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Yuki chan in Brontë Country, by Mick Jackson
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'They both stop and stare for a moment. Yuki feels she's spent about half her adult life thinking about snow, but when it starts, even now, it always arresting, bewildering. Each snowflake skating along some invisible plane. Always circuitous, as if looking for the best place to land...'
Yukiko tragically lost her mother ten years ago. After visiting her sister in London, she goes on the run, and heads for Haworth, West Yorkshire, the last place her mother visited before her death.
Against a cold, winter, Yorkshire landscape, Yuki has to tackle the mystery of her mother's death, her burgeoning friendship with a local girl, the allure of the Brontes and her own sister's wrath.
Both a pilgrimage and an investigation into family secrets, Yuki's journey is the one she always knew she'd have to make, and one of the most charming and haunting in recent fiction.
- Sales Rank: #832106 in eBooks
- Published on: 2016-01-19
- Released on: 2016-01-19
- Format: Kindle eBook
Review
‘[An] unconventional. highly readable, often very funny and strangely touching novel. Since winning the Authors' Club Best First Novel prize with The Underground Man 1997, Mick Jackson's work has been increasingly characterised by a perceptive humanity, laced with sly wit and presented with irresistible dynamism, and this is no exception ... It's the kind of book you can't stop reading but don't want to finish.’ Sue Gaisford Financial Times
'Jackson is a superb writer with a gift for dialogue.' Paula Byrne The Times
'There are some lovely ideas in Mick Jackson's latest novel, befitting the mercurial, fretful nature of its narrator.' Eithne Farry Mail on Sunday
‘The psychic detective story soon becomes an engrossing one of a motherless young girl finding her way in the world and dealing with her grief.’ Antonia Charlesworth Big Issue North
About the Author
Mick Jackson is the prize-winning author of two novels, The Underground Man and Five Boys, described in the Sunday Times as "vibrant, happily eccentric and a joy to read". He also published, with the illustrator David Roberts, two acclaimed curiosities, Ten Sorry Tales and Bears of England.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Why aren’t Brontë biscuits sister shaped? : The questions of Yuki Chan
By Lady Fancifull
Back in 2010 I had been captivated by Mick Jackson’s The Widow's Tale, so I was delighted to have the chance to read Yuki Chan in Brontë Country, kindly offered as an ARC from the publisher, Faber and Faber, via NetGalley.
In some ways there are similarities in the territory of both books. The subject is bereavement, and how we can ever come to terms with it, and accommodate the huge gap the losing someone close leaves behind.
In the Widow’s Tale, Jackson wonderfully gave voice to a particular middle aged woman, and impressed me enormously, managing to be wonderfully funny about how grief can manifest, whilst at the very same time, being heart-breaking. I believe there is a kind of derangement which takes place in our normal way of perceiving the world, in loss, and finding ourselves in that place, being prepared to inhabit it, however odd it is to the outside eye, is the way in which in the end we might be able to move to a healed place.
In Yuki Chan, Jackson is jumping across several divides – not only, as a male writer, getting inside the head, heart, body of a female – but, in this case a young female, student aged. And moreover one from a very different culture – Japan. It’s a tribute to Jackson that all this is managed, and the reader both experiences the specific oddness of Yuki Chan at this difficult time in her life, following her mother’s death, and the oddness of her culture, to a Westerner, whilst at the same time enabling us to see the oddness of our own culture, through Japanese experience. Like The Widow’s Tale, this is a very very funny book indeed, and also a lacerating one. The humour prevents over-indulgent sentimentality but the willingness to enter into laceration acknowledges the real pain of loss.
There is some mystery which Yuki needs to understand, connected with her mother, which has led her to make an unlikely visit to Haworth, and Brontë country, as part of an eager coach trip of voluble elderly Japanese ladies, all big Brontë fans. Yuki has come to the UK on a short trip to see her bossy older sister, but really, to follow in her mother’s footsteps. She wants to understand why, for example, some years ago her mother came to Haworth and did the Brontë tour.
Yuki is a fashion student, but she just might be interested in designing underground airport terminals. Or she might just become an astronaut, or at least someone who designs clothing for astronauts.
“The basic design would have to be clean and simple. No collars or cuffs which might get caught on important levers. Plus it would be good to avoid beige, which has long been a cliché in casual spacewear. You could have a different outfit for each day. That way, when you look around and see how everyone’s wearing blue with yellow trim you know it must be Wednesday. Or if everyone’s in a pink jumpsuit with a Fifties V-neck you know that it’s Friday and there’s only one more day to go”
She is bemused by Britain – and why not ? Why, for example are the Brontë biscuits she buys in Haworth just, well, biscuits? What is Brontë about them – surely they should have been Brontë sister shaped, at least? Her fertile imagination can take her into all sorts of strange and interesting territory. Some of this gets written down in her notebooks, ideas for designs :
“…platform boots with secret compartments….various unusual haircuts…a woman’s hair is swept up into a towering beehive, with a miniature camera hidden in it. Yuki explains that it’s for a project in which she secretly prhotograph’s people’s reactions to her own spectacular haircut”
Jackson’s novel slowly gets darker, as we get deeper into Yuki’s journey
I had some reservations, not about Yuki herself, who was believable, weird, absorbing, or her journey. My reservations were with the friend she needs to encounter in order, for her journey to be able to properly proceed and conclude. As a foreigner in a strange land whose English is a little challenging, she needs a local. Enter Denny, a strange young woman, resident in Haworth. Denny’s anarchic nature, not to mention a whole section on the moors connected with a dog felt a little too plot driven to satisfy me. Plots must of course happen, but it was Denny, feeling like a device for me, which pulled the book back from 5 star to 4.
0 of 0 people found the following review helpful.
Really strange, but really good
By LAE
Jane Eyre is one of my favorite books. I first read it in my twenties, and I’ve read it several times since then. I felt a connection with Jane, and even with Rochester. I empathized with both the longing for a relationship with someone and the barrier that keeps you from realizing that desire. I went through a period of being obsessed with all things Bronte. I haven’t read ALL of their books, but I have read a few books by the Bronte sisters and about the Bronte sisters.
I have to admit, I HATED Wuthering Heights. HATED it. I didn’t like Cathy or Heathcliff. I thought they were both horrible people, and they made horrible decisions. However, I listened to The Secret Diaries of Charlotte Bronte by Syrie James on Audible. I really liked this book, and I highly recommend it. I’ve also seen almost every film or TV adaptation of Jane Eyre (many, many times). I liked most of them, but I think that the version starring Michael Fassbender and Mia Wasikowska is my favorite.
So, I admit that my main attraction to reading Yuki Chan in Bronte Country was the Bronte connection. The book immediately pulled me in, but as I continued to read, I realized this book was about MUCH more than the Brontes. In fact, the Bronte connection ends up being very coincidental.
The book opens with Yuki Chan traveling on a bus to visit Haworth, historic home of the Bronte family. Yuki is a young Japanese designer and is traveling with a group of elderly Japanese women. While the other women are obsesses with all things Bronte, Yuki hasn’t even read any of their books. We gradually realize she is visiting Haworth because her deceased mother had come here 10 years earlier. Yuki has come to the United Kingdom seeking a connection to her mother and trying to find answers regarding her mother’s death. Both the reader and Yuki slowly realize that her mother’s trip to Haworth was not related to the Brontes, but to another mysterious resident of Haworth.
While Yuki Chan in Bronte Country is a slow and quiet book, it is anything but boring. The suspense and tension slowly builds. I could not stop reading. I wanted to find out Yuki was searching for, and I wanted her to find comfort and closure. This is a sad book, but also a hopeful book. It explores female relationships, mother and daughter, sister to sister, and female friendship. It is haunting and beautiful. I definitely recommend it.
But, will my mom like it? Honestly, I can’t decide. She will definitely like the Bronte aspects, but Yuki herself may be a little to odd for my mom to connect with.
Favorite quotes:
“No doubt back then a sofa would have cost a great deal of money, but Yuki’s pretty sure that if anyone died on one of her sofas—and particularly from some Victorian fever—the first thing she’d do is drag it out the back and have herself a sofa-bonfire.”
“Because she applauds any woman who is unashamed of her intelligence.”
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