nemo."
    Then a deep sleep fell over me,
    And I knew no more Homer, not in Greek or Latin
    Or English or even the strange tongue
    Of the network miniseries, while Sun
    Drove his blazing chariot round Earth
    One hundred hundred times.
    In this sleep I wandered the world of letters,
    Homerless but unable to avoid the homeric:
    Achilles' heel, the Sirens' song,
    Calypso, the Trojan Horse, and swinemaking Circe--
    Crouched like Scylla, aswirl like Charybdis,
    Threatening cultural death to epic ignorance.
    At last I found my literary Tiresias,
    The New York Times Book Review.
    I shook from this seer the name Fagles,
    And so guided, I made my way home at last,
    Through a translation that rings of a heroic time,
    A time when men were stronger and grander than we,
    When women were more beautiful,
    And when, granted, sexual equality wanted
    A few millennia's labor;
    But even so, a rendering as modern
    As anything DeLillo, new god of the underworld,
    Or the infinitely jesting Wallace
    Can lay before us.
    The best, in fine, of both worlds, an epic worthy
    Of the blind bard and of his heroes, his heroines,
    And the deathless denizens of Olympus.

    137 of 141 people found the following review helpful.
    5 stars for being unique and comfortable in its own skin.
    By ingrid888
    Most everybody knows about the Odyssey of Homer (the story and all that), so this review is about this particular translation by Stanley Lombardo. You have the classic English verse translations (Chapman, Pope, Cowper) and the classic prose translations (Butcher and Lang, Palmer), then you have the twentieth century crowd (Lattimore, Fitzgerald, Mandelbaum, Fagles, Rieu, Rouse, Shewring etc...) Some of these are verse and some prose, some literal and some poetic. Some are easy to read and some more difficult. Lombardo's translation of the Iliad and the Odyssey are somewhat unusual in that they are both verse and very clear and easy to read. Very much modern-day speech. Not that Fagles or Fitzgerald or Mandelbaum, for instance, (all verse translations) are difficult to read, but Lombardo's verse translation is really in a different category. His translations of the Iliad and the Odyssey sort of stand alone in their simple style and may be worth reading for that reason alone. I think also there is an unselfconsciousness in Lombardo's effort - and attitude - as well as a "very well then hang me, devils" confidence that comes through. Fresh, quick, engaging, spare, alive (typical words used by professional/academic reviewers for this translation...) An interesting touch by Lombardo is whenever Homer goes into one of his celebrated similes or metaphors Lombardo puts them into italics and sets them apart in the text. There are more of these in the Iliad than the Odyssey, but it is interesting to read them separate this way. He uses very much 'man on the street' expressions, and his verse reads very quickly, or, 'lightly' like a clear stream flowing easily over stones. I don't want to give the impression these are simplified versions of Homer's epics. They are real, unabridged translations. Serious translations, and though they are relatively new they seem to occupy a unique position in the gallery of English translations of Homer. They are worth aquiring for their uniqueness alone if you have the usual abiding interest and curiosity in new translations of Homer that most people develope who are drawn to these two epic poems.

    See all 964 customer reviews...

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    Jumat, 29 Agustus 2014

    !! Ebook Download Mexicans in Outer Space: Episode Uno, by Carlos Vásquez

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    Mexicans in Outer Space: Episode Uno, by Carlos Vásquez

    A long, long time from now, deep into the abyss of outer space…
    The sinister Dark Vato is taking control of the planet, New Jalisco, terrorizing one village at a time. Obsessed with torturing civilians and lust for sexy Latina women, he has captured the most beautiful woman on the planet, Princess Ana. The princess has reached out to the Star Fleet, begging for help and to save her and the people of the beautiful planet.
    Captain Juan Cholo, the inexperienced and cocky, but brave and proud new captain of the Halcón Magnífico, has been selected by the admiral of the Star Fleet for this special operation (Partially because he was the only guy willing to do it for the small salary). He will be introduced to his crew and immediately and sent to the planet of New Jalisco for this special operation. Will he be the hero to save Princess Ana and the planet or will his cockiness and ego cause him to fail the mission? Basically, is he a Mex-i-can or a Mex-i-can’t?
    Prepare for an adventurous, suspenseful, bold, courageous, dangerous, venturous, action-packed, love and lusty romantic tale of a Captain, a princess, and the crew of the Halcón Magnífico. Throw away your light sword, Trekky uniforms, and all your memorabilia from the previous Hollywood science-fiction hit. Those have all sucked since the 90’s anyways. This book is all you need. It will improve your Spanish. This story will change your life forever.
    Grab yourself some chips and salsa. Crack open a beer. Heck, go to the nearest taco shop and grab a bean burrito to-go. Button the top of your unbuttoned flannel. Put on your khakis and dark sunglasses. Enjoy, and prepare for Mexicans in Outer Space.

    • Sales Rank: #2113227 in eBooks
    • Published on: 2016-01-20
    • Released on: 2016-01-20
    • Format: Kindle eBook

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    Very Creative
    By Amazon Customer
    A parody of Star Wars with Mexican references. It's very funny and entertaining. This is a short story that can be read in less than half an hour. Simple story line but what makes it entertaining is the creative details to incorporate latin culture. I will also read the next part when it comes out. Can't wait.

    See all 1 customer reviews...

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    ^^ PDF Ebook Queen of Arlin: Book I of The Cyber Chronicles series (Volume 1), by T C Southwell

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    Queen of Arlin: Book I of The Cyber Chronicles series (Volume 1), by T C Southwell

    When Queen Tassin Alrade of Arlin is forced to flee her kingdom on the post-holocaust planet of Omega Five, she has no idea that the strange warrior who helps her is a cyborg. Her world has forgotten the technology that almost destroyed it, and its society has regressed to a feudal age. Unless she escapes the kings who pursue her, one will annex her land through marriage, by right of capture. The cyber-bio combat unit is the deadliest hi-tech killing machine ever created. He is a genetically enhanced clone trained in every art of combat, able to use any weapon, speak every language and operate any craft, and his metal-plated bones and internal body armour make him virtually indestructible. He is so dangerous, in fact, that he is controlled by an AI that can never achieve self-awareness. Then, a freak accident damages the micro-supercomputer that controls Sabre, and he becomes what his creators have always dreaded the most: a free man. His lack of courtly manners annoys Tassin, while he finds the spoilt young queen a trial, and her high-handed ways too often land her, and, by association, Sabre, in trouble. He has no experience of the world, but now he must take charge of his destiny.

    • Published on: 2016-01-27
    • Original language: English
    • Number of items: 1
    • Dimensions: 8.50" h x .57" w x 5.50" l, .64 pounds
    • Binding: Paperback
    • 224 pages

    About the Author
    T. C. Southwell was born in Sri Lanka and moved to the Seychelles with her family when she was a baby. She spent her formative years exploring the islands – mostly alone. Naturally, her imagination flourished and she developed a keen love of other worlds. The family travelled through Europe and Africa and, after the death of her father, settled in South Africa. T. C. Southwell has written over thirty novels and five screenplays. Her hobbies include motorcycling, horse riding and art.

    Most helpful customer reviews

    7 of 7 people found the following review helpful.
    I wanted to jump into the book...
    By Miranda Penn
    I wanted to jump into the book... and STRANGLE the female lead. I understood that her behavior was mostly because of the fact that she was a Queen, but I couldn't stand that it took so long for her to grow as a person! The storyline, characters (besides her), and the writing were all done well. I just can't stand constantly wishing the book would end with the brutal and gruesome death of the heroine!

    7 of 7 people found the following review helpful.
    Great read....better than I expected
    By Maw Maw
    Dang it....now I'm going to have to pay to get the other volumes of this story.....Loved that it was free and I stayed up late finishing it only to realize that I would have to buy the other volumes. But at least they're listed for under $5.00. The story started out strong and continued in this vein all through the book. Great writing style and flow of the story.

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    After reading this....I went straight to Kindle and bought the remaining five books in the series. Well written and proofed....a gem for free.

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    Choice of Enemies: A Nathan Monsarrat Thriller, by M A Richards

    THE FIRST NATHAN MONSARRAT THRILLER
    A tale of greed, betrayal, and vengeance, CHOICE OF ENEMIES is the first in a series of espionage novels featuring Nathan Monsarrat, a retired Central Intelligence Agency deep cover operative with an extensive knowledge of black gold and expertise in weapons, women, and Benjamins.

    Light sweet crude is the mother’s milk of the Niger Delta. As the price for each barrel of oil rises on the international markets and the stakes for securing the black gold increase, a consortium of American oil companies and the Central Intelligence Agency plot to secure the flow of the crude. In Africa, though, plans unravel as quickly as cheap socks, and promises between partners have the lifespan of a mayfly.

    Nathan, now a Dean at a small college in Massachusetts, is visited by his former mentor at the Agency, who offers him a blunt choice: either travel to the Dark Continent to lay the groundwork for the coup d'état, or condemn the woman who saved his life to a brutal execution. Out of options, he returns to Africa, where he discovers that the Agency plans to reward his services with an oil soaked grave.

    Assisted by a coterie of new and old allies, including a beautiful vor with a thirst for power and a yeshiva bocher with a fondness for Armani suits, as well as his own sharp intelligence, considerable wit, and substantial charm, Nathan parries the Agency, circumvents the consortium, and exacts his own vengeance. In doing so, he learns that his choice of friends is as important as his choice of enemies.

    • Sales Rank: #517515 in eBooks
    • Published on: 2016-01-07
    • Released on: 2016-01-07
    • Format: Kindle eBook

    From the Author
    A true labor of love, CHOICE OF ENEMIES grew from my 24(+) years as a Cultural Attaché with the Department of State. During my years as a diplomat, I spent much time in Africa and worked in many countries, including Nigeria, South Africa, and Namibia. My first-hand experiences and adventures (and misadventures) were a petri dish for incubating the story. I'd like to say the novel sprung entire and polished from my head, like Athena springing fully armored from the forehead of Zeus, but all that the birth of CHOICE OF ENEMIES had in common with that particular piece of mythology was the feeling of an axe cleaving my brain. First novels are notoriously difficult to bring to fruition, and this one took eighteen months to write, but like any difficult child who survived a tough start, I am very proud of the book and its hero, Nathan Monsarrat. He's a good man, steady, dependable, and smart, but not without neuroses. Still, if I had to go into a dark alley at night in one of the planet's nastier shitholes to meet a scumbag like Felix Sanhedrin (Monsarrat's bête noire), I would want Nathan on my six.

    From the Back Cover
    A tale of greed, betrayal, and vengeance, CHOICE OF ENEMIES is the first in a series of espionage novels featuring Nathan Monsarrat, a retired Central Intelligence Agency operative with an extensive knowledge of black gold and expertise in weapons, women, and Benjamins. 
     
    Light sweet crude is the mother's milk of the Niger Delta. As the price for each barrel of oil rises on the international markets and the stakes for securing the black gold increase, a consortium of American oil companies and the Central Intelligence Agency plot to secure the flow of the crude. In Africa, though, plans unravel as quickly as cheap socks, and promises between partners have the lifespan of a mayfly.
     
    Nathan, now a Dean at a small college in Massachusetts, is visited by his former mentor at the Agency, who offers him a blunt choice: either travel to the Dark Continent to lay the groundwork for the coup d'état, or condemn the woman who saved his life to a brutal execution. Out of options, he returns to Africa, where he discovers that the Agency plans to reward his services with an oil-soaked grave.  
     
    Assisted by a coterie of new and old allies, including a beautiful vor with a thirst for power and a yeshiva bocher with a fondness for Armani suits, as well as his own sharp intelligence, considerable wit, and substantial charm, Nathan parries the Agency, circumvents the consortium, and exacts his own vengeance. In doing so, he learns that his choice of friends is as important as his choice of enemies.

    About the Author
    M. A. Richards is the author of the Nathan Monsarrat international espionage novels.  Born in Lowell, Massachusetts, he received his Bachelor of Arts degree in Theater Studies from Connecticut College and his Master of Arts degree in English from the University of Massachusetts at Amherst. During a career as a Cultural Attaché in the Department of State that spanned more than two decades, he served in Baghdad, Jerusalem, Lagos, Moscow, Seoul, Tel Aviv, and Washington, D.C. He also served at U.S. Pacific Command in Honolulu as the Special Advisor to the Commander. He speaks Arabic, Hebrew, Korean, and Russian. For more information, visit marichardsbooks.com  

    Most helpful customer reviews

    3 of 3 people found the following review helpful.
    Kudos for Choice of Enemies by M.A.Richards
    By Amazon Customer
    From the moment I started to read, I was mesmerized by this book.It is written well and fast-paced. I finished it in less than 48 hours. Our hero, Nathan, is written as a well- rounded former spy, who is comfortably entrenched in his new life, when he is pulled back into his old life. His former boss, Felix, is a devious slime bag,who is ruthless and without conscious....a perfect foil for Nathan.
    I would highly recommend this book,as it kept my interest from the start, is well - written, and I felt sad that it ended, but I am looking forward to Richards' second novel.

    2 of 2 people found the following review helpful.
    Read this or else!
    By Amazon Customer
    Title: Surprising (as in pleasantly)

    Not your run of the mill thriller. This one actually is an upscale read that respects its reader while still having an understandable plot. It does not feel like it's been "well researched," it feels like the author has been there (from the Berkshires to the Gulf to Moscow to Witputz). One gets the picture early on when the main character Monsarrat is introduced. Not "Rocky Armstong" or "Duke Nucum" but an honest to God name. It's about "men like us ...who have allegiances not friendships." It's bad guys are awesome - " the four stooges" (Russian thugs), Masha the eviliest woman this side of the Pecos and side characters such as the "telephone pixies."

    The yarn begins with the main characters plans "unraveling like a pair of cheap socks" (is there a pun in here somewhere) and quickly picks of speed when "suspicions became a substitutes for proofs" and events blossom across continents. (The Delta isn't the US and the Gulf isn't Mexico.) There is a passing unexplained reference to the Russian aphorism about dining with the devil and refs to other events that show the writing is for above the average reader. Refreshing.

    I highly recommend this book and this author. Understand he has another novel on the way.

    3 of 3 people found the following review helpful.
    A good first effort from a new author
    By SHG
    A good first effort from a new author. The action reminds me of the The Rogue Warrior series but with the added twist of betrayal from Monsarrat's former CIA employer. Book is full of geographical descriptions that could only come from someone who has actually been there and gives added realism to the story telling. Once I started the book I kept turning the pages to find out what happens next. I look forward to the next addition in the series.

    See all 16 customer reviews...

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    • Sales Rank: #3164416 in eBooks
    • Published on: 2016-01-07
    • Released on: 2016-01-07
    • Format: Kindle eBook

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    Not for the squeamish
    By James Herington
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  • Daisy Miller is a novella by Henry James that first appeared in Cornhill Magazine in June–July 1878, and in book form the following year. It portrays the courtship of the beautiful American girl Daisy Miller by Winterbourne, a sophisticated compatriot of hers. His pursuit of her is hampered by her own flirtatiousness, which is frowned upon by the other expatriates when they meet in Switzerland and Italy.Annie "Daisy" Miller and Frederick Winterbourne first meet in Vevey, Switzerland, in a garden of the grand hotel where Winterbourne is allegedly vacationing from his studies (an attachment to an older lady is rumoured). They are introduced by Randolph Miller, Daisy's 9-year-old brother. Randolph considers their hometown of Schenectady, New York, to be absolutely superior to all of Europe. Daisy, however, is absolutely delighted with the continent, especially the high society she wishes to enter.

    • Sales Rank: #1518868 in eBooks
    • Published on: 2016-01-10
    • Released on: 2016-01-10
    • Format: Kindle eBook

    From Library Journal
    James's brief 1858 classic is here presented as a no-frills edition in Dover's Thrift series. Since the text is a staple in many high school and college literature curricula, Dover provides a painless, inexpensive way of stocking multiple copies.
    Copyright 1996 Reed Business Information, Inc.

    Review
    “The critical faculty hesitates before the magnitude of Mr. Henry James’s work.”—Joseph Conrad

    Review
    "Everything about this edition commends it to instructors, students, and general readers alike. Kristin Boudreau's authoritative introduction provides an excellent orientation, no less for seasoned scholars than for students discovering Henry James. The text of the novella is well chosen--the 1879 Harper edition, capturing the freshness of James's early style (as opposed to the ornate 1909 revision), but with the benefit of James's revisions of the first magazine and book versions. Twelve appendices offer contemporary materials that cast strong and helpful lights on key aspects of James's art and of the literary and cultural contexts of this early masterpiece."--Daniel Mark Fogel

    Most helpful customer reviews

    39 of 40 people found the following review helpful.
    "You had better not meddle with little American girls who are uncultivated."
    By Mary Whipple
    One of Henry James's earliest novellas, Daisy Miller (1878) follows the activities of a wealthy, and brashly confident, young American woman as she audaciously challenges European society in Vevey, Switzerland, and in Rome, having fun, doing what pleases her, and leaving staid European society gasping in her wake. Daisy Miller, whose father is in the US and whose mother is her ineffectual "chaperone," is a free spirit in a society bound by unstated but rigid "rules," determined to do whatever she wants, whenever she wants, with whomever she chooses.

    Frederick Winterbourne, an expatriate who has spent most of his life in Geneva, is attracted to Daisy, but his bonds with his stuffy aunt, Mrs. Cosgrove, and her friend, Mrs. Walker, both of whom govern ex-patriot society in Europe, leave him ill-equipped to deal with Daisy's flouting of society's conventions. When she is obviously attracted to Mr. Giovanelli, a singer/musician of no social standing, and when she is seen with him publicly in places that a "nice" girl would not grace at night, her reputation is threatened, and anyone associated with her is tainted. Winterbourne is uncertain how to protect her, while, not incidentally, protecting his own reputation.

    Developing his most famous theme, James considers the conflicts between American and European values and the naivete of the Americans and their spontaneity as it contrasts with the old world formality of the Europeans. Daisy, who is often foolishly naïve, is also seen as brash and ego-centric, a young woman whose destiny cannot be avoided (or even predicted) because of the strength of her own, often wrong, willfulness.

    James focuses on two characters here--both Daisy and Winterbourne--and though the story is told from Winterbourne's point of view, Daisy is often the more vibrant of the two characters. Though she is shallow and assertive, he is hidebound by convention, leaving both characters with limits in terms of reader identification. When a night-time dalliance leads to serious consequences for Daisy, the reader is neither surprised nor shocked.

    Filled with trenchant observations about Americans and their differences from Europeans, the novel incorporates significant symbols--the Coliseum (associated with innocent Christian martyrs), malaria (to which Americans are particularly susceptible), Randolph (Daisy's rude and undisciplined 10-year-old brother, the ugliest of Americans), and Mrs. Cosgrove and Mrs. Walker (converts to the European way of life). Carefully observed and critical of American naivete, Daisy Miller is the "preface" to Portrait of a Lady and many of James's more fully developed novels. n Mary Whipple

    28 of 29 people found the following review helpful.
    A quick, interesting read
    By Savannah
    Daisy Miller is everything a woman of that era should not be: flighty, flirtatious and strong-willed. I enjoyed this novella because you so infrequently see a lead female character of that era portrayed in quite such an unflattering light. While the plot is simple there are a few twists and turns. This is an interesting, fun read.

    13 of 14 people found the following review helpful.
    Novella about manners and customs
    By Eugenia
    This short novella is a brief story about a young american woman who travels Europe with her mother and young brother. Thru a chance she meets young British gentleman Winterbourne who is smitten by her beauty, but also amazed by her innocence and lack of restraint. Daisy comes from a rich family and from a world where she is permitted to be herself no matter what the price of her individuality may be. But she is also eager to make company in a new world and gain access to society. She craves entertainment, attention and stimulating company. What she is not realizing is the fact she is going about it the wrong way. Story is set in Europe, small town Vivey in Switzerland and Rome, Italy. As Daisy's young life unfold and ends tragically, one cannot but think that in either case there was no happy ending here. Her behaviour and galant carelessness were ticket to doom. Definitely fine story about class difference, cultural difference and tale that money cannot buy everything. One has to find subtle ways to get what she wants out of life.

    See all 135 customer reviews...

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