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^^ Free Ebook The Jungle Book - Complete Edition: , by Rudyard Kipling- Illustrated (Free Audiobook + Unabridged + Original + E-Reader Friendly), by Rudya

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The Jungle Book - Complete Edition: , by Rudyard Kipling- Illustrated (Free Audiobook + Unabridged + Original + E-Reader Friendly), by Rudya

The Jungle Book - Complete Edition
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  • Illustrations Included

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  • The Jungle Book - Complete Edition is a collection of stories by English author Rudyard Kipling. The stories were first published in magazines in 1893–94. The original publications contain illustrations, some by Rudyard's father, John Lockwood Kipling. Kipling was born in India and spent the first six years of his childhood there. After about ten years in England, he went back to India and worked there for about six-and-a-half years. These stories were written when Kipling lived in Vermont. There is evidence that it was written for his daughter Josephine, who died in 1899 aged six, after a rare first edition of the book with a poignant handwritten note by the author to his young daughter was discovered at the National Trust's Wimpole Hall in Cambridgeshire in 2010.

    • Sales Rank: #1846484 in eBooks
    • Published on: 2016-01-21
    • Released on: 2016-01-21
    • Format: Kindle eBook

    From School Library Journal
    Grade 4-8?The law of the jungle?intense competition for one's niche?seems to apply to The Jungle Book, judging from the numerous editions jostling on the bookseller's shelf. The centenary of publication is the justification given for this avatar: but fortunately, it needs no excuse. All the Mowgli stories, and the perennial "Rikki-tikki-tavi," appear to glorious advantage in a handsome format. A manageable size, creamy paper, a clear typeface, and generous margins are as inviting as the 17 masterly full-page watercolors. They are beautifully composed, balanced but not static, freely handled but without any loss of clarity. Mowgli and the animals are characterized rather than idealized. Color and texture are subtle but lush. These contrasts perfectly complement the tension between order and "the jungle" evoked in Kipling's text. If survival of the fittest indeed applies to publishing, this edition should have a long life.?Patricia (Dooley) Lothrop Green, St. George's School, Newport, RI
    Copyright 1995 Reed Business Information, Inc.

    From Booklist
    Gr. 4^-7. In 18 rich watercolor paintings, Pinkney captures the sheer drama of the eight Mowgli stories and of the well-loved "Rikki-tikki-tavi." A handsome volume for collections of classic tales. Sally Estes

    Review
    ''Though these marvelous tales were written in Victorian times, they are still worthy of being read and enjoyed by today's youngsters. Fantasy is currently very popular with young readers, and here are stories in this genre that are truly excellent.'' --Children's Literature

    ''No child should be allowed to grow up without reading The Jungle Books. Published in 1894 and 1895, the stories crackle with as much life and intensity as ever . . . Young readers will be caught up by the stories, swinging from page to page, breathless, thrilled, and terrified.'' --Amazon.com, editorial review

    Most helpful customer reviews

    147 of 154 people found the following review helpful.
    Wonderful Edition of a Classic
    By Maria
    This unabridged edition includes both Jungle Book and Jungle Book 2. The stories are a wonderful length for read alouds. The Jungle Book is, of course, a classic and not in need of a review; however, if your only exposure to the Jungle Book is Disney, please give this a try. I wanted to commend Sterling Publishers on making a quality, affordable edition of this and other classics. The paper quality was nice, not thin or translucent. The font is also pleasant--not to small or cramped. I know this may seem faint praise, but so many classics collections are very poorly executed. The price is also very agreeable--only slightly more than a paperback.

    76 of 79 people found the following review helpful.
    A beautiful edition
    By S. Lancaster
    I love Ingpen's work with Sterling Illustrated Classics. This edition of The Jungle Book is going to be my daughter's literature book next year (3rd grade, 9 years old). This is our third volume illustrated by Ingpen. I intend to add as many of them as I can find to my kids' permanent collections.

    Kipling's original jungle stories were published as serials in a magazine. They were later collected into The Jungle Book, Books 1 and 2. I have four copies of The Jungle Book, and they each have a different selection of stories in them! The Mowgli stories that most people are familiar with - from his early life until he leaves the jungle - make up most of Book 1. Each story was also published with a poem. This edition has all of the original stories from Book 1 and the accompanying poetry.

    A couple commenters have called the pictures "too graphic." This is such a personal distinction that I can't really comment, other than to say that I will hand the book off to my daighter with no concern. There are plenty of drawings of Mowgli that show half or all of his naked booty. There is a picture of him tanning Shere Khan's hide. There is a picture of the Indian god Shiv. There are two scenes of animals fighting - Baloo being attacked by monkeys, and Rikki Tikki Tavi attacking a cobra. There is no gore that I noticed, nor any particularly frightening or violent images.

    The books itself seems like good quality - the paper is thick, the binding is tight, the printing is crisp, and there is a sewn-in ribbon bookmark. The Wind in the Willows has held up nicely to regular, light use during school time. The two-page illustrated spreads are especially beautiful. The pictures have a very true-life feel; they aren't cartoonish at all. On the other hand, I have wondered if such so many beautifully detailed illustrations prevent the imagination from forming it's own pictures.

    Overall, we love the volumes that we have so far, and we look forward to collecting more of them.

    228 of 248 people found the following review helpful.
    The Real Thing
    By Rockdoc
    My favorite books from childhood have always been Milne's "The World of Pooh" and Kipling's "The Jungle Book". Over the years I have purchased many copies of each as presents. Both can be difficult to find in versions unaltered from the original. I have found this to be particularly true in the case of The Jungle Book. Some folks just don't seem to get that Kipling had a pretty good handle on what he was doing. One does not tamper with a Masterpiece.

    This version is the real thing. It reads word for word the same as the tattered, 40-year-old copy that I first read when I was eight years old. Add illustrations by Robert Ingpen that faithfully capture the emotion of the story and you have a real winner. For those who appreciate The Jungle Book as it was BEFORE it was adulterated by Mr. Disney and friends, this is a very worthy effort.

    See all 771 customer reviews...

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    @ Download The Idiot: , by Fyodor Dostoyevsky : Illustrated (Bonus Free Audiobook), by Fyodor Dostoyevsky

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    The Idiot: , by Fyodor Dostoyevsky : Illustrated (Bonus Free Audiobook), by Fyodor Dostoyevsky

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  • The Idiot (Russian: Идио́т, Idiot) is a novel by the 19th-century Russian author Fyodor Dostoyevsky. It was first published serially in the journal The Russian Messenger in 1868-9. The title is an ironic reference to the central character of the novel, Prince Lyov Nikolaevich Myshkin, a young man whose goodness and open-hearted simplicity lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting "the positively good and beautiful man". The novel examines the consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved. The result, according to philosopher A.C. Grayling, is "one of the most excoriating, compelling and remarkable books ever written; and without question one of the greatest."

    • Sales Rank: #581188 in eBooks
    • Published on: 2016-01-06
    • Released on: 2016-01-06
    • Format: Kindle eBook

    About the Author
    Moscow-born Fyodor Mikhailovich Dostoyevsky (1821-1881) served time in a convict prison for his political alliances, and in his later years his passion for gambling led him deeply into debt. His novels include The Devils and The Brothers Karamazov. David McDuff has translated widely from the Russian, including for Penguin Classics, Crime and Punishment and Tolstoy's Kreutzer Sonata. Introducer William Mills Todd III is Professor of Slavic Languages at Harvard.

    Most helpful customer reviews

    233 of 245 people found the following review helpful.
    Doestoevsky's Master Work
    By Sean O'Neill
    What could have prompted me to first read "The Idiot" at age 13 on a beach vacation with my family I can not recall. What I do recall, however, is that I was fully engrossed day after day in a world of ideas, people and places far beyond my experience. Having now just "re-read" it 39 years later (following Crime and Punishment and Brothers Karamazov), I know I couldn't possibly have digested all of its ideas at that age: atheism vs. Christianity; nihilism vs. a dying social order; Eros vs. charity; truth vs. artifice; id vs.ego and superego. And yet, I also sense I know what captivated me even then.

    The characters in this novel, though usually explained as symbolic of the ideas they represent, are yet the most vividly realized characters I had ever "read" then, and still. The real-time manner in which they are drawn and followed is as if the author simply recorded their actions and conversations as and where they happened. We get to know who these people are, not through narrative description, but, as if by "candid camera", observing what they say, withhold, do, and fail to do. What emerges are fascinating, at times frightening and at times affectionate portraits of real and troubled humans: Lizaveta, the flighty, but loving society mother; General Epanchin, the successful but utterly conventional man of the house; Aglaya, the childish but delightful beauty who resents her sister's and parents' expectation for her; Ganya, who wants money and love, but plays the wounded martyr while more obviously blaming his father for his failures at both; Ivolgin, the pathetic figure of an aging man who aches for dignity and respect but who's former glory is long gone and mostly imagined; and Lebedev, the likeable sycophant and name-dropper.

    The more central characters to the events, the murderously passionate Rogozhin, and the self-scorning beauty Nastasya, are more starkly drawn. But even those portraits are created not through direct thought narration or narrative description, but by the author's leading us to read between and behind the lines of their words, conversations with others, and public "displays".

    As for the Prince himself, he is often said to symbolize the human side of a Christ-like man. That, of course, is true; but (as can also be seen in Aloysha, the hero of The Brothers Karamazov), he is as much child-like as he is like a Christ. The Prince's honesty, naiveté, trust, and simple affection for those around him, are all qualities that he seems to maintain as a man because he is really only entering the "adult" world of social Petersburg after a long and sheltered upbringing among younger children in Switzerland. When he enters this tangled world of adult competition, insecurity, envy, ambition and intrigue, though much older, he's in the most essential ways still the child that was sent by his benefactor to Switzerland for help with his illness.

    One comes away with the strong impression (reinforced by the portrait of Aloysha, hero of Brothers Karamazov) that Dostoevsky saw children as embodying the ideal of spirit that we strive to maintain or regain as adults. The prince's obvious affection for the loyal young boy Kolya and the compassionate young girl Vera, in this book, and similar bonds between his hero Aloysha and the children in Karamozov Brothers, show Dostoevsky's admiration for the child in man.

    The Idiot shows what happens when a simple, trusting and exceptionally compassionate child-man enters the more corrupt world of human adulthood without the experience to navigate, or even to perceive, the traps and snares laid by more worldly humans whose innocence has been chipped or stripped bare by ambition, envy, greed, despair or old age.

    On another level, The Idiot is an allegory for the Christ story itself- with Prince Myshkin coming from the Swiss sanatorium into the "the world" of Petersburg with a mission to live among, love and save its people. The complications of heart and mind when his human emotions unexpectedly collide with the more selfish and less willing of those around him are at the center of this story of a second coming re-imagined.

    One might be left, at the awfully tragic end of this novel, with the idea that Dostoevsky himself was of the same mind as Ippolit, the suicidal atheist, who his hero befriends of compassion. That is, from the disastrous conclusion, one might think that Dostoevsky believes that Holbein's painting (central to the story) of the disfigured and lifeless body of Christ the corpse, shows the impossibility of a divine spirit in (and after) a wretched human existence. Yet, it is with such affection that he describes the many and contradictory (and often delightful) sides of the "ordinary" people in this story, that I felt the opposite: that is, that Dostoevsky recognized not just in the tragically compassionate Prince, and the young Vera and Kolya, but also in the few and fleeting glimpses of love, friendship, compassion and even real dignity of the fallen or struggling others, that there is a redemptive force that underpins the human experience. If there were any doubt of that after reading this novel, it is laid to rest in the Brothers Karamazov, whose likewise tragic denouement yet ends on a note more obviously reflective of Dostoevsky's ultimate optimism.

    Crime and Punishment, a psychological crime story, showed Dostoevsky's incredible genius for "writing" the inside of the human mind. Brothers Karamozov was a morality tale that laid out, on a grand scale, yet in great detail, the most essential questions of good and evil, id and ego, life and after-life. For me, The Idiot did what both of these other great novels did, but was the most captivating of the three, because it was so human, intimate and real in its characters' discourse, actions and exposition. It was much less overt than the Brothers Karamazov, and less psychologically analytical than Crime and Punishment. But of the three, the timeless characters of "The Idiot" last most indelibly in the mind.

    55 of 57 people found the following review helpful.
    sublimely inaccessible
    By Michael Fridman
    This is one of the more famous of Dostoyevsky's novels, and quite rightly so as it has his very-unique blend of psychology, philosophy and an unrelenting view of the bleakest recesses of the soul.

    I read the novel in the original Russian, so this isn't a review of any particular translation but the work itself.

    In brief, the book centres around a Prince who has returned to Russia after being treated for mental illness in Switzerland since his childhood (hence the idiot). He quickly becomes involved within the upper-middle eschellons of St Petersburgian society, as people become fascinated by his direct honesty, simplicity and compassion. He becomes emotionally involved with a Fallen Woman, and this develops into a love triangle with another woman, ultimately ending in --- you guessed it! - tragedy. The Idiot is portrayed as the symbol of a child-like innocence: he genuinely wants everyone to live in harmony and love. However, the falseness, politics and backstabbing of the world of Russian middle-nobility will have none of that.

    The plot is quite complicated - but not in terms of twists. The story is quite simple in terms of what happened, however much of it is told inside-out, focusing on the internal world of the characters. So, if you feel like you've missed something - a reason for a character's comment, an event etc, chances are, this will be revealed later on.

    Dostoyevsky dwells on the extreme minute aspects of the emotional lives of his charactes. This is the richest aspect of the novel - and these emotions possess all the contradiction and chaos that real people have. There are no total heroes in the book - but I found a part of myself identifying with the Prince, as the grown child who just doesn't want to accept the "adult" behaviour of interpersonal relationships. I think it's expected in reading the book that some characters will be loathed, some found amusing and admired, some arousing interest - but not loved. This is because the world portrayed within the book is very inaccessible. It's hard to identify with anyone in terms of more than the generality of emotion - not just because the setting is remote, but because the characters experience thoughts and ideas that are so different to what most people would. I think this inaccessability was deliberate - as we feel not-quite-at-home in the world of the book, so it highlights how the Prince is not quite at home there - and that's where the sublime feeling is derived from.

    On a side note, be prepared for the difficulty of keeping track of names, as people are called by their surnames on certain occasions and the rest is first name and father's name. With heaps of characters and many Russian names, it all becomes a mess. But with some concentration (perhaps making a cast of characters?) that can be overcome and a great read will be had.

    A great book that will interact with your emotional world - if you don't mind heavy reading.

    61 of 68 people found the following review helpful.
    Innocence Lost?
    By Nathan Knapp_Voronwë
    Having previously read my first Dostoevsky (Crime and Punishment) I was literally chomping at the bit to start reading something else of his. I am not altogether sure as to why I found The Idiot to be the most appealing, it probably wasn't the synopsis, because I, in my ignorance, thought I was buying "The Possessed". I realized this as I pulled away from the book store, but didn't worry about it. Dostoevsky is Dostoevsky, right? Well, sort of. I was shocked when I did not find the anti-hero I expected, but Prince Lev Nikolaevich Myshkin, a pure and beautiful soul who I loved from the start. It was hard not to cheer for him throughout the course of the novel, and to feel his pain at the corrupt and confusing society that surrounded him. He is torn apart by his first love for the intriguing Nastasya Filippovna, and then later Aglaia Ivanovna, equally intriguing.

    I'll be the first to admit that though I loved this book I struggled through certain portions of it, namely nearly every scene Lebedev is involved in, and Ippolit's letter. The book has a very 'meandering' quality to it, and you get the feeling at times that Dostoevsky didn't have the slightest clue how he would finish it, and so stalled for time in certain areas. This didn't really diminish the book's quality, it simply made it harder to follow. Also, towards the end it seems as if Dostoevsky finally knows, and he finally hurries off.

    But, there is, perhaps, some of the greatest writing ever put on paper within these pages. Scenes such as Prince Myshkin's oratory on capital punishment, the party at Nastasya Fillippovna's, Prince Myshkin in the house of Rogozhin, and the most chilling scene in Rogozhin's bedroom. The beauty, terror, and despair in these scenes are so genuine that it's impossible not to be swept into Dostoevsky's world. So, would I recommend it? Of course, but not to someone unaquainted with Dostoevsky. Crime and Punishment is a much better place to start. But once you're acquainted with Dostoevsky's writings dive into this book, and you'll find yourself longing to help the poor Prince Myshkin, the idiot.

    See all 455 customer reviews...

    The Idiot: , by Fyodor Dostoyevsky : Illustrated (Bonus Free Audiobook), by Fyodor Dostoyevsky PDF
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    Sabtu, 07 Juni 2014

    ## Download Ebook The Elders of Otarka, by Robert Paul Hopwood

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    The year is 2233AD. Joshua has lived most of his fifteen years on a station orbiting the planet Epsilon Eridani d. Life on the station is dull for teenagers, and Joshua yearns for the kind of adventure he has read about in books. Then, one day an opportunity presents itself when the shuttle bay doors are mysteriously left open. Joshua, his cat, and his friend Suli ‘borrow’ a shuttle and go down to the surface of the planet. They really only want to get a look at the archeological excavations firsthand, but things become serious when an alien entity causes them to crash through the surface of the planet into a hidden area. A trans-dimensional portal then takes them to Sissakh, another world where they find two astronauts who went missing half a century ago. Why have they been brought to this alien planet, and whom should they side with in a war of ideologies which may decide not only the future of Sissakh, but also that of the entire human race?

    • Sales Rank: #8868738 in Books
    • Published on: 2016-01-08
    • Original language: English
    • Number of items: 1
    • Dimensions: 8.00" h x 1.15" w x 5.00" l, 1.10 pounds
    • Binding: Paperback
    • 510 pages

    About the Author
    Robert Paul Hopwood graduated from University College London in 1993 with a first-class combined honors degree in Ancient History and Egyptology. He currently works as a translator in Taiwan, where he lives with his wife and two cats. His publications include The Egyptian - Chinese Dictionary (1996), and The Elders of Otarka (2015), which is the prequel to The Crystal Planet (2015).

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    Fun read
    By williory
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    Jumat, 06 Juni 2014

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    The skelkrins. Predators from deep space. Creatures of claws, fangs, and unending malice. They swarm across the galaxy, slaying all in their path. Planets burn in their wake. And now they're heading to Earth.

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    • Sales Rank: #9921 in Audible
    • Published on: 2016-01-15
    • Format: Unabridged
    • Original language: English
    • Running time: 484 minutes

    Most helpful customer reviews

    25 of 29 people found the following review helpful.
    Another exciting sci-fi thriller!
    By Barb
    Really enjoyed this sci-fi thriller. I love how Daniel develops the characters as they face adversity. While this is the first in a series, the ending did not leave me frustrated that I have to wait for the next book. I am looking forward to reading the next in the series when it comes out, but wasn't left hanging. He delves in to the characters and the story line quickly and caught my interest so that I wanted to see what would happen next and how the characters would handle their challenges and personal demons (and a "real" one, too...you'll understand if you read the book) and grow to be better. It's the classic good vs. evil, and while the individual "good" guys are far from perfect, I found myself cheering for them and hoping they'd succeed. Daniel has once again written a book that I can easily see myself reading again, one that leaves me wanting more, but not frustrated that I have to wait.

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    Good fun read, over cute at times but a easy, short, entertaining read.
    By Mac
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    Rabu, 04 Juni 2014

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    One of the greatest plays of all time, the compelling tragedy of the tormented young prince of Denmark continues to capture the imaginations of modern audiences worldwide. Confronted with evidence that his uncle murdered his father, and with his mother’s infidelity, Hamlet must find a means of reconciling his longing for oblivion with his duty as avenger. The ghost, Hamlet’s feigned madness, Ophelia’s death and burial, the play within a play, the “closet scene” in which Hamlet accuses his mother of complicity in murder, and breathtaking swordplay are just some of the elements that make Hamlet an enduring masterpiece of the theater.

    Each Edition Includes:
    • Comprehensive explanatory notes
    • Vivid introductions and the most up-to-date scholarship
    • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English
    • Completely updated, detailed bibliographies and performance histories
    • An interpretive essay on film adaptations of the play, along with an extensive filmography


    From the Paperback edition.

    • Sales Rank: #2006065 in eBooks
    • Published on: 2016-01-16
    • Released on: 2016-01-16
    • Format: Kindle eBook

    From Library Journal
    The big H comes to Penguin's great revamped "Pelican Shakespeare" line. What else do you need to know? Buy it!
    Copyright 2002 Cahners Business Information, Inc.

    Review
    Praise for William Shakespeare: Complete Works:

    “A feast of literary and historical information.”
    -The Wall Street Journal


    From the Trade Paperback edition.

    Review
    Praise for William Shakespeare: Complete Works:“A feast of literary and historical information.” -The Wall Street Journal

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    82 of 85 people found the following review helpful.
    Arden Shakespeare Hamlet
    By Nathan Records
    I am currently working on my MFA/Directing. I directed Hamlet and am now writing my defense of it. I have two thoughts on this third edition.

    After going through this edition, from a point of view of the script, I'm not sure I understand the need to update Harold Jenkins's 2d edition. The script itself was easier to navigate in the 2d edition and I thought Jenkins's notes were more helpful. I also disagree with some of what Thompson and Taylor have to say in their editorial notes below the script. That said, I am biased because I used the 2d edition as a sort of "Hamlet Bible" as I directed the piece. Jenkins's notes were extremely insightful and useful. I became very comfortable with it.

    On the other hand, this third edition has some different insight into the play in performance than does the second edition, as well as information on casting and music that was not included in Jenkins. Obviously there is much written about William Shakespeare in the world, and this 3rd edition of Arden is probably the most up-to-date resource for bibliographic material (as well as some photos of past productions of the play). Jenkins edition is 24 years old, ancient in the scholastic world's "what's new" when it comes to sifting the vast quantity of material written on Shakespeare and Hamlet.

    Obviously, the needs of the theatrical world for playing Hamlet are different than that of the scholastic world (of which I am currently stuck in both). I think Jenkins is more user-friendly for the theatrician while Thompson & Taylor suit the needs of the scholastic better. My final thought is that a scholar/student of Shakespeare will want to have both the second and third editions for the differences they have to offer.

    79 of 82 people found the following review helpful.
    Middle aged and finally able to read Shakespeare
    By Gilgamesh
    I cannot more highly recommend this particular book, No Fear Shakespeare's Hamlet.

    I am approaching 50 years old and my only real experience trying to read Shakespeare was in high school where we were assigned roles in class and made to read, without comprehension, Romeo and Juliet and Julius Cesar. In the interim, I tried watching a few plays and dragged my kids to see the play Taming of the Shrew, which they hated because they couldn't understand the language nor the plot. Rather than becoming a Shakespeare hater, I've always felt inadequate and dumb for this huge hole in my education.

    My current inspiration to try Shakespeare again was my desire to try and help my high school aged son become more educated and cultured than I have been.

    I tried first with the Folger annotated editions of Shakespeare. They look excellent and define the unfamiliar words, but I still could not make sense of a substantial portion of the dialogue. I guess maybe I'm just dumb, I don't know.

    Anyway, I saw good reviews about this No Fear series, and I ordered several. So far I have read the modern English translations of Hamlet, Macbeth, Othello, King Lear, and The Tempest. While I feel a bit like I'm 'cheating', I actually have really enjoyed all the plays and at least now I know the plots and the characters and even some of the more subtle themes. I can't answer the complaints that the translations don't adequately translate Shakespeare's meanings. There are a few side notes that point out double meanings and things like that, though there are not extensive footnotes or sidenotes.

    To answer those who rate these books one or two stars, my answer is that they are at least a door into the world of Shakespeare for those of us unable to navigate the originals on our own. And they only take a couple of hours to read. It's not like this is a lifetime commitment or anything. The book only costs five bucks, so why not invest a couple of hours and read it? And, for me, I liked the plays so much that I AM now going to dig out the Folger editions and read the originals, with the No Fear books available in case I get in trouble. These modalities of trying to appreciate Shakespeare are not mutually exclusive.

    Well, hopefully that's helpful to someone. I wanted to write this so that people would know that these books are not just for lazy students hoping to avoid reading the originals or somehow 'cheat' in their English classes. I'm not a Shakespeare scholar or teacher and never will be, just an ordinary guy, but for me, these books were the window of opportunity that I had been searching for. Two thumbs up, most definitely.

    41 of 41 people found the following review helpful.
    Best Shakespeare Edition Available: Arden
    By Drew
    The Arden editions of Shakespeare are the best available. While they cost a lot more than the standard cheap editions, they have so much more. The Folger editions (probably the most widely available editions of Shakespeare) have footnotes that are quite general and never do they have enough. In addition, they really don't have that much extra information on the play--only a small essay analyzing the modern issues of the play. The Arden editions are truly the scholarly editions of Shakespeare. Ninety percent of the time that I have a question on the text, a footnote provides more information. In addition, a lengthy introduction is included. Everything is documented. While at this point I don't care that much about how the quarto version of Hamlet said "no", when the folio version said "so", it's nice to know that if I have a specific question, the answers in there. My thoughts on Hamlet: Don't fret about understanding the material, just dive in. Shakespeare offers interesting plots to the beginners and vivid prose to pick over to the advanced scholar.

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    Selasa, 03 Juni 2014

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    • Sales Rank: #808038 in eBooks
    • Published on: 2016-01-08
    • Released on: 2016-01-08
    • Format: Kindle eBook

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    ^ Free PDF The Divine Comedy: , by Dante Alighieri : Illustrated, by Dante Alighieri

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    The Divine Comedy: , by Dante Alighieri : Illustrated, by Dante Alighieri

    The Divine Comedy by Dante Alighieri
    How is this book unique?

  • Tablet and e-reader formatted

  • Original & Unabridged Edition

  • Author Biography included

  • Illustrated version


  • The Divine Comedy (Italian: Divina Commedia [diˈviːna komˈmɛːdja]) is an epic poem by Dante Alighieri, begun c. 1308 and completed 1320, a year before his death in 1321. It is widely considered the preeminent work of Italian literature and is seen as one of the greatest works of world literature.The poem's imaginative vision of the afterlife is representative of the medieval world-view as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso. On the surface, the poem describes Dante's travels through Hell, Purgatory, and Paradise or Heaven; but at a deeper level, it represents, allegorically, the soul's journey towards God. At this deeper level, Dante draws on medieval Christian theology and philosophy, especially Thomistic philosophy and the Summa Theologica of Thomas Aquinas. Consequently, the Divine Comedy has been called "the Summa in verse". The work was originally simply titled Comedìa and the word Divina was added by Giovanni Boccaccio. The first printed edition to add the word divina to the title was that of the Venetian humanist Lodovico Dolce,[8] published in 1555 by Gabriele Giolito de' Ferrari.

    • Sales Rank: #427890 in eBooks
    • Published on: 2016-01-15
    • Released on: 2016-01-15
    • Format: Kindle eBook

    Review
    “The English Dante of choice.” –Hugh Kenner

    “Exactly what we have waited for these years, a Dante with clarity, eloquence, terror, and profoundly moving depths.” –Robert Fagles, Princeton University

    “A marvel of fidelity to the original, of sobriety, and truly, of inspired poetry.” –Henri Peyre, Yale University

    Language Notes
    Text: English (translation)
    Original Language: Italian

    About the Author
    John Ciardi was a distinguished poet and professor, having taught at Harvard and Rutgers universities, and a poetry editor of The Saturday Review. He was a Fellow of the American Academy of Arts and Sciences and the National Institute of Arts and Letters. In 1955 he won the Harriet Monroe Memorial Award, and in 1956, the Prix de Rome. He died in 1986.

    Most helpful customer reviews

    321 of 334 people found the following review helpful.
    Excellent for the first time reader...I should know
    By thistle
    I always felt it a crime that I made it through high school and college without reading this. I recently read The Dante Club which re-ignited my interest in finally reading The Divine Comedy. I looked at all the versions out there and decided on this one. I am so glad I did.

    Intro:

    There is an introduction on "How to read Dante" which was indispensible for my first time foray.

    There is a note from the translator that explains how his translation might differ from others and why.

    There is an introduction from a collegue of the translator that puts the Divine Comedy in a historical context.

    Text:

    So easy to read!

    Each Canto begins with a synopsis. If all you wanted to know was the plot of the Divine Comedy you could just read all of these half page summaries (but you'd really miss out.)

    Then the canto in beautiful verse.

    Then copious notes that explain the minute details about whom you meet in the Canto and relevant events in history. The notes are as interesting as the Cantos themselves.

    I am so glad I picked this copy up. I have now read and ENJOYED Dante's Divine Comedy. I highly recommend this as a starting point. It is extremely accessible.

    222 of 233 people found the following review helpful.
    Superb and accessable translation of Dante's masterpiece
    By Leslie Parker
    Those of us not fortunate enough to be able to read Italian and thus savor Dante's masterpiece in its original language have the next best thing--the comprehensively noted translation by another great poet, the late John Ciardi. This superb and handsome hardbound edition of Ciardi's translation of Dante's Divine Comedy is not simply the collected, earlier translations of The Inferno, The Purgatorio, and The Paradiso, which in past years appeared in separate paperback editions: This edition is the final Ciardi translation from earlier forms which were "a work in progress." In this magnificent final translation, the non-Italian-speaking reader can savor Dante's extrodinary fusion of morality with the metaphorical architecture of Hell, Purgatory, and Heaven, explored with pathos and sympathy for the human condition which, in the mind of Dante, constantly yearns for The All in All. A volume that should be required reading for anyone who aspires to understand man's place in the universe.

    152 of 159 people found the following review helpful.
    One of the best literary masterpieces of all time!
    By D. Roberts
    To be well read means that you have read the Comedy (at least once). At once haunting, dark and yet grotesquely beautiful, Dante has written for us the definitive Catholic epic poem of hell, purgatory and heaven. Mark Musa is one of the foremost Dante scholars in the world & teaches at the university of Indiana. His footnotes & commentaries are exceptional, a trademark that is not only a luxury but is, in fact, a necessity when it comes to Dante. I would recommend everyone read not just the Inferno, but all three canticles of the Comedy as a whole. One cannot truly understand everything in Inferno without reading thru the entire poem (including Purgatory and Paradise). Would also admonish that anyone interested in this work begin with Virgil's Aeneid and also read some Homer, Plato & Aristotle as well as some Roman history for a rough background of the work. Be advised that the bard expects you to have read everything he has so that you will catch all of his allusions. Once again, this is where Musa's footnotes come in handy, but there is still no substitute for actually reading thru the primary texts that serve as the foundation of this work. Also, would advise that one read the short work, La Vita Nuova (The New Life) before reading the Comedy, as it is basically a prologue to his epic. It will also help make more sense re: the pilgrim's near-obsessive love that he has for Beatrice. This is truly one of the great epic poems ever written and it positions Dante right up there with Homer, Goethe & Virgil.

    See all 643 customer reviews...

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