Rabu, 20 Januari 2016

~ Ebook Download Valhalla Atlantis, by Colin Falconer

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Valhalla Atlantis, by Colin Falconer

THE APOCALYPSE IS NOW! “They set out that day to sail for Vinland. Tromdur Svensson planned to be away for just three years. How the gods were laughing at him, at all of them, on that day.” —from The Saga of Harold Half-Face 1000 AD. When the North Men from Ingolfsfell sail from their icy fjord in a single longboat, to establish a settlement across the great sea, they thought they would be gone for just three years. They had no name for the Atlantic then; and America they called ‘Vinland’, the place of meadows. But a storm takes them off course to an island even the legendary Leif Erikson had never seen. These natives are not savages in skins; and they do not build their homes from hides. They live instead in a great city, in the shadow of a looming volcano. And they do not hunt animals; they hunt men with white hair and blue eyes. Their gods come from the skies, and the Apocalypse is ... now. “There is a river that gives us life. You may dam it; you may swim against it. But in the end, it will flow to the sea, with or without you.” —from The Book of the Stars, a manuscript of unknown origin, written in Mayan glyphs circa 1000 AD and found in a Viking burial mound in Greenland, 2001

  • Sales Rank: #5523819 in Books
  • Published on: 2016-01-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.13" w x 6.00" l, 1.44 pounds
  • Binding: Paperback
  • 448 pages

About the Author
Colin Falconer is an International Bestselling Author. His fiction comes from dedicated research and what he calls a quest for Hemingway's ghost: characters with a passion for life, for love and the courage to face down their demons. He was born in London and has worked as a journalist and as a scriptwriter in radio and television. He currently lives in Barcelona.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Historical Fantasy
By QA
I received a free Beta e-copy of ‘Valhalla Atlantis’ from the author in exchange for an honest review. This is another amazing book by Colin Falconer. This book is a little different from his other works and would probably be classified as historical fantasy. There is a little bit of everything in this story. The characters are fully developed each with their own unique characteristics and personalities. There are Norse men and women, gods, skraelings (? Mayan), and cannibals. The author writes of the supernatural with sorcery, visions, magic, a river of life, shape shifters, seers and a shaman. There is an erupting volcano, blood rituals and ceremonies, and sacrifice. The author skillfully scatters humor, romance, and darkness throughout the story that holds the reader’s attention until the very end in anticipation of what will happen next. The ending left me with many questions. Hopefully the author will continue the saga. I recommend this book to anyone who enjoys reading historical fiction with a peppering of fantasy.

0 of 0 people found the following review helpful.
A Tale for Adventurous Souls
By Glenn Starkey
I won my copy of “Valhalla Atlantis” in a drawing from Colin Falconer’s website. He’s one of my favorite authors and I rank him quite high among today’s storytellers.

Norsemen grow lost in a storm and happen upon an Atlantis type island controlled by a fierce Mayan-like culture. The Mayans capture peaceful members of another tribe on the island for sacrificial purposes to their fire god, but the arrival of the Norsemen creates a perfect storm of conflict among all. I give no spoilers about the ending because that is a judgment each reader should make on their own. .

Falconer’s writing style puts the reader into the story. You see it about you, smell the jungle, feel the intensity of each character’s emotions, and without realizing when it happened, you are swept up in the tale, turning to the next page out of anxious curiosity. At first I wasn’t a fan of the movie-script manner in which Colin establishes his scenes in this particular book, yet oddly within several pages I was comfortable with it and paid no further attention.

I disagree with some reviewers that this is historical fantasy. It’s historical fiction. It’s a blend of history with a major ‘what if’ Norsemen came upon an island of Mayan culture. To me, fantasy is along the lines of elves and dragons. This novel certainly is far from that…and in time, history may well prove that Norsemen discovered such an island with Mayan-like inhabitants. Enjoy the tale for what it is—true reading entertainment. And if you like “Valhalla Atlantis,” be sure to check out other works by Colin. He’s a great storyteller, and to me, a superb author because he has the ability to write in a variety of genres, not just one as so many authors do.

1 of 1 people found the following review helpful.
I agree with the review above and can't recommend this yarn enough
By Bill Ryan
I also received this as a free ebook. I agree with the review above and can't recommend this yarn enough. It's fast-paced and unpredictable with great and involving characters. Did not want it too end.

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Minggu, 17 Januari 2016

!! Get Free Ebook Of Kings And Pawns: The Birth of Justice Book: I (Justice Series Book 1), by Michael Oshita

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Of Kings And Pawns: The Birth of Justice Book: I (Justice Series Book 1), by Michael Oshita

What's down there? What secrets lay hidden behind that door?

John Davis, is alone in this world. Through his family's constant moving, he has no friends. Through the death of his mother, he has no one. He lives with his father, Albert, but there is no comfort, no security, no stability in his home. The death of his mother, Katherine, has always remained a mystery to John. Something wasn’t right. Was Albert hiding the truth of her death from him? Was he hiding something else? Something darker. Something sinister.

Through a serious of events John discovers what Albert has been hiding from him throughout his life. Little do they know, there are others out there who are searching for Albert’s secret too. Others who will kill to find Albert, and what he has buried in his past.

About the Author

Michael is a family man first and attempts to be an author second. Born and raised in North Kohala, on the Big Island of Hawaii. He graduated from Kohala High School in 2008. He began writing Of Kings and Pawns in the beginning of 2015 and by the end of Summer he had already completed the first draft. Writing has always been a passion of Michael’s and he loves to read and write.

  • Sales Rank: #748700 in eBooks
  • Published on: 2016-01-06
  • Released on: 2016-01-06
  • Format: Kindle eBook

About the Author
Michael is a family man first and attempts to be an author second. Born and raised in North Kohala, on the Big Island of Hawaii. He graduated from Kohala High School in 2008. He began writing Of Kings and Pawns in the beginning of 2015 and by the end of Summer he had already completed the first draft. Writing has always been a passion of Michael’s and he loves to read and write.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Great read!
By Kristen Kennerley
Turn your television off, put your phone on mute and tell your loved ones not to bug you for the next few days because you won't want to put this book down! I highly recommend 'Of Kings and Pawns' to anyone who loves suspense and surprises! This book was really well written and you'll love the characters right from the start.

0 of 0 people found the following review helpful.
A great, fast-paced novel - with awesome gangsters!
By Amazoncustomer
I greatly enjoyed this gripping first release from Michael Oshita. The author did a great job with the unique plot line, which I won't give away, but has to do with what lies behind the secret door that John Davis finds in the garage floor. It was fresh and kept me turning the pages.

A second element that was a lot of fun was the whole gangster scene. I loved seeing the world through their eyes. It definitely opened mine up! The dreams each character holds, whether those dreams are justified or not, felt true to each of them. And it was easy to see why each character was willing to fight for what they felt was coming to them.

I enjoyed the moral threads woven deeply through the whole narrative. They added a strong layer to the book that left me thinking.

Perhaps one of my favorite lines from the book is "A man once told me, long ago, that 'once the game is over, the king and the pawns go into the same box." How true is that, and how poignant.

Definitely worth a read.

0 of 0 people found the following review helpful.
Unravel the mysteries
By Amazon Customer
Michael Oshita is a first time author who has written a powerful novella that keeps the reader in suspense. Oshita has woven several threads of storyline in a combination of action, mystery, and a touch of fantasy that the reader must unravel. Just when you think you know where the story is going, it takes a sharp turn that makes you catch your breath. It is a story about good, evil, family, and justice that will keep you riveted and anticipating the next installment.

Albert and John Davies have recently settled in a small Nevada town after a lifetime on the road. John Davies is a lonely young man struggling to understand the death of his mother. His father, Albert Davies, tries to do what he thinks is best for his son, but he has many secrets of his own that he hopes to keep from John.

See all 9 customer reviews...

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Sabtu, 16 Januari 2016

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  • Antigone (/ænˈtɪɡəniː/ an-tig-ə-nee, Ancient Greek: Ἀντιγόνη) is a tragedy by Sophocles written in or before 441 BC. It is the third of the three Theban plays but was the first written, chronologically. The play expands on the Theban legend that predated it and picks up where Aeschylus' Seven Against Thebes ends.In the beginning of the play, two brothers leading opposite sides in Thebes' civil war died fighting each other for the throne. Creon, the new ruler of Thebes, has decided that Eteocles will be honored and Polyneices will be in public shame. The rebel brother's body will not be sanctified by holy rites, and will lie unburied on the battlefield, prey for carrion animals like worms and vultures, the harshest punishment at the time. Antigone and Ismene are the sisters of the dead Polyneices and Eteocles. In the opening of the play, Antigone brings Ismene outside the palace gates late at night for a secret meeting: Antigone wants to bury Polyneices' body, in defiance of Creon's edict. Ismene refuses to help her, fearing the death penalty, but she is unable to stop Antigone from going to bury her brother herself, causing Antigone to disown her out of anger.

    • Sales Rank: #98807 in eBooks
    • Published on: 2016-01-10
    • Released on: 2016-01-10
    • Format: Kindle eBook

    Review

    "Gibbons's translation is the most faithful to the original Greek I know ... his translation is the truest to Sophocles' language." --The Journal of Classics Teaching


    "Gibbons' text remains faithful to the Greek and yet poetic and apt for the stage; and Segal's contributions offer an insightful introduction to the play as a product of its own time. The combination of the two makes this new edition a great tool for college teaching and a rewarding experience of Sophoclean drama outside the classroom." --New England Classical Journal


    "These two new additions to Oxford's 'Greek Tragedy in New Translations' series only add to the luster of the previous releases. Each is firmly packed with insightful introductions, comprehensive and numbered notes, glossaries, and up-to-date bibliographies (the plays' texts take up about half of each volume). The collaboration of poet and scholar in each volume produces a language that is easy to read and easy to speak (compare, for instance, the Watchman's first lines in Shapiro and Burian's Agamemnon with those in Lattimore's 1947 translation). Each volume's introduction presents the play's action and themes with some detail. The translators' notes describe the linguistic twists and turns involved in rendering the text into a modern poetic language. Both volumes are enthusiastically recommended for academic libraries, theatre groups, and theatre departments."--Library Journal [starred review of Oresteia and Antigone]


    Language Notes
    Text: English, Greek

    From the Back Cover
    Filled with passionate speeches and sensitive probing of moral and philosophical issues, this powerful drama reveals the grim fate that befalls the children of Oedipus. When Antigone, the daughter of Oedipus, chooses to obey the law of the gods rather than an unconscionable command from Creon, ruler of Thebes, she is condemned to death. How the gods take their revenge on Creon provides the gripping denouement to this compelling tragedy, still one of the most frequently performed of classical Greek dramas. Footnotes.

    Most helpful customer reviews

    117 of 122 people found the following review helpful.
    Translations
    By S. Allen
    Researching translations is never an easy task, and in this case, where you'll have to search on Amazon for the title and the translator to find what you want, it's particularly difficult.

    Here's what I've found by comparing several editions:

    1. David Grene translation: Seems to be accurate, yet not unwieldy as such. My pick. Language is used precisely, but not to the point where it's barely in English.

    2. Fitts/Fitzgerald translation: Excellent as well, though a little less smooth than the Grene one. Certainly not a bad pick.

    3. Fagles translation: Beautiful. Not accurate. If you are looking for the smoothest English version, there's no doubt that this is it. That said, because he is looser with the translation, some ideas might be lost. For instance, in Antigone, in the beginning, Antigone discusses how law compels her to bury her brother despite Creon's edict. In Fagles, the "law" concept is lost in "military honors" when discussing the burial of Eteocles. This whole notion of obeying positive law or natural law is very important, but you wouldn't know it from Fagles. In Grene, for example, it is translated to "lawful rites."

    4. Gibbons and Segal: Looks great, but right now the book has only Antigone (and not the rest of the trilogy) and costs almost 3x as much. I'll pass. But, from a cursory review, I'm impressed with their work.

    5. MacDonald: This edition received some good write-ups, but I wasn't able to do a direct passage-to-passage comparison.

    6. Woodruff: NO, NO, NO. Just NO. It's so colloquial it makes me gag. Very accessible, but the modernization of the language is just so extreme as to make it almost laughable. You don't get any sense of the power of language in the play. You just get the story. If you want this to be an easy read, then get Fagles, not this.

    7. Kitto: Looks good, though not particularly compelling over either Grene or Fitzgerald (or Gibbons if I wanted to pay so much more).

    8. Roche: Practically unreadable the English is so convoluted. Might be the most literal translation, but what's the point unless you are learning Greek and want such a direct translation.

    9. Taylor: Way too wordy. Might be more literal, but again, why?

    Hope this all helps. Translations can make or break the accessibility of literature. Pick wisely.

    20 of 20 people found the following review helpful.
    Translations
    By S. Allen
    Researching translations is never an easy task, and in this case, where you'll have to search on Amazon for the title and the translator to find what you want, it's particularly difficult.

    Here's what I've found by comparing several editions:

    1. David Grene translation: Seems to be accurate, yet not unwieldy as such. My pick. Language is used precisely, but not to the point where it's barely in English.

    2. Fitts/Fitzgerald translation: Excellent as well, though a little less smooth than the Grene one. Certainly not a bad pick.

    3. Fagles translation: Beautiful. Not accurate. If you are looking for the smoothest English version, there's no doubt that this is it. That said, because he is looser with the translation, some ideas might be lost. For instance, in Antigone, in the beginning, Antigone discusses how law compels her to bury her brother despite Creon's edict. In Fagles, the "law" concept is lost in "military honors" when discussing the burial of Eteocles. This whole notion of obeying positive law or natural law is very important, but you wouldn't know it from Fagles. In Grene, for example, it is translated to "lawful rites."

    4. Gibbons and Segal: Looks great, but right now the book has only Antigone (and not the rest of the trilogy) and costs almost 3x as much. I'll pass. But, from a cursory review, I'm impressed with their work.

    5. MacDonald: This edition received some good write-ups, but I wasn't able to do a direct passage-to-passage comparison.

    6. Woodruff: NO, NO, NO. Just NO. It's so colloquial it makes me gag. Very accessible, but the modernization of the language is just so extreme as to make it almost laughable. You don't get any sense of the power of language in the play. You just get the story. If you want this to be an easy read, then get Fagles, not this.

    7. Kitto: Looks good, though not particularly compelling over either Grene or Fitzgerald (or Gibbons if I wanted to pay so much more).

    8. Roche: Practically unreadable the English is so convoluted. Might be the most literal translation, but what's the point unless you are learning Greek and want such a direct translation.

    9. Taylor: Way too wordy. Might be more literal, but again, why?

    Hope this all helps. Translations can make or break the accessibility of literature. Pick wisely.

    17 of 19 people found the following review helpful.
    Still very powerful.
    By sid1gen
    "Antigone" is that kind of literary work that invites opposing views. The state and the individual, the duties to family and country, the boundaries of legitimate government and the extent of personal choice, are all elements that find a voice in this play, an extraordinary gift of Western culture to the world. The young and stubborn Antigone finds herself breaking the law that her uncle, the old and stubborn Kreon, has enacted. This is Oedipus' family, so there must be bloodshed. The conflict develops out of the vengeful and, ultimately foolish law that Kreon has come up with, which denies burial rituals to one of Antigone's brothers (Polyneices) because he had sided with foreigners and made war against his city. Antigone claims that Justice (diké) tells her to care for her brother's body in spite of his treason. This is what Kreon, blind with hatred, cannot see. Just as Oedipus, and even worse, Kreon imagines conspiracies where there are none, and is convinced that the entire city is seething with traitors waiting for a signal to bring him down. With such a state of mind, he charges against Antigone, and she is very much her father's daughter: she will not bow before her uncle although the consequences are grave. Kreon represents the state, but a state whose laws are capricious at best, and simply bad and hurtful at worst. Antigone is not easy to love or like: she is bent on following a path that will lead to her death, welcoming such a release from the terrible burden of being who she is: daughter of her brother Oedipus and granddaughter of her mother Jocasta. But Antigone's own prickly character makes her struggle all the more admirable, since it is so dificcult to like her. It would have been relatively easy to create a soft, misunderstood heroine who dies for her convictions. Antigone is a strong woman who knows perfectly well what she is doing, but feels she has a duty to do it. She is harsh toward the timid Ismene, and unsparing of Kreon, the ruler who seems to be a far better warrior than a governor. I know there are readings of this play that see Kreon as representing "democracy" (he asks the chorus to lead him when they go after Antigone, attempting to prevent her death), while Antigone would represent the corrupt values of the reactionary aristocracy that puts family before civic duty. I think this is a serious misreading of a very important play: Kreon is no more democratic than Antigone; they are both immersed in a power play: she from an apparent position of weakness, although she is strong, and he from an apparent position of strength which he tries to reinforce with harsh measures and words toward those who dare violate his laws. Antigone is no "reactionary." Her father had been Tyranos (ruler without the negative connotations of tyrant) in Thebes, which is exactly the same position that Kreon holds now. If Antigone is an aristocrat, so is Kreon, Jocasta's brother. If Antigone only sees duty toward her family (she actually sees duty "mostly" towards her family), Kreon is deranged in power, believing that vast conspiracies are at work and that only he stands between order and utter chaos, a common feature of dictators great and petty. His law regarding the body of Polyneices violates the sphere of female duty (women were in charge of the rituals for the dead), and spills into the netherworld, ruling against a dead man who has paid with his life for his acts. This law also punishes Antigone and Ismene just for being family: they cannot even mourn Polyneices. Clearly this is not the working of "democracy" in our modern sense of the word, but neither it is the faulty, deeply troubled democracy of the Greek city-states. The chorus tells Kreon that he can enact such laws and condemn people to death because he is the ruler, but it does not tell him that he is right. To see Kreon as defender of democracy and Antigone as a reactionary woman who has no civic duty is to find obscure meanings where there are none. Sophocles is quite clear at the play's end regarding what was right and who was wrong. This is a political play, written and produced in a highly sophisticated and political society 2500 years ago. It is obvoius that "Antigone" has lost none of its power and ability to make us debate, ponder, and discuss laws, government, individuals, and those who rule over them.

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    ? Ebook Download Dombey and Son: , by Charles Dickens - Illustrated (Comes with a Free Audiobook), by Charles Dickens

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    Dombey and Son: , by Charles Dickens - Illustrated (Comes with a Free Audiobook), by Charles Dickens

    How is this book unique?

  • Original & Unabridged Edition

  • Tablet and e-reader formatted

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  • Dombey and Son is a novel by Charles Dickens, published in monthly parts from 1 October 1846 to 1 April 1848 and in one volume in 1848. Its full title is Dealings with the Firm of Dombey and Son: Wholesale, Retail and for Exportation. Dickens started writing the book in Lausanne, Switzerland, before returning to England, via Paris, to complete it. Illustrations were provided by Hablot Knight Browne ('Phiz'). There is some concern with the railways and the novel's conception, and writing, belong to the years of the railway boom, 1844–47. The sea, meanwhile, becomes the image of things of 'an older fashion yet', 'the dark and unknown that rolls round all the world.'

    • Sales Rank: #842817 in eBooks
    • Published on: 2016-01-15
    • Released on: 2016-01-15
    • Format: Kindle eBook

    From Publishers Weekly
    This dark study of pride is a pivotal—if unappreciated—work in Dickens's oeuvre. Dickens focuses on the Dombey family, eschewing his idiosyncratic panoramic scope and ensemble casts. David Timson is a dream casting; he endows each character with depth, personality and pathos, again displaying why he is a perennial favorite in audio narration. This abridgment offers about one-third of the full text, which will serve the casual listener well without burdening their wallet or commandeering the listening schedule. (Sept.)
    Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

    Review
    ?There?s no writing against such power as this?one has no chance.??William Makepeace Thackeray --William Makepeace Thackeray

    From the Publisher
    Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards.

    Most helpful customer reviews

    75 of 77 people found the following review helpful.
    A Very Good Place To Start
    By B. Morse
    Upon finishing Dombey and Son this morning, I thought back to the first Dickens work I ever read, which was David Copperfield, as a freshman in high school. Since then I have read many others, all with the same extensive cast of characters, side plots, etc.....

    Except this one....which makes me question why it is not used as an introduction to the works of Dickens in school curriculums.

    Dombey and Son, as a title, refers to the business which provides wealth, title, and position to Mr. Dombey, the aforementioned father. The 'son' refers to a succession of partners in that business, as well as an arrival at the opening of the book, which leads to the demise of Mrs. Dombey. But little Paul Dombey, sharing in his father's first and last names, joins an already present sibling in the world, his sister Florence.

    Through the course of the novel, you realize that Dombey and Daughter are really the focus of this story....the fortunes and misfortunes that befall them both, the grievous neglect of one for the other, despite the efforts of the one neglected to reconcile...and a host of others that enter and exit from their lives.

    But to recapture and jusitfy my initial point, this book is a marvelous starting point to read Dickens. It is far easier to keep track of the cast of the story, as it is more limited than other Dickens novels, while sharing the same length as most others. The story lines all really do feed into the central plot, and while the 'comedy' that I so enjoy in Dickens's prose is, admittedly, more limited here...it still is a highly enjoyable tale, and a great place to get your feet wet with one of history's best tale-weavers.

    Although bittersweet and melancholy in tone, for the majority of the story, Dombey and Son holds up with Dickens's other novels as a true classic.

    59 of 62 people found the following review helpful.
    Ponderous portrait of pride
    By Royce E. Buehler
    If you love Dickens, you'll like this book. If you're not committed to the work and style of Boz, you may have a hard time getting through it. It gets off to a very slow start; it wears its didactic aims more prominently on its sleeve than most of Dickens' novels do (the preceding novel, Martin Chuzzlewit, having been a study of the perils of greed, this one is likewise a study on self-destroying pride.) Its heroine is so self-sacrificing, uncomplaining, sweet and forgiving that a modern reader is likely to feel the impulse to throttle her more than once. I found it the least satisfying of the dozen Dickens novels I've read, and have rounded its three and a half stars up rather than down, in honor of all the other good stuff he's produced.
    All that being said, the book contains plenty of rewards for the persevering. Dombie's daughter, the over-gentle Florence, is more than made up for by a string of sharply drawn women who are nobody's wallflowers: the peppery Susan Nipper, the fearsome landlady Mac Stinger, and the magnificent second Mrs. Dombey, whose inflexible, bent pride puts steel to her husband's flint as the story gains headway halfway through. The plotting is intricate and tight, the peeks into Victorian hypocrisies (never far removed from our own) are trenchant, and we are treated to what is possibly the most riveting death scene in the whole oeuvre, which Dickens chose to present from the decedent's point of view in a stream of consciousness passage as remarkable for its technical daring as its sentimentality.
    Throw in the superbly menacing, dentally impeccable villain, Mr Carker, and a rogue's gallery of lesser despicables from the streetwise dunce Chicken, to the blustering toady Joe Bagstock, to the second Mrs. Dombey's outrageous tin magnolia of a mother, and it's a book you'd be happy to stumble across in the cabin some snowbound weekend.
    The Oxford World Classics edition has an extremely useful set of notes, which includes in full Dickens' initial outline of the work.

    34 of 37 people found the following review helpful.
    Dickens' First Mature Novel
    By D. C. Cannon
    I was not overly thrilled with Dickens' previous novel Martin Chezzlewit, despite those amazing American scenes. That was a transitional work - where Dickens was going can be seen quite clearly in Dombey and Son.
    In Dombey and Son we have the biting satire (the title being the biggest black joke of all) and the more expansive social criticism of Dickens' later work. Dombey is a proud business man and wants an heir. What he does to his children is chilling and his second marriage becomes its own nightmare. Dombey is also where Dickens starts using an overriding symbol for his longer works - here the railroads as a symbol of progress and brute force.
    The plot is surprisingly linear for such a long Dickens novel - it lacks the myriad of subplots that his other novels have. The going is slow at times but the psychology gets deeper and more intricate as you continue. This novel is too often overlooked but it is a fine work of the author's early maturity. It points the way to Dickens' two best novels which immediately follow - David Copperfield and Bleak House.

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    Kamis, 14 Januari 2016

    * Download PDF Hard Times: , by Charles Dickens - Illustrated, by Charles Dickens

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    Hard Times: , by Charles Dickens - Illustrated, by Charles Dickens

    Hard Times by Charles Dickens/h1>
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  • Hard Times – For These Times (commonly known as Hard Times) is the tenth novel by Charles Dickens, first published in 1854. The book appraises English society and highlights the social and economic pressures of the times.Hard Times is unusual in several respects. It is by far the shortest of Dickens' novels, barely a quarter of the length of those written immediately before and after it. Also, unlike all but one of his other novels, Hard Times has neither a preface nor illustrations. Moreover, it is his only novel not to have scenes set in London. Instead the story is set in the fictitious Victorian industrial Coketown, a generic Northern English mill-town, in some ways similar to Manchester, though smaller. Coketown may be partially based on 19th-century Preston. One of Dickens's reasons for writing Hard Times was that sales of his weekly periodical, Household Words, were low, and it was hoped the novel's publication in instalments would boost circulation – as indeed proved to be the case. Since publication it has received a mixed response from critics. Critics such as F. R. Leavis, George Bernard Shaw, and Thomas Macaulay have mainly focused on Dickens's treatment of trade unions and his post–Industrial Revolution pessimism regarding the divide between capitalist mill owners and undervalued workers during the Victorian era.

    • Sales Rank: #1403154 in eBooks
    • Published on: 2016-01-24
    • Released on: 2016-01-24
    • Format: Kindle eBook

    About the Author
    Charles Dickens (1821-1870) used his fiction to criticize the injustices of his time, especially the brutal treatment of the poor. He is also the author of Oliver Twist, Nicholas Nickleby, David Copperfield, A Tale of Two Cities, and Great Expectations. He was born in Portsmouth, England.

    Excerpt. © Reprinted by permission. All rights reserved.
    I

    The One Thing Needful

    Now, what I want is Facts. Teach these boys and girls nothing but Facts. Facts alone are wanted in life. Plant nothing else, and root out everything else. You can only form the minds of reasoning animals upon Facts: nothing else will ever be of any service to them. This is the principle on which I bring up my own children, and this is the principle on which I bring up these children. Stick to Facts, sir!"

    The scene was a plain, bare, monotonous vault of a schoolroom, and the speaker's square forefinger emphasized his observations by underscoring every sentence with a line on the schoolmaster's sleeve. The emphasis was helped by the speaker's square wall of a forehead, which had his eyebrows for its base, while his eyes found commodious cellarage in two dark caves, overshadowed by the wall. The emphasis was helped by the speaker's mouth, which was wide, thin, and hard set. The emphasis was helped by the speaker's voice, which was inflexible, dry, and dictatorial. The emphasis was helped by the speaker's hair, which bristled on the skirts of his bald head, a plantation of firs to keep the wind from its shining surface, all covered with knobs, like the crust of a plum pie, as if the head had scarcely warehouse-room for the hard facts stored inside. The speaker's obstinate carriage, square coat, square legs, square shoulders -- nay, his very neckcloth, trained to take him by the throat with an unaccommodating grasp, like a stubborn fact, as it was -- all helped the emphasis.

    "In this life, we want nothing but Facts, sir; nothing but Facts!"

    The speaker, and the schoolmaster, and the third grown person present, all backed a little, and swept with their eyes the inclined plane of little vessels then and there arranged in order, ready to have imperial gallons of facts poured into them until they were full to the brim.

    Most helpful customer reviews

    80 of 87 people found the following review helpful.
    More Than Facts
    By Oddsfish
    I initially lamented the fact that Hard Times was assigned to me in my British lit. class. I had read some of Dickens's melodramas like A Tale of Two Cities and Oliver Twist and enjoyed them, but everything I heard about Hard Times said this was nothing like those. This was supposedly just strictly social commentary. My interpretation of that: BORING.
    But then I read it.
    Hard Times isn't like Dickens's other novels, but I don't think that it has any less heart than those masterpieces. In fact, Dickens endured himself much further to me with this novel as he has his characters perform Thomas Carlyle's enduring philosophy.
    The novel follows the Gradgrind family who is raised adhering to FACTS and living in a society which worships the manufacturing machine. As the novel progresses, connections are made and broken, and the characters come to the realization that there is much more to reality than the material facts.
    Hard Times is told so compassionately. The reader cares for these people and their tragic lives. The story is also told with biting humor that still cuts at today's society (this novel feels really modern), and the underlying philosophy is one which is so needed in our post-modern world. I would certainly recommend this novel to fans of Dickens and to fans of the truly literary novel.

    34 of 35 people found the following review helpful.
    CERTAINLY ONE OF MY FAVORITES. There have been so many readings, this one is like an old friend.
    By D. Blankenship
    Arguably, Dickens could be classified as the greatest of all English speaking novelists...of all times. There are very few writers that can offer his consistency, novel after novel, story after story. Yes, many have written works that perhaps equal any of his given works, but few if any have been able to turn out such a volume of pure quality. Very, very few authors have had such a large portion of their work pass the test of time. Dickens gains new readers year in and year out and there is a reason for this!

    Over the past 50 or so years I have heard this particular work referred to as "not Dickens' best," and "A minor work by Dickens," and other comments along those lines. I am really not in a position, nor do I have the ability to proclaim or rank this author's work one way or the other. Dickens for me is like any other author...I either like it or I do not like it; it either is a joy to read or it is not. Now I have read this short novel at least five times over the years and listen to several versions on CD and Tape. The best, minor Dickens' work, timeless classic, not pertinent in today's world, a mere political rant? Well I don't know. I do know that it is one of my favorites and do look forwarded to reading it again down the road. I am one of those horrid and probably misguided individuals who sort of make their own mind up about anything I read, and more or less ignore the pontifications of those that are suppose to know about such things. All that being said though, I cannot look you in the eye and state that I have ever read one story; one word by this author that I did not enjoy right down to the tip of my toes. He delights me.

    The setting of course is in Victorian England and the Industrial Revolution is in full tilt. Make no mistake; Dickens makes no pretenses of not being of the extreme left ilk...a good little Socialist through and through. This work, like many others make his feeling well known. Like much of his work, there is no in-between here. The characters portrayed here are either very, very evil or they are very, very good. The author handles social situations in much the same way he handles his characters in this work. All are exaggerated to a certain extent, all are black and white and there is little middle ground to be found. The Capitalists are truly pigs and the working classes, the proletariat, are all Saint like creatures. For what the author is attempting here, this is quite appropriate.

    Now let it be know right here that I have spent a lifetime trying my best of completely ignore the effete yammering from the left and the bellicose braying from the right in all matters. I am one of those creatures who simply do not care and more or less chose my own road. I read this story and others like it, for the sheer joy of soaking in the written words of a maters story teller. While the political and social message here is not lost on me, I simply choose to ignore it. That is just me though and it certainly makes me feel nothing less of those that take the political message and run with, or reject it... more power to them.

    As with all of his other work, Dickens has created some unforgettable, if exaggerated characters in this work; my favorite Gradgrind (who, I must admit, sort of reminding me of my own father), his children Tom and Louisa, the young girl Grangrind has taken to raise, Sissy Jupe and of course the completely obnoxious cad Bounderby. Even the location; the city of Coketown is more like a character than a place displaying many of the characteristics of a human, rather than that of a town or village. Dickens is able to describe these people and places in such a way that they become close friends...even the evil ones, soon after they are introduced....well, maybe not friends, but certainly people you know and will want to revisit from time to time at the very least.

    The term "hard times," while a good title for this work is a bit misleading in a way, as there is plenty of humor injected throughout the book. Seldom does a chapter pass that I find myself not chuckling over the bits of ironic humor and scathing satire the author inserts here and there. The opening tirade of Bounderby is an absolute hoot even to this day, as it certainly was at the time it was written.

    And the plot! While it is simple at first glance in this work, there is never-the -less many little side plots going constantly, with personalities created an thrown in here and there to add flavor and spice to the overall story. The author skillfully blends these side paths he takes us upon and before the end of the story, brings us back to the main road. I like this! In many ways simple; in many ways so complex. I suppose the reader will find what they want.

    As with all of Dickens' work, the reader must at all times keep in mind when, where and why it was written. Time and place are quite important in the understanding of this particular author and to not consider these things, much will be lost to the modern mind.

    Highly recommend this one and I hope it brings others the same reading joy it has brought to be over the years.

    Don Blankenship
    The Ozarks

    67 of 74 people found the following review helpful.
    Hardly a masterpiece, but brilliant at times
    By Peter Reeve
    "Hard Times" belongs to the second half of Dickens's writing career, in which his work becomes rather more somber and, by common critical assent, more mature and satisfying. Personally, I prefer his earlier work and his very first novel, "Pickwick Papers", is to my mind his greatest. Surprisingly, "Hard Times", despite its title and reputation, contains some brilliant flashes of Dickens humour, especially in the earlier part. The descriptions of Bounderby and Gradgrind, and the early dialogue with the circus folk, are genuinely hilarious.

    This is Dickens's shortest novel, about a third of the length of each of his previous four. Themes, subplots and characters are introduced without being fully explored. The author was perhaps feeling the constraints of writing in installments for a periodical, although he was well used to doing that. This relative brevity, together with the youth of some of the central characters, make this book a good introduction to Dickens for young readers.

    There are the large dollops of Victorian melodrama and the reliance on unlikely coincidences that mar much of Dickens's work. Also the usual tendency for characters to become caricatures and to have names that are a little too apt (a teacher called Mr. McChoakumchild?).

    The respected critic F.R. Leavis considered "Hard Times" to be Dickens's masterpiece and "only serious work of art". This seems to me wildly wrong, but such an extreme opinion may prompt you to read the book, just so that you can form your own opinion.

    I read it because I had just finished "The Jungle" by Upton Sinclair, which deals with the plight of Chicago factory workers, and I wanted to compare the two. Sinclair's book has greater immediacy. It takes you much closer to the suffering of the workers. In the Dickens novel, the mill workers and their plight are distanced; they are relegated to being the background to a family drama, which is what really interests the author. A third, and still greater work, that examines the same themes, is Zola's "Germinal". I recommend all three. Together, they give real insight into the social conditions that led to the proletarian political and revolutionary movements of the nineteenth and twentieth centuries.

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    Minggu, 10 Januari 2016

    ? PDF Download The Confessions of Arsène Lupin, by Maurice Leblanc

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    The Confessions of Arsène Lupin, by Maurice Leblanc

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    The Confessions of Arsène Lupin, by Maurice Leblanc

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    The Confessions of Arsène Lupin, by Maurice Leblanc

    Maurice Leblanc was a 20th century French writer best known for his short stories.

    • Sales Rank: #4782089 in Books
    • Published on: 2016-01-29
    • Dimensions: 9.00" h x .32" w x 6.00" l,
    • Binding: Paperback
    • 140 pages

    About the Author
    Maurice Leblanc est ne en 1864 a Rouen. Apres des etudes de droit, il se lance dans le journalisme. En 1907 parait son premier ouvrage - policier -: "Arsene Lupin gentleman cambrioleur". Le personnage devient immediatement populaire et Leblanc en fait le heros d une longue serie d aventures. Au total trente recits, parmi lesquels "Arsene Lupin contre Herlock Sholmes" (1908), "L Aiguille creuse" (1909), "Le Bouchon de cristal" (1912), "Les Huit Coups de l horloge" (1921), "La Cagliostro se venge" (1935) Maurice Leblanc est mort en 1941 a Perpignan.

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    An Interesting Departure for the Series
    By David Swan
    The Confessions of Arsène Lupin is quite a departure for the series. The previous books were all book length series but this time the book is composed of short stories a single chapter long. Each story is self contained mystery for Lupin to solve. The character feels more like a detective like Sherlock Holmes or genius like Prof. Augustus S. F. X. Van Dusen.

    This may be my favorite Lupin collection yet. Some of the longer novels could get quite complicated with all the intrigue and it wasn't uncommon for me to get lost. I like these bite sized stories and some of them could get quite riveting for instance The Infernal Trap where Lupin is bound tightly to a bed and death seems inevitable.

    0 of 0 people found the following review helpful.
    Good, light reading
    By mikewthrspn
    If you are looking for a light-hearted escape from the world as your reading choice, this is a good choice. It is a series of stories that are a combination of mystery and farce, with the stereotypical police force that is almost competent. The protagonist, Arsene Lupin, is not the super competent detective but the criminal. No complicated plots, no graphic violence. A good, easy read.

    0 of 0 people found the following review helpful.
    Classic reading
    By Joerg Grimm
    A great classic. What I enjoy is the description of the usage of then new technology like telegraph, electricity, cars. And the wonderfully old-fashioned view of things. Its entertaining, phantastic, and a little lesson in history.

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    Sabtu, 09 Januari 2016

    >> Ebook Blue Crystal: remastered (The Star Ring Series Book 1), by Krishelle Blackwell

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    After 32 years of searching for the rings protector in Baltimore, MD, Agnis finds Crystal and becomes a patient at the hospital where she works. Agnis cannot contain herself once she is positive that Crystal is truly the “protector” and immediately attempts to give her the ring. Crystal finds the ring attractive and feels the pull of it; however, laws prevent receiving such gifts while at work so Crystal politely refuses the ring. Crystal goes on about her day and finds herself talking to her crush for the last 2 years, Dr. Rashon Reese. After successfully securing a lunch date with him, Crystal goes home to find the ring in her jewelry box. This is the beginning of all the excitement, Crystal follows her instinct and puts the ring on. Instantly she has a vision of two men fighting. The encounter scares her and she tries to get the ring back to Agnis only to find out she’s no longer a patient. Crystal has no idea that the ring has powers and that it chose her, not Agnis, and goes on a hunt to track Agnis down. While Crystal searches for Agnis she feels compelled to wear the ring and strange things start happening, such as healing her little cousin while at her party.
    Rashon notices the ring Crystal is wearing, sees a part of it is broken and that it matches a crystal he found as a child. On their next date he brings the crystal he has and the pieces automatically click themselves into place on the ring. Crystal is now really freaked out and explains everything that has been going on and how she came to acquire the ring. Rashon decides to help Crystal track down Agnis. Before they find her, Crystal has a vision about an assassin coming to kill Agnis and the ring “tells” Crystal where she is in order to save her. Once Agnis is saved, she explains to Crystal where she is from and about the war that’s going in Trigone and that Crystal was chosen to help save Earth and Trigone from Calgar. Crystal accepts the job of protecting the ring and Agnis, with the help of her family, from Calgar, who now knows of her existence. The harder Crystal tries to have a normal life the crazier things get and the more her life is in danger, since Calgar now knows the ring in her possession and is tracking her every move.
    Months go by as Crystal and Rashon both try their hardest to keep one step ahead of Calgar, until the very first vision Crystal ever had comes back again. This time the vision was much clearer, she has to go save Agnis' son Nasir. In Trigone, she learns of Rashon's connection to the ring that he himself doesn’t know about and family secrets are revealed. Now Crystal not only has to protect Agnis and the ring, but Prince Nasir as well, who can’t seem to grasp that she’s just not into him. In the end, Calgar doubles up the assassins he sends to Earth forcing Crystal and her family to travel to Trigone to end a thirty-two year old war.

    • Sales Rank: #175301 in eBooks
    • Published on: 2016-01-13
    • Released on: 2016-01-13
    • Format: Kindle eBook

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    Three Stars
    By debbie williams
    I enjoyed the story but the errors in grammar made the whole thing hard to read and were bothersome.

    1 of 3 people found the following review helpful.
    Great book, it's a romance novel with a sci-fi ...
    By Ritch Blackman
    Great book, it's a romance novel with a sci-fi and urban twist...very unique. If you are looking for something different this is it...

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