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? Free PDF The Man Who Saved Alutionayah (The Alutionayian Chronicals: Book 1), by John Lytle

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An exhilarating escape from a cruel, alien invader bent on obliterating a peaceful civilization on a planet in a far away galaxy. Science fiction/fantasy at its best.

Sales Rank: #2333198 in eBooks
Published on: 2016-01-17
Released on: 2016-01-17
Format: Kindle eBook

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0 of 0 people found the following review helpful.
New author is right on the mark.
By Amazon Customer
I found the story to be interesting in character development, and it had a pace which made the story both interesting, and well developed.
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Jumat, 24 April 2015

!! Free PDF The Monk: , by Matthew Gregory Lewis - Illustrated (Comes with a Free Audiobook), by Matthew Gregory Lewis

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The Monk: A Romance is a Gothic novel by Matthew Gregory Lewis, published in 1796. A quickly written book from early in Lewis's career (it was written in ten weeks, before he turned 20), its convoluted and scandalous plot has made it one of the most important Gothic novels of its time, often imitated and adapted for the stage and the screen. Newly arrived in Madrid, Leonella and her niece Antonia visit a church to hear the sermon of a celebrated priest, Ambrosio, and while waiting tell their story to two young men, Don Lorenzo and Don Christoval. Antonia's Grandfather is the Marquis de las Cisternas, who was unhappy with his son’s marriage, causing her parents to flee, leaving their young son behind only to be told a month later he has died. Leonella has come to Madrid to convince the Marquis’ son, Raymond de las Cisternas, to resume their pension, which has been cut off. As the story is told, Lorenzo falls in love with Antonia. The mysterious priest, who was left at the abbey as a child, delivers the sermon, and Antonia is fascinated with him. Lorenzo vows to win the hand of Antonia, but must first visit his sister Agnes, who is a nun at the nearby abbey. Having fallen asleep in the church, he awakens to find someone delivering a letter for his sister from Raymond de las Cisternas. On the way home, a gypsy warns Antonia that she is about to die, killed by someone who appears to be honorable.

Sales Rank: #1583742 in eBooks
Published on: 2016-01-11
Released on: 2016-01-11
Format: Kindle eBook

Review
"One of the most shocking Gothic novels."
-- "Independent"

About the Author
Matthew Lewis is the author of two histories and two historical fiction novels about Richard III and the Wars of the Roses. The medieval period is a particular passion of Matthew's, a passion he hopes to share through his blog. He is dedicated to teaching and discussing this period, operating two history podcasts and providing bitesized facts to his Twitter and Facebook following.

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95 of 96 people found the following review helpful.
The most influential of the Gothic horror novels
By Daniel Jolley
The Monk is perhaps the most significant and certainly the most controversial of the Gothic novels of the late 18th century. Amazingly, its author, nineteen-year-old Matthew Lewis, wrote the novel in a period of only six weeks. Although inspired by the work of Ann Radcliffe (among other Gothic writers), Lewis goes far beyond the sensibilities of his predecessors and does not choose to explain away the supernatural events fuelling this inflammatory novel. The Monk is a tale of human evil in its most vile form; the unspeakable acts described in these pages are committed by the supposedly most devout individuals in society. The Catholic Church was incensed with the novel's publication, and it is actually quite remarkable that The Monk was published at all and that its author faced nothing more dire than censorship and indignant protest as a consequence of it.
Ambrosio is the most celebrated, revered monk in Madrid (in the era of the infamous Spanish Inquisition) - his sermons attract crowds far too large to gain admittance to the sanctuary, and everyone holds him up as a veritable saint walking the earth. His fall from grace is precipitous indeed. Secretly, Ambrosio is vain and proud, blissfully assured of his own near-perfection. At the first temptation of lust, however, this holy man reveals himself to be the ultimate hypocrite, giving in rather easily to the type of desire he rails against each Sunday. After learning that his friend Rosario is in fact a lovely woman in disguise named Matilda, he revels in the love she declares for him and quickly becomes her secret lover. Quickly and ever more thoroughly consumed by his new-found passion and carnal lasciviousness, he grows tired of the ever-willing Matilda and turns his perverted eye toward the sweet and wholly innocent young Antonia. Through the witchcraft of Matilda, he comes to consort with demons in the sacred crypts underneath the abbey itself, giving up his morality and piety in the blind pursuit of actions worse than mere rape.
Ambrosio is not the only hypocritical, secretly sinful church official in Madrid, however. The prioress of the convent bordering the abbey is a sickeningly cruel and spiteful agent of perfidy herself. When she discovers that Agnes, one of her novitiates, is pregnant, she is so mortified at the impending shame this fact will bring down upon her and the convent that she resorts to the most barbaric of punishments for the poor and pitiable young lady. While her crimes do not quite exceed those of Ambrosio, the devastating consequences of her sinful acts result in long-lasting, deeply grievous repercussions.
The novel takes a while to really come together. After seeing Ambrosio in his publicly sanctimonious guise and watching his pitiful descent into the passions and lusts inspired by Matilda, we spend a great deal of time becoming acquainted with Antonia, Agnes, and the gentlemen who love them and will eventually fight bravely to try and save them both physically and morally from their sad fates. The story of the Bleeding Nun apparition is an important part of this section of the book and gives the reader his first real introduction to the supernatural aspects of the story. It is almost possible to forget about Ambrosio completely for a time; when he returns to the story, however, he commits unspeakable acts and profanes the very name of the God he supposedly serves in such excess that he earns a permanent spot in the annals of literature's most despicable villains.
It is in the crypts, among the moldering corpses of the dead, that the most blasphemous acts take place. Antonia's fate is quite horrible, but it is actually Agnes' tale of woe that takes the reader to the most horrific of extremes. Just when the worst seems to be over, we learn in graphic detail the almost unimaginable extent of the ordeal suffered by Agnes and her innocent child - the tale is quite gruesome even by today's standards, almost unimaginably so by those of Lewis' own time. The suffering of the innocent Agnes and Antonia is, in my opinion, unparalleled in the realm of Gothic horror.
Even some critics who are less than found of the Gothic horror genre have embraced this novel, partly because it does distinguish itself from the more Romantic writings of an author such as Ann Radcliffe. As such, it seems less pretentious and much more visceral than the typical Gothic tome. Lewis holds nothing back in presenting his portrayal of evil in the hearts of men and women. There is a love story aspect to the events surrounding Agnes and Antonia, but the author does not indulge in flowery descriptions of love, nor does he concern himself with rapturous expositions on the beauty of nature. There is very little of beauty to be found in these pages at all, and what innocence exists is ultimately lost at the hands of corrupted servants of God. With such complexity underlying the plot, The Monk is open to a number of interpretations, and its microscopic portrayal of evil's power to overcome the best of men and women continues to fascinate and leave a lasting impression on one generation of readers after another. Even in our own time, The Monk is more than capable of shocking the reader with its unbridled revelations.

33 of 33 people found the following review helpful.
The Ultimate Gothic Classic
By A Customer
Matthew Lewis wrote "The Monk" in ten short weeks at the age of nineteen. Immediately the subject of controversy upon its publication in 1796, Lewis was prosecuted and subsequent editions of the book were heavily censored. Coleridge described it as blasphemous, "a romance, which if a parent saw it in the hands of a son or daughter, he might reasonably turn pale." Yet, "The Monk" was so popular that its author became a minor celebrity-coming to be known as "Monk" Lewis--and Sir Walter Scott prounounced that "it seemed to create an epoch in our literature." And whether "The Monk" truly created an epoch in English literature, or merely marked the early apogee of a genre, it stands as a stunning example of the Gothic novel.
"The Monk" tells the story of Ambrosio, the ostensibly pious and deeply revered Abbot of the Capuchin monastery in Madrid, and his dark fall from grace. It is a novel which unravels, at times, like the "Arabian Nights", stories within stories, a series of digressions, the plot driven by love and lust, temptations and spectres, and, ultimately, rape, murder and incest. It is sharply anti-Catholic, if not anti-clerical, in tone, Ambrosio and most of its other religious characters being profane, murderous, self-centered hypocrites cloaked in displays of public piety. And while it sometimes seems critical of superstition, "The Monk" is replete with Mephistophelian bargains, supernatural events, appartions, and spectres, as well as entombment and dark forebodings of mystery and evil. It is, in short, a stunningly entertaining, albeit typically heavy-handed, Gothic novel, perhaps the ultimate classic of the genre.

28 of 29 people found the following review helpful.
Stories with the story
By K. C. Vogel
The Monk is a wonderful Faustian tale. However, this is far from just being about the monk himself. All the side characters get their chance to tell their tales. With each new story you realize when it was done, "Oh, yeah, forgot about the rest of the story." All of these overlapping tales do come together quite well. Be warned that the opening is a bit slow but like in a Dickens book you must pay attention to the beginning as it all gets wrapped up in the end.

The one drawback I saw was that of characters who are so emotionally distraught that they have to take to their sickbeds in grief. Guess when you have money you can afford to waste away for weeks. Makes me wonder how these people would handle the strain of having teenagers.

That aside this is a marvelous read and a true classic. If Faust wasn't already out there then this could have easily taken its place. For here we see the downfall of false piety and the triumph of true nobility of character. Oh, yes--there are also ghosts, murder, and broken hearts a plenty.

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Kamis, 23 April 2015

* PDF Download Thus Spoke Zarathustra: , by Friedrich Nietzsche : Illustrated - Original & Unabridged (Free Audiobook Inside), by Friedrich Nietzsche

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About Thus Spoke Zarathustra by Friedrich Nietzsche
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Thus Spoke Zarathustra: A Book for All and None (German: Also sprach Zarathustra: Ein Buch für Alle und Keinen, also translated as Thus Spake Zarathustra) is a philosophical novel by German philosopher Friedrich Nietzsche, composed in four parts between 1883 and 1885 and published between 1883 and 1891. Much of the work deals with ideas such as the "eternal recurrence of the same", the parable on the "death of God", and the "prophecy" of the Übermensch, which were first introduced in The Gay Science.

Sales Rank: #1266503 in eBooks
Published on: 2016-01-27
Released on: 2016-01-27
Format: Kindle eBook

Most helpful customer reviews

199 of 211 people found the following review helpful.
Talk about translations!
By A Customer
I only want to say one thing here, and I say it primarily because I already love this work. This is the translation to buy. Everyone seems to adore Kaufmann, but the truth is he's much more obtuse and difficult to read (and I don't believe it's necessary, as some may say). Hollingdale gets it right. I'll defend myself with one example from a class I took, where Kaufmann's translation was the required text. I had read both translations (cover-to-cover), and sold my copy of Kaufmann's translation, keeping only my Hollingdale. So, needless to say, I wasn't about to buy Kaufmann again, and went to class with Hollingdale. Slowly, but surely, as the other students read bits of the translation I had, or heard when I spoke pieces aloud, they overwhelmingly agreed with me: Hollingdale is simply more clear, more beautiful, more powerful (less academic, shall we say, which is pure Nietzsche). Ok, over and out, enjoy.

204 of 221 people found the following review helpful.
Review for the non-philosopher
By Andy Gill
There seem to be plenty of reviews debating the philosophical principles of Nietszche and the statements he makes, so, for the non-philosophy students present (i.e. ME) I'll rate it for the layman.
`TSZ' is very longwinded, and as the introduction states, filled with `excess', but that does not make it a bad book. Every sentence is imbued with its own iconic poetry, and, philosophy aside, the metaphors and similes alone make this book worth reading. It is clear that Nietszche, or perhaps his translator, had a mind better suited to creative expression than most philosophers, or indeed today's authors, and it is in this that lies the book's real strength. Through its use of imagery it not only makes an interesting, inspirational, conjectural read (apart from a few really boring parts that seemed written only to slow down the pace), it makes its message easy to understand and backs it up with surrealistic examples. Whereas sometimes in philosophy, the use of allegory can confuse the issue (More's `Utopia' - mockery of idealism, framework for perfect society, or rambling tale?), in `Zarathustra' the reader, no matter whether they are new to the field or not, cannot fail to discern the message that Man is not a goal but a bridge, a rope over an abyss. As philosophy, and as literature, it succeeds in conveying its point, setting up a platform for discussion or merely to digest individually. Admittedly, some refuse to read Nietszche because of his view of women (`shallow waters'), and because of how his ideas for the Superman allegedly inspired Hitler's Aryan vision for the world, but such people deprive themselves of an interesting viewpoint that defines the meaning of life in human rather than spiritual terms.
One potential problem for the newcomer to philosophy is the storyline. For a man remembered for the statement `God is dead', Nietszche obviously drew inspiration from the Bible, for Zarathustra is strongly reminiscent of Jesus, recruiting disciples and disappearing into the wilderness with a frequency that Bigfoot would be proud of. The problem with an allegorical tale is the reader's propensity for bringing western narrative expectations to it - `Zarathustra' is a text-book, not a story, but sometimes you do find yourself waiting for the climax, the big show-down, the cinematic denouement. So long as you remember that it is philosophy, not a novel, and so long as you appreciate each segment as an expressive point and not part of a conventional plot, there should be no troubles. I'll leave you with a sample of Nietzsche's verbal wizardry:
`It is the stillest words which bring the storm. Thoughts that come on doves' feet guide the world.'

45 of 46 people found the following review helpful.
Caution
By Stephen R. Dominick
This is the Thomas Common translation of the text. I was redirected here from the much more widely acclaimed Parkes translation. I don't know if this was a mistake or deliberate subterfuge. But FYI, here is what Wikipedia has to say about the various translations available (this entry accords with common scholarly opinion on the translations):

English translations of Zarathustra differ according to the sentiments of each translators. The Thomas Common translation favors a classic English approach, in the style of Shakespeare or the King James Version of the Bible. Common's poetic interpretation of the text, which renders the title Thus Spake Zarathustra, received wide acclaim for its lambent portrayal. Common reasoned that because the original German was written in a pseudo-Luther-Biblical style, a pseudo-King-James-Biblical style would be fitting in the English translation.

The Common translation, which improved on Alexander Tille's earlier attempt,[10] remained widely accepted until the more critical translations, titled Thus Spoke Zarathustra, separately by R.J. Hollingdale and Walter Kaufmann, which are considered to convey more accurately the German text than the Common version. Kaufmann's introduction to his own translation included a blistering critique of Common's version; he notes that in one instance, Common has taken the German "most evil" and rendered it "baddest", a particularly unfortunate error not merely for his having coined the term "baddest", but also because Nietzsche dedicated a third of The Genealogy of Morals to the difference between "bad" and "evil".[10] This and other errors led Kaufmann to wonder whether Common "had little German and less English".[10] The translations of Kaufmann and Hollingdale render the text in a far more familiar, less archaic, style of language, than that of Common.

Clancy Martin's 2005 translation opens with criticism and praise for these three seminal translators, Common, Hollingdale, and Kaufmann. He notes that the German text available to Common was considerably flawed, and that the German text from which Hollingdale and Kaufmann worked was itself untrue to Nietzsche's own work in some ways. Martin criticizes Kaufmann for changing punctuation, altering literal and philosophical meanings, and dampening some of Nietzsche's more controversial metaphors.[11] Kaufmann's version, which has become the most widely available, features a translator's note suggesting that Nietzsche's text would have benefited from an editor; Martin suggests that Kaufmann "took it upon himself to become his [Nietzsche's] editor".[11]

Graham Parkes describes his own 2005 translation as trying "above all to convey the musicality of the text (which was not a priority for Walter Kaufmann or R.J. Hollingdale, authors of the best English translations so far)."[12]

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Selasa, 21 April 2015

!! Download PDF Beyond The Milky Way (The Galaxy Series) (Volume 1), by Aithal Aithal

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Are we alone? Three astronauts go to space in search of a planet that probably has water—one of the basic elements for humanity to survive. Do they find it? What else do they find? They encounter something—something strange—beyond their wildest imaginations, and their mission-to-explore becomes a mission-to-survive. They experience something that makes them question their beliefs. All the things they had taken for granted, everything they had seen and learned, don’t seem to apply any longer. Something happens along the way that makes them yearn to come back to Earth. After all, home is where the heart is. This is not just another science fiction. Rather, it will make you question your own beliefs—may they be scientific, religious, political, or something else. In the first installment of The Galaxy Series, find out about the strange world they discover.

Published on: 2016-01-04
Original language: English
Number of items: 1
Dimensions: 9.00" h x .91" w x 6.00" l, 1.23 pounds
Binding: Paperback
362 pages

Review
An enthralling novel about a flight crew's journey down the rabbit hole and back. Thematically powerful. Sometimes too talky, but richly detailed and expertly plotted. The narrative moves slowly but delivers layer upon layer of revelation, unpeeled with limpid skill. Surprisingly absorbing and agreeable, given the stereotyped characters and general air of predictability, with unobtrusive yet well thought-out notions and a backdrop of genuine depth and consistency.

A cautionary planetary odyssey with a feel that's similar to stories from sci-fi's golden age. - Kirkus Reviews.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Really amazing story
By TwilightZone3942
Beyond the Milky Way is an upcoming book, a story that fans of The Martian will definitely want to add to their reading list. I finished reading it in two days, it was very gripping and interesting. "Could humans survive living on another planet?" has always been an interesting topic, one that has a lot of controversy, and in this exciting book, three people dare to find out. The trouble is that although their new-found planet has the elements humans need to survive, it doesn't necessarily have the things that they're connected to emotionally, and to stay away from Earth will be the ultimate test to see just what "home" really means.

I'm really glad I got to review this book; there have been similar books in the past but none exactly like this that go into so much depth. It's part sci-fi, but also combines a number of other elements and explores human nature in a realistic and eye-opening way. Beyond the Milky Way will have readers questioning not just themselves, but the world (and possibly many other worlds) around them as well

5 of 5 people found the following review helpful.
Aithal has done a great job presenting questions and possibilities with regards to our planet, our race, our galaxy and ...
By Martha Sweeney
Aithal has done a great job presenting questions and possibilities with regards to our planet, our race, our galaxy and our universe. The subjects he presents are matters that I have been discussing with my husband and close friends for a number of years. Regardless where people are, there are challenges facing us - all of us. These challenges must be considered and decided upon where to move next, moving forward rather than backward. Focusing on what was and what is doesn't always allow us to take the necessary steps to solve such challenges - so where do we go from there?

That dang cliffy! AHHH! It was great and I look forward to see where the next book goes. It's funny that I've read this - aside from the romance novels I'm writing, I'm actually working on a sci-fi fantasy that poses similar ideas for readers to ponder and more.

A great second book by the author after the first novel, India Was One, that is very different but still strong. You'll learn a lot about the author by reading both books. :)

3 of 3 people found the following review helpful.
A must read for sci-fi fans
By Devika Fernando
It’s been a long time since I last read a science-fiction novel, so I welcomed the opportunity to dive into the ARC of “Beyond the Milky Way” by Aithal. And the book certainly didn’t disappoint me.

The story starts with a bang – almost literally – and keeps up the thrilling pace. I didn’t find a single page boring or superfluous, and that isn’t the case about all sci-fi books out there. What I liked straight away is that we know a bit more about what is going on than the protagonists, and that makes it all the more nerve-wracking. I’m also pleased that that the author has included a woman in the main trio.

The story takes us into space and to another planet, and it combines the thrill of new discoveries, doubtful friends and exotic threats with a nice philosophical touch. You can feel that the author has put a lot of thought into what kind of message he wants to convey, and I echo his sentiments and outlook on life. A lot of issues crop up in the book, cleverly – but not overly – criticizing human behaviour with its many dangerous aspects.

This book is Book 1 of a series, and I will certainly pick up Book 2 when it comes out. Although the story ends on a cliffhanger, it didn’t leave me frustrated, only thoughtful and entertained in equal measure. The lovely illustrations and quotes / poems added to the appeal of the book, as was also the case with “India Was One” by An Indian.

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Sabtu, 18 April 2015

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This book is filled with Mike's favorite chapters from six of his twelve novels. He believes you will be intrigued and enticed as you laugh at the funny chapters that are one of many segments from his fact filled novels.

Published on: 2016-01-11
Original language: English
Dimensions: 9.00" h x .21" w x 6.00" l,
Binding: Paperback
82 pages

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0 of 0 people found the following review helpful.
Explicitly Hilarious Chapters by Michael Jones
By Kindle Customer
I didn't find these chapters particularly funny. They were mostly making fun of sex and racism told in a graphic way. I can't recommend this book, and I'm no prude!

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Jumat, 17 April 2015

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Much Ado About Nothing
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Illustrations Included

Free Audiobook

Unabridged Edition

Original Edition

E-Reader friendly

Much Ado About Nothing is a comedic play by William Shakespeare thought to have been written in 1598 and 1599, as Shakespeare was approaching the middle of his career. The play was included in the First Folio, published in 1623. Much Ado About Nothing is generally considered one of Shakespeare's best comedies, because it combines elements of robust hilarity with more serious meditations on honour, shame, and court politics.By means of "noting" (which, in Shakespeare's day, sounded the same as "nothing," and which is gossip, rumour, and overhearing), Benedick and Beatrice are tricked into confessing their love for each other, and Claudio is tricked into rejecting Hero at the altar on the erroneous belief that she has been unfaithful. At the end, Benedick and Beatrice join forces to set things right, and the others join in a dance celebrating the marriages of the two couples.

Sales Rank: #1696174 in eBooks
Published on: 2016-01-21
Released on: 2016-01-21
Format: Kindle eBook

From Publishers Weekly
Starred Review. Shakespeare's legendary tragedy is revisited in this spirited and entertaining production that ran in London from November 2007 to February 2008. The flawless, talented cast features Ewan McGregor as the conniving Iago, Chiwetel Ejiofor as Othello (whose performance won him the Olivier Award as best actor) and Kelly Reilly as Desdemona. There is also excellent support from Tom Hiddleston (as Cassio) and Michelle Fairley (as Emilia). This audio production is a rousing, theatrical performance expertly guided by director Michael Grandage. Complete with a musical score as well as full sound effects and background noises, listening is so enjoyable that the play speeds by at breakneck pace. An enclosed booklet contains color photographs of the production and a well-written essay by drama professor Russell Jackson. There's also an entertaining bonus DVD disc featuring interviews with the cast and crew. Brilliantly produced in all departments, listening is the next best thing to seeing it live. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal

Gr 10 Up-Naxos AudioBooks' top-drawer Classic Drama Series blissfully continues with this exquisite rendition of Othello starring Hugh Quarshie, Anton Lesser, Emma Fielding, and a full cast of professional English actors with extensive credits in the Royal National Theatre, BBC Radio Drama Company, and the Royal Shakespeare Company. Shakespeare's most domestic tragedy is an exceedingly complex journey through jealousy, self-doubt, inadequacies, and societal acceptance. Passed over for military promotion, Iago, perhaps Shakespeare's most nefarious character, manipulates Othello's downfall, culminating in the murder of his beloved wife, Desdemona, and Othello's subsequent suicide. Under David Timson's stewardship as director, the story is beautifully and simply told, embellished only with intermittent brassy flourishes of classical music and a dramatic echo effect and throbbing heart beat to underscore Othello's chaotic descent and rage. While the entire cast is excellent, the trio of Quarshie (Othello), Lesser (Iago), and Fielding (Desdemona) are outstanding. An outline of each individual cassette, complete synopsis, full notes regarding the text, and cast biographies are included in a compact 24-page supplemental booklet. For all collections.-Barry X. Miller, Austin Public Library, TX

From Booklist
This impressive audio is a version of a London theatrical performance featuring McGregor as Iago, Chiwetel Ejiofor in the role of Othello, and Kelly Reilly playing Desdemona. In a studio recording session, the actors “reproduced as closely as possible the stage production.” Authentic sound effects and background music further enhance the presentation. Experiencing a play aurally is different than viewing a stage performance, and sometimes it is difficult to distinguish between the voices in the predominantly male cast. Nevertheless, this is an excellent vehicle for introducing the classic tragedy to students and Shakespeare fans. An accompanying DVD includes interviews with cast members. Their discussions of the characters, analyses of motivations, and decisions on delivering lines are thoughtfully presented. These fascinating commentaries add immeasurably to listeners’ comprehension of the play and the acting process. --Barbara Baskin

Most helpful customer reviews

28 of 31 people found the following review helpful.
An excellent book!
By Megan
I was assigned to read "Much Ado About Nothing" for my block class, and my initial thought was, Oh, how boring. I don't want to read Shakespeare. I won't even be able to understand it. Let me tell you, I was very wrong! This book was excellent- one of the best I've ever read. It contained romance, humor, comedy, and drama- so many diverse qualities that I rarely find in books these days! The main characters, Beatrice and Benedick, add humor and warmth to the book. They argue and insult each other, yet they are really in love. Hero and Claudio are the lovebirds, but the evil Don John tries to get in the way of this with a deceitful plan. Even though this book was written centuries ago, the main themes still apply to today, (such as the Beatrice and Benedick theme). That is why this book is a classic. Oh, and understanding it isn't a problem, either. This was my first Shakespeare book ever (I'm only 14), and I understood the plot, characters, and the theme. I enjoyed it at the same time. So order this book today. You won't regret it!

42 of 51 people found the following review helpful.
What is with you people?
By Brianna Rhywhen
I am here to do my part in diminishing the value of all the one- and three- star reviews posted here, the authors of which are clearly the same person or all from the same class of children too young to read the play. Amazon visitors reading these should know two things: the reviewer is a twit, and this play is wonderful.

I, for one, am a sucker for romances; if you are, Beatrice and Benedick will make the play worthwhile. Predictability be damned, they were an adorable couple. The main couple, Hero and Claudio, are boring; the other one will make you swoon. Beatrice and Benedick are funny, clever, and stubbornly reluctant to admit they love each other. To wit, they're perfect for one another.

I have read two contradictory criticisms regarding the language in the play on Amazon: that the language is too simple for Shakespeare's standards, and that the language is too difficult. The latter was from the kid's reviews; for everyone else, the language is not so difficult to decipher that you need to avoid it. The Folger edition, at least, has one page of notes for every page of text, noting both puzzling references to Elizabethan beliefs, such as that sights draw blood from the heart, and language problems caused by the hundreds of years between Shakespeare's time and ours. The editors do all the work for you. You have no excuse. (Oh, and that the language is too simple: Bah. It's Shakespeare. That's impossible. I loved all the double entendres; this play was very witty.)

One criticism I somewhat agree with is that the plot is boring. Hero and Claudio, being the main couple, get much time, and I didn't care much about Don John's vengeance, but at least half of my favorite couple was usually present, and by no means do Hero and Claudio's plot monopolize the story. Much Ado About Nothing is often genuinely entertaining, which is what kept me interested. The plot's not the point here, it's the dialogue.

In sum, the language is poetic, but not so much so that it reads like Klingon, the romance will make you sigh, and the plot is at least good enough to keep Beatrice or Benedick in most of the time. Don't let the previous reviewers deter you: Read it.

54 of 67 people found the following review helpful.
Unusable and Eclectic Ideas Ruin this Important Edition
By Desertmartin
Claire McEachern's Introduction, notes and commentary on Much Ado About Nothing suffer from the decline in real scholarship over the last few years. Previous introductory materials in Arden edition have always built on the solid scholarship of the past, adding new ideas and research as integrated parts of the growing body of knowledge associated with Shakespeare scholarship. McEachern's abandons most of the valid accepted readings of this play to wander rather aimlessly down the tunnel of self-promoting feminist, postmodern eclecticism. As a college professor, I am dismayed to see Arden turn to such contemporary and popular approaches at the exclusion of real context. The Arden editions have always set the standard, but are now falling prey to the subjective, personalized, even vindictive vents of the academic few. The field of Shakespeare criticism, unfortunately, is in danger of collapsing in on itself, and becoming completely irrelevant to anything other than these marginalized interest. More specifically, McEachern's search for sources for the play becomes a labyrinthine exposé of speculative inference and unrelated texts, ignoring primary sources for a new historicist fascination with the obscure. The tenor of her subjective argument about the play is captured in her overdone attack on Benedick as misogynist and Beatrice's rendering as the shrew. The problem, obviously, is the imbalance here; the feminist objective reduces a complex and humorous interplay to victimizer and victim, both seen from one perspective. Ignoring the historical contexts of the play, she focuses instead on marginal texts that only partially relate to the central themes of the play, to the social context, and to the audience's understanding both of Shakespeare's environs and present-day concerns. McEachern eventually backs herself into ridiculous corners, such as pages of arguing how women of the period who were too talkative (such as Beatrice) were labeled promiscuous, only to concede that Beatrice is never so labeled or even considered such. Her complete overblown fascination with the few humorous "cuckold" references in the play channel her criticism into a reductive and extremely limited analysis of minor factors in the play, while she completely avoids the important social considerations of marriage, challenges to gender roles, and the place of female intelligence in Shakespeare's society. It is a sign of the worst kind of scholarship, that her introduction to Much Ado About Nothing runs to nearly 145 pages, once the length of only the Hamlet introduction among the Arden editions (the only play, because of its complexity, demanding such a lengthy explication). Ego gets the better of scholarship here, and buries the important and necessary social, political and cultural ideas associated with this play. If McEachern's editing and commentary is a sign of things to come from Arden, they can expect to lose readers on all levels who find such marginalized approaches to important scholarship outside the interest of students and professionals alike.

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About Uncle Tom's Cabin by Harriet Beecher Stowe
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Uncle Tom's Cabin; or, Life Among the Lowly, is an anti-slavery novel by American author Harriet Beecher Stowe. Published in 1852, the novel "helped lay the groundwork for the Civil War", according to Will Kaufman. Stowe, a Connecticut-born teacher at the Hartford Female Seminary and an active abolitionist, featured the character of Uncle Tom, a long-suffering black slave around whom the stories of other characters revolve. The sentimental novel depicts the reality of slavery while also asserting that Christian love can overcome something as destructive as enslavement of fellow human beings. Uncle Tom's Cabin was the best-selling novel of the 19th century and the second best-selling book of that century, following the Bible. It is credited with helping fuel the abolitionist cause in the 1850s. In the first year after it was published, 300,000 copies of the book were sold in the United States; one million copies in Great Britain. In 1855, three years after it was published, it was called "the most popular novel of our day." The impact attributed to the book is great, reinforced by a story that when Abraham Lincoln met Stowe at the start of the Civil War, Lincoln declared, "So this is the little lady who started this great war." The quote is apocryphal; it did not appear in print until 1896, and it has been argued that "The long-term durability of Lincoln's greeting as an anecdote in literary studies and Stowe scholarship can perhaps be explained in part by the desire among many contemporary intellectuals ... to affirm the role of literature as an agent of social change." The book and the plays it inspired helped popularize a number of stereotypes about black people.[14] These include the affectionate, dark-skinned "mammy"; the "pickaninny" stereotype of black children; and the "Uncle Tom", or dutiful, long-suffering servant faithful to his white master or mistress. In recent years, the negative associations with Uncle Tom's Cabin have, to an extent, overshadowed the historical impact of the book as a "vital antislavery tool."

Sales Rank: #1900157 in eBooks
Published on: 2016-01-27
Released on: 2016-01-27
Format: Kindle eBook

From Publishers Weekly
Variously beloved, denounced and dismissed over its 150-plus year history, Stowe's classic 1852 novel has been nothing if not productive. As Gates and Robbins note, the novel was vastly important in shaping American ideas and attitudes about race, but it also influenced the ways people thought about relationships and sexuality, and it continues to spur debate about the meanings of slavery and domesticity. Those are just some of the reasons it's an oft-assigned text in colleges, a market this beautifully annotated, wide-format edition addresses nicely. Joining seven other titles in Norton's handsomely produced "Annotated" series, the book offers 32 pages of color illustrations (not seen by PW), 150 b&w period illustrations, and a two-column format that has Stowe's text at left, and the annotations at right.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Celebrated when it was published in 1852 and later vilified, Uncle Tom's Cabin unquestionably changed American history and has had an enduring impact on American literature. In this annotated version of the novel, college professors Gates and Robbins explore changes in perspective on race, sex, and literature since the publication of the novel and its subsequent critique in the 1950s by James Baldwin. Throughout the book are illustrations of Uncle Tom across the years, including posters, postcards, woodcuts, and advertisements, all reflecting changing images of Uncle Tom and black Americans. Gates and Robbins explore images of heroism and subservience, contrasting the unctuous sentimentality of the novel with the implicit sexual tension between Uncle Tom and Little Eva, and explore the reason the novel remains so strong in the public imagination. Both new readers and those familiar with the work will appreciate the scholarly insight into the culture and social conventions that directed Stowe's writing. She sought to rouse abolitionist sentiments and, in the process, rendered Uncle Tom as no threat to white men. The editors ultimately applaud the novel as an enduring part of the American literary canon. Vanessa Bush
Copyright © American Library Association. All rights reserved

Review
"Uncle Tom's Cabin is the most powerful and enduring work of art ever written about American slavery."
—Alfred Kazin

Most helpful customer reviews

382 of 402 people found the following review helpful.
Read it and judge for yourself
By A Customer
Uncle Tom's cabin is frequently criticized by people who have never read the work, myself included. I decided I finally needed to read it and judge it for myself. And I have to say, that for all its shortcomings (and it does have them), it is really a remarkable book. The standout characteristics of this book are the narrative drive (it's a very exciting, hard to put down book), the vivid characters (I don't know what other reviewers were reading, but I found the characters extremely vivid and mostly believable - exceptions to follow), the sprawling cast, the several completely different worlds that were masterfully portrayed, and the strong female characters in the book. The portrayal of slavery and its effects on families and on individuals is gut-wrenching - when Uncle Tom has to leave his family, and when Eliza may lose little Harry, one feels utterly desolate.
As for flaws, yes, Mrs. Stowe does sermonize a fair bit, and her sentences and pronouncements can be smug. Yes, if you're not a Christian, you may find all her Christian references a bit much. (But the majority of her readers claimed to be Christian, and it was her appeal to the spirit of Christ that was her most powerful tug at the emotions of her readers). Yes, she still had some stereotypical views of African-Americans (frankly, I think most people have stereotypical views of races other than their own, they just don't state them as clearly today). But in her time, she went far beyond the efforts of most of her contemporaries to both see and portray her African-American brothers and sisters are equal to her. The best way she did this was in her multi-dimensional portrayal of her Negro characters -- they are, in fact, more believable and more diverse than her white characters. Yes, at times her portrayal of Little Eva and Uncle Tom is overdone at times -- they are a little cardboard in places -- but both, Uncle Tom especially, are overall believable, and very inspiring. The rest of the Negro characters - George Harris, Eliza, Topsy, Cassie, Emmeline, Chloe, Jane and Sara, Mammy, Alphonse, Prue, and others, span the whole spectrum of humanity -- they are vivid and real.
The comments of a previous reviewer that the book actually justifies slavery (because "it says it's no worse than capitalism") and that it shows that Christianity defends slavery are due to sloppy reading of the book. No one reading the book could possibly come to the conclusion that it does anything but condemn slavery in the strongest and most indubitable terms. This was the point of the book. The aside about capitalism was just that, an aside on the evils of capitalism. It did not and does not negate the attack on slavery. Secondly, another major point of the book is that TRUE Christianity does not and could not ever support slavery. Stowe points out the Biblical references used to claim that Christianity defended slavery merely to show how the Bible can be misused by those who wish to defend their own indefensible viewpoint. It's ridiculous to say that the book "shows that Christianity supported slavery". It shows that some misguided preachers abused certain Bible passages and ignored other ones to support their view of slavery.
There is an overlay of the tired "Victorian women's novel" to this piece - that must be granted. For literary perfection, it will never take its place beside Tolstoy, Dickens and Austen. But it is a piece entirely of its own category. Nothing before or after it has been anything like it, and it IS a great, if flawed, novel. I highly recommend it. I give it 5 stars despite its flaws because it's utterly unique, and its greatness is in some ways is related to its flaws.

180 of 190 people found the following review helpful.
Yet another surprised reader
By A Customer
I too was surprised by "Uncle Tom's Cabin." I'd expected a poorly written melodrama with (at best) a tepid commitment to abolition and a strong undercurrent of racism. I was wrong. As a novel, I consider it to be better than many of its rough contemporaries (including "A Tale of Two Cities," "Vanity Fair," and "Sartor Resartus"). As an attack on slavery, it is uncompromising, well informed, logically sophisticated, and morally unassailable. It's also exciting, educational, and often funny.
The book has flaws, of course. The quality of the writing is variable, as it is in the works of many greater talents than Stowe. Herman Melville is one of my favorite writers, but I'd be hard-pressed to defend some of his sentences--or even some of his books--on purely literary grounds! There are indeed sentimental passages in "UTC." So what? There are plenty in Hawthorne, Dickens, Ruskin, and the Brontes, too...and lord knows our age has its own garish pieties. There are also a couple (only a couple!) of unfortunate remarks on the "childlike" character of slaves, but nothing so offensive as to render suspect Stowe's passionate belief that blacks are equal to whites in the eyes of God and must not be enslaved. (She also says that differences between blacks and whites do not result from a difference in innate ability, and argues that a white person raised to be a slave would show all the characteristics of one). By contrast, Plato wrote reams in defense of slavery and racialism, and yet people who point this out are considered spoilsports, if not philistines.
The reviewer who claimed to have learned from Stowe that "slavery is no worse than capitalism" has totally misunderstood Stowe, who says that slavery is AS terrible as capitalism. To be precise, Stowe equates the horrors of wage slavery under Victorian Britain's capitalist system of production with those of chattel slavery in the American South. Her definition of capitalism agrees perfectly with that of Karl Marx, who was a pro-abolitionist correspondent for the New York Daily Tribune (and was familiar enough with Stowe to have written a piece on her). Marx said that true capitalism is defined by "the annihilation of self-earned private property; in other words, the expropriation of the labourer." Marx did not consider America a capitalist state, because American workers had at least theoretical upward mobility and could acquire property. This was not at all true of the British working class when "Uncle Tom's Cabin" was written, as Stowe well knew. And there was nothing idiosyncratic about her opinion; contemporaneous books such as "The White Slaves of England" made the same connection between American chattel slavery and British wage slavery. The cruelty of both systems is what led Stowe to claim in an essay that the Civil War was not merely a war against slavery, but "a war for the rights of the working class of society as against the usurpation of privileged aristocracies."
As for the claim that Stowe says Christianity justifies slavery, this is either willful misreading or wishful thinking...she says the opposite so many times, and at such length, that to remove every expression of it would probably shorten the book by half (to the delight, apparently, of most of our nation's English students).
Not sure who to believe? If you're interested enough in "Uncle Tom's Cabin" to have slogged through this meandering review, why not read it and see for yourself what Stowe does, and doesn't, say?

270 of 288 people found the following review helpful.
I finally read this excellent book!
By CCC
Since this was a free Kindle download, I was prompted to finally read this classic book. It is much better than I expected it would be! Easy to read, well-written, and eye-opening. I noticed another reviewer said the download version was hard to read, but I did not find that to be a problem at all. One nice thing about the Kindle is the ability to download so many classics for free. I doubt I would go to the library and check out Uncle Tom's Cabin, but I would and did read it as a free Kindle download. I am glad that I did!

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