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Utopia
How is this book unique?
Utopia (Libellus vere aureus, nec minus salutaris quam festivus, de optimo rei publicae statu deque nova insula Utopia) is a work of fiction and political philosophy by Thomas More (1478–1535) published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs.
- Sales Rank: #1842947 in eBooks
- Published on: 2016-01-22
- Released on: 2016-01-22
- Format: Kindle eBook
Amazon.com Review
The Life of Thomas More is Peter Ackroyd's biography--from baptism to beheading--of the lawyer who became a saint. More, a noted humanist whose friendship with Erasmus and authorship of Utopia earned him great fame in Europe, succeeded Cardinal Wolsey as Lord Chancellor of London at the time of the English Reformation. In 1535, More was martyred for his refusal to support Henry VIII's divorce and break with Rome. Ackroyd's biography is a masterpiece in several senses. Perhaps most importantly, he corrects the mistaken impression that Robert Bolt's A Man for All Seasons has given two generations of theater and film audiences: More was not, as Bolt's drama would have us believe, a civil disobedient who put his conscience above the law. Ackroyd explains that "conscience was not for More an individual matter." Instead, it was derived from "the laws of God and of reason." If the greatest justice in this book is analytic, however, its greatest joys are descriptive. Ackroyd brings 16th-century London to life for his readers--an exotic world where all of life is enveloped by the church: "As the young More made his way along the lanes and thoroughfares, there was the continual sound of bells." --Michael Joseph Gross
From Publishers Weekly
According to Ackroyd (Blake; Hawksmoor), More "embodied the old order of hierarchy and authority at the very moment when it began to collapse all around him." Symbolizing that collapse was Henry VIII's defiance of the pope in the "great matter" of his much-desired divorce of Catherine of Aragon. Refusing to compromise with the break from Rome, More willed his own death. He dies well in Ackroyd's narrative, but he does not live a life as saintly as he leaves it, piously amassing wealth and power, piously writing philosophical works as ambiguous as Utopia and as scatological as Responsio, piously harassing religious reformers and smugly condemning them to the stake. As a biographer of More (the first since 1984), Ackroyd is also an effective novelist. He evokes late-medieval London in sight and in smell; sends More on his workaholic schedule of legal, political, diplomatic and courtly activities; exploits familial and hagiographic anecdotes for their story values; and repeats unscholarly untruths (as Luther's cloacal epiphanies) because fiction can be more colorful than fact. Only Henry VIII in Ackroyd's large cast fails to be realized in the round, but the king, recognizing More's loyal services, does "graciously" reduce his sentence from disemboweling to beheading. After an awkward, conditional start ("But it might be more fruitful to recognise... "/ "...but it might be worth rehearsing certain of its aspects... "/ "It has in the past been noticed... "), Ackroyd's clotted language metamorphoses into elegant English, and the nobility of More's demise will move readers who persist to the end. 27 b&w illustrations not seen by PW. BOMC, History Book Club and QPB selections.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
Prizewinning biographer/novelist Ackroyd reconstructs the life of Henry VIII's famed adversary.
Copyright 1998 Reed Business Information, Inc.
Most helpful customer reviews
76 of 77 people found the following review helpful.
A Penetrating and Artful Book
By R. Albin
This is a first-rate biography of the sainted Thomas More. Ackroyd's goals in this biography are to present a non-anachronistic depiction of More, and through his portrait of More, to give readers a sense of the late Medieval world destroyed by the Reformation and the emergence of nation-states. Ackroyd presents More as a man exemplifying the late Medieval ethos. Deeply religous, highly intelligent, and well educated, More existed with a profound sense of human fallibility and saw all aspects of his world as manifestations of a divine order. The world as the body of Christ, a metaphor to which Ackroyd returns repeatedly, is a recurring theme. The temporal world is transient and a necessary preparation for the eternal and in a crucial sense, less real than the eternal world of Christian teachings. This world is bound by custom and inherited legal and religous traditions, hierarchial and paternalistic in its structure of authority, and deeply enmeshed in rituals that mirror the structure of divine authority. More was not, however, a reactionary except when the radicalism of the Lutherans pushed him to stringent and violent acts needed to defend the integrity of his perception of the Christian world. A prominent member of the Northern European Humanist movement, More was dedicated to the recovery of a renovated faith based on a new reading of the Patristic fathers, attention to classical, particularly Greek neoplatonic authors, and disdain for complex scholastic theology. He and his fellow Humanists hoped for reformation of the Church without abandoning the unity of Christendom, the apparatus of ritual and hierarchy that defined so much of their lives, and the primacy of papal authority.
Ackroyd's efforts to present More and the late medieval ethos are very successful. Readers will be introduced to a foreign world, but one which is an ancestor of our contemporary society. Ackroyd's efforts at depicting the lost of world of More include not only the content but the structure of the book. Some prior reviewers commented adversely on Ackroyd's use of unmodified quotations from More's English writings. While interpreting these lines requires a little effort, that effort helps to appreciate More's style. As Ackroyd points out, for More and his contemporaries, style was not simply a matter of presentation but had a significant moral dimension. While chronologically arranged, this biography is not strictly a narrative of More's life. Each chapter is presented as an almost self contained vignette or episode from More's life. I believe this is a deliberate effort on Ackroyd's part to mimic aspects of medieval ritual and theater. This is another and I think successful effort on the part of Ackroyd to present the late Medieval world. Ackroyd argues that not only that More was dedicated to the importance of ritual and theater but that it formed a very important part of More's character and perhaps self-image. Ackroyd's construction of this book is then a doubly artful device to mirror both the world of late medieval England and More himself.
105 of 110 people found the following review helpful.
This book is where the term 'Utopia' comes from
By Jeffrey Van Wagoner
This book has been on my reading list for a while, and I finally grabbed a copy to read when I got my Kindle. Thomas More, as well as many other famous men, put to writing a vision of the ideal society. As with most visions of the ideal society, he had some good ideas that were eventually put in place, but he also had many impractical ideas that won't work just due to the nature of man. It was also interesting to see that he came from an era that accepted several social mores such as slavery that today we find unacceptable and were deemed good institutions in his ideal society.
I think my favorite part was the method the Utopians used to minimize the importance of gold, fine apparel, and money. Gold and jewelry were considered baubles only interesting to children. They marked their slaves by bedecking them with gold. He related a story of a foreign ambassador coming to visit the Utopians. They mistook the gold bedecked ambassador as the slave and the plainly clothed slave as the ambassador and treated each as such.
I highly recommend this relatively short book as a glance into how people in the Middle Ages viewed the ideal society and also as a legitimate look at ongoing social problems. More highlights pride as one of the biggest problems facing society. It appears to be a continuing issue.
69 of 73 people found the following review helpful.
Disappointed with the Penguin edition
By N. Imbracsio
I purchased the Penguin edition intially, so to have a compact copy of this essential work. However, I was thoroughly unimpressed with the edition. The translator, Turner, assumes very little of his reader and therefore "translates" some of More's most witty and erudite comments into bland, lifeless remarks. The most irriating example is that rather than keep the main character's name as Rafael Hythloday he has "translated" the name as "Rafael Nonsenso." Turner justifies this choice by saying that not many modern readers know classic Greek... true. But, it would have been better to footnote the original name and explain it's origin and meaning rather than translate the name into an obvious joke. By doing this Turner steals the very essence and beauty from the work. There are many other examples of Turner's tweaking that are maddening. However, I will say that the Introduction to the Penguin Utopia by Tucker is very nice. I especially enjoyed Tucker's discussion of "Utopian Literature." However, I recommend that you find the book in a library, photocopy the intro... and instead purchase the Hackett Publishing version (now available in paperback, I believe) which offers thorough and accessible footnotes to the text as well as a wonderful introduction.
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