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A happy crowd, inspired by the spirit of Christmas, was milling joyously in Times Square, New York. Suddenly, cutting through the sounds of gaiety, came a shrill whine. It became louder, and at the very second of midnight, a gigantic shell exploded, killing, maiming, and destroying! At 12-hour intervals thereafter - no man knew in advance where - another shell burst devastatingly. Two great powers were openly accused in the newspapers. War - savage and bloody - was imminent, and Operator #5 realized that he had encountered his most cunning foe: the clever woman spy Radi Havara!
Jimmy Christopher was the star of the most audacious pulp magazine ever conceived. With the rise of European fascism in the form of Benito Mussolini of Italy, Adolf Hitler of Nazi Germany, and General Francisco Franco of Spain - not to mention myriad lesser despots and dictators - Americans began to fear for their future. The dread of being drawn into a second world war became a topic of grave concern in that Depression year of 1934.
At pulp magazine publisher Popular Publications, they took note of this isolationist trend and commissioned writer Frederick C. Davis to help develop a hero for their new monthly magazine, entitled Secret Service Operator #5.
"The Red Invader" is read with stirring intensity by Milton Bagby. Originally published in the January 1935 issue of Operator #5 magazine.
- Sales Rank: #216816 in Audible
- Published on: 2016-01-06
- Format: Unabridged
- Original language: English
- Running time: 316 minutes
Most helpful customer reviews
2 of 2 people found the following review helpful.
Tense, well-plotted, nicely detailed and intense pulp storytelling
By S. Craig Zahler (Crime, Western, Sci-Fi Author)
(Note: I read the original pulp issue from 1935.)
After reading a few issues of Operator #5, all of which I like, The Red Invader stands out as the best. Frederick C. Davis is very well liked in pulp circles, and I definitely like a ton of what he does here (and in the Op #5 books Green Death Mists and Blood Reign of the Dictator, which are almost as good).
My one complaint with his writing (here and elsewhere) is that his action sequences are written like sloppy book reports--there is information, but no flow, and he regularly substitutes the word "as" for the word "and" as if they are wholly interchangeable. His action lacks the sense of timing and spatial orientation that exist in the works of Max Brand, Robert E. Howard, and the #1 master of action, Norvell W. Page, and even second tier guys like Paul Chadwick (Secret Agent X) and Emile C. Tepperman (the second Op #5 writer) provide clearer action.
Regardless of that criticism, I am a big fan of Frederick C. Davis, who in this adventure (and others) exceeds most if not all of his hero pulp contemporaries in three big ways:
1. Intelligent tactics. The bad guys have good plans, not just "consolidate the bad guys" or "poison gas guns." And thus, the plans of the good guys must be similarly smart.
2. Expert escalation of tension. The Red Invader should be taught in a course entitled, "How to Gradually Build Tension from Page 1 until The End." The plotting is sharp, purposeful, and suffocating in this tale.
3. An abundance of believable details. The weaponry and foes described in this adventure feel authentic, and the main weapon is a truly harrowing threat.
I can honestly say that I am not sure which of the historical footnotes about weapons and politics are fact and which are fiction. This blurry line also helps sell the story's big ideas.
Do you want to read a tense, paranoia-inducing, grandly explosive, xenophobic, expertly-plotted war fever dream? Read this.
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