! Download PDF A Daughter Of The Land: , by Gene Stratton Porter - Illustrated (Comes with a Free Audiobook), by Gene Stratton Porter

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A Daughter of the Land is set in Gene Stratton Porter's Limberlost series. Kate Bates lives in a man's world. It her dream to own and run her own farm. To fulfill her dreams she must give up everything and start anew.

• Sales Rank: #941340 in eBooks
• Published on: 2016-01-12
• Released on: 2016-01-12
• Format: Kindle eBook

From the Back Cover
Kate Bates is another Gene Stratton-Porter unsung hero in the tradition of Elnora Comstock, of A Girl of the Limberlost, and Freckles and Laddie, of books of the same name. As the youngest child, and female, in a large prosperous farm family, she has been designated as her mother's helper in old age. Kate finds this unfair since all of the brothers have been given land and the older sisters sent to teacher training. With the help of a nephew and sister-in-law, she defies her parents, becomes a teacher, leaves home. Her real ambition, however, is to own and cultivate a large farm. After rejecting the easy path to her dream, she suffers through a bad marriage but ultimately acquires her land and achieves happiness.

About the Author
Gene Stratton-Porter (1863-1924), American novelist and naturalist, was born on a farm in Indiana and became one of Indiana's best-known authors. Writing fiction to support her passion for observing natural habitats, she also wrote non-fiction works that extensively dealt with birds, flowers, and other natural wonders. She fought for the conservation of the Limberlost Swamp and took up other cases of public welfare as well. A Girl of the Limberlost (1909) and Freckles (1904) are two of her most famous works.

Most helpful customer reviews

36 of 37 people found the following review helpful.
Maturity
By Good Yarns
"A Daughter of the Land" is a book I read because my mother, down from my grandmother, passed this book on to me. I received it way back in my teenage years and I read it then. I found it harsh and depressing...the story of the 12th child, a daughter, who was expected to slave at home for her family while the other children received many comforts and wealth from their austere, but abundant farming family. Yuk.
I picked it up again when I was about thirty and re-read it, thinking maybe I had misjudged it. No, it was Yuk.
At a conference in 2006 the author of this book (Gene Stratton-Porter) was highly recommended for other works, which I then read... and ...LOVED. Her books now inspire my high recommendations and comments. Soo...I gave "A Daughter of the Land" another chance. It was humbling to realize that the book wasn't at fault before, it was me who hadn't yet grown up enough. Suffering was indeed still a theme, but so was hope and humbleness and loving in spite of disappointment. It was about forethought and wisdom and about the consequences of following foolishness, but it was not preachy. "Daughter" is not like her other works. It has a humanity which is more pronounced, and yet the nobility seems the richer for it.

33 of 34 people found the following review helpful.
Story of Ambition and Preserverence
By Amazon Customer
The Gene Stratton Porter books were written in the early 1900's. The three that I've read (Daughter of the Land, A Girl of the Limberlost, and Laddie) all feature poor Indiana farm families with a young daughter struggling to grow up and understand the world around her. 'A Daughter of the Land' is the saddest book of all, but it is my favorite without question. This book was passed on to me by my grandmother who related strongly to the main character, Kate. Kate, like my grandmother, persevered among a family who mistreated her and had little money or time to afford her for her future. Kate shows kindness and understanding and makes her own future for herself with her intelligence and hard work. Her love of nature brings her small happinesses. I struggle to understand how a young girl today could relate to the old-fashioned tone to the book. I would recommend this to any young woman ~age 14 if not this fact. A mature young reader will find much inspiration in the text. The resonating message is that a young woman must be strong and sometimes look to herself for survival.

14 of 15 people found the following review helpful.
A different feel from her other work
By Heather A. Brown
This story is definitely edgier than a lot of Gene Stratton-Porter's other work. I hated it the first time I read it, but I went back and read it again as a grown up and was surprised. The story seems to have more depth, and if anything, the mistakes and problems of all of the characters are more realistic than many of the stories she wrote. You believe people would act this way...even though it is a bit of a soap opera. Things work out, but not without the heroine really growing from experience.

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Conflicting emotions and agendas collide in a lakeside community, where a construction project is the catalyst for a series of mysterious incidents. A small tribe of Native Americans wants to rebuild its ancestral village on prime waterfront property. But serious opposition is scrambling to stop the project: neighboring landowners, a ruthless construction company, an ambitious developer with deep pockets, a charismatic minister, and even a festering splinter group within the tribe. Escalating acts of brutality drive project leader Cassee Chinnel to call for help from Sin Austen, owner of a worldwide soldier-for-hire security service. Sin tries to balance volatile girlfriend Kelli with smoldering love interest Cassee, while attempting to identify and neutralize the source of the destructive rampage. A final showdown leads to a stunning revelation from the one known as Devil Feather.
For fans of "The Last Raven", this is the sequel you have been waiting for. Once again the setting is Lake Keowee in South Carolina. Returning characters include Deputy Howie Hagood, Trooper, Barbara Dancing Deer, Barnaby, the Ironsides field team, and Boomer the giant schnauzer. Let the mayhem begin.

• Sales Rank: #694757 in eBooks
• Published on: 2016-01-07
• Released on: 2016-01-07
• Format: Kindle eBook

About the Author
John Michael Shanahan was born and raised in the notorious river town of Vicksburg, Mississippi, where he unearthed civil war musket balls in his youth. Eagle Scout at age fourteen. Graduate of Ole Miss, with bachelor's and master's degrees in business. Officer in the U.S. Air Force. Marketing career began at Procter & Gamble, where he managed the Pringle's brand. Moved from Ohio to Texas to California, where he owned and operated a highly successful graphics business. He retired to the west coast of Florida and now pursues his passion for writing. He is the author of The Last Raven, the first of his Sin Austen Novel series.

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3 of 3 people found the following review helpful.
Great read!
By marie thomas
I had read the first book in this series and loved it, so, I was excited to see this new release. It was worth waiting for! This book has a great story and flow making it difficult to put down. Characters are so real. Loved every minute.
One other comment, it was nice to see a well edited book.

2 of 2 people found the following review helpful.
A Thoroughly Enjoyable Read
By James
"Devil Feather" is an exciting sequel to "The Last Raven." The wide range of characters come alive with such vivid descriptions that I felt like I was watching a movie. The plot development was intriguing with a uniqueness ranging from the group of prisoners, Indian tribal politics and plans, small community aspirations, land owners/developers and of course the steamy love interest for Sin Austin. I enjoyed it thoroughly and look forward to his third book.

2 of 2 people found the following review helpful.
Sin Austin - Second Book
By Dale Terrell
I loved this second book by John Shanahan around the lead character - Sin Austin. There are numerous characters in this novel and John takes the time to develop their personalities, so the reader has an excellent image of the people. I found myself wanting to read the entire book in one setting. I loved the action and the promise that there would be more to come.

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## PDF Download As a Man Grows Older, by Italo Svevo

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Not so long ago Emilio Brentani was a promising young author. Now he is an insurance agent on the fast track to forty. He gains a new lease on life, though, when he falls for the young and gorgeous Angiolina—except that his angel just happens to be an unapologetic cheat. But what begins as a comedy of infatuated misunderstanding ends in tragedy, as Emilio’s jealous persistence in his folly—against his friends’ and devoted sister’s advice, and even his own best knowledge—leads to the loss of the one person who, too late, he realizes he truly loves.

Marked by deep humanity and earthy humor, by psychological insight and an elegant simplicity of style, As a Man Grows Older (Senilità, in Italian; the English title was the suggestion of Svevo’s great friend and admirer, James Joyce) is a brilliant study of hopeless love and hapless indecision. It is a masterwork of Italian literature, here beautifully rendered into English in Beryl de Zoete’s classic translation.-Print ed.

“The poem of our complex modern madness.”—EUGENIO MONTALE

“Svevo has the capacity—so rare as to be almost unknown in the English novel—of handling emotional relationships with a combined tenderness, humour and realism.”—THE TIMES LITERARY SUPPLEMENT

• Sales Rank: #1001380 in eBooks
• Published on: 2016-01-27
• Released on: 2016-01-27
• Format: Kindle eBook

Review
Svevo has the capacity—so rare as to be almost unknown in the English novel—of handling emotional relationships with a combined tenderness, humor and realism….He writes about characters and situations of universal application.
— The Times Literary Supplement

Language Notes
Text: English, Italian (translation)

About the Author
Italo Svevo (1861-1928), whose given name was Ettore Schmitz, was born in Trieste into a Jewish family of Italian and German descent-as his pseudonym reflects. Svevo published two novels in the 1890s, A Life and As a Man Grows Older, but after they were dismissed by critics and ignored by the public, he abandoned literature and went to work in his father-in-law’s paint business. He returned to writing only after the young man whom he had hired to tutor him in English, James Joyce, asked to see his novels and expressed admiration for them. With Joyce’s support, he published The Confessions of Zeno in 1923 to international acclaim. Svevo had finished a new book (The Tale of the Good Old Man and of the Lovely Young Girl) and was at work on another when he was killed in a car crash in 1928.

James Lasdun was born in London and now lives in upstate New York. He has published three books of poetry—A Jump Start, Woman Police Officer in Elevator, and Landscape with Chainsaw—and three collections of short stories, most recentlyBesieged (Selected Stories), of which the title story was made into a film by Bernardo Bertolucci.

Most helpful customer reviews

45 of 45 people found the following review helpful.
Hector Schmitz thought in translation
By Dante Stella
I understand the concern with finding a correct translation of Senilità, but I do not share the opinion that it is a huge problem that the Beryl de Zoete version is translated a bit more "freely." I am writing this after having studied Svevo in the United States and in Italy and having read it in Italian at least three times and in the de Zoete translation twice. This may not make me more of an authority but hopefully will temper the following comments:
Essentially, the problem with translating Italo Svevo's work (if it is a problem) is that it was already been translated once from Austrian German thoughts (Svevo was born Hector Schmitz in Trieste, an Austro-Hungarian port city) into Italian. When you read Senilità (or its forerunner, Una vita - which is painful to read) you get an idea of how hypercorrect Svevo's writing was. This was not by accident, but rather through his desire to write perfectly in Italian. While this makes it an exceptionally easy read in Italian, if you translated it too closely, it would read more like Hemingway than anything else. In translations, I like the de Zoete translation (Bantam Modern Classics) because it is a little more fluid.
On to the merits of the book, whatever the translation or title, it is a masterpiece of Italian decadentism. The protagonist, Emilio Brentani is the last member of a dying family who must find a way to keep it going. He is getting on in years (which I guess early in the 20th century was mid-30s) and this is his last opportunity to do it. The book traces his battle with Angiolina, who is more element of nature than human, and the story takes him through a vortice vitale (the vortex of his life) into old age.
He carries out this battle against the background of caring for his sick sister Amalia and taking lessons from his libertine friend and sculptor Stefano Balli as they walk along behind the dog catcher. The time frame is Carnevale, the period before la Quaresima (Lent). The basic story is of his farewell to meat (so to speak) before the long fast that concludes his life.
I think this book makes a great introduction to Svevo and the svevian concept of "inept" man, and it is more focused than La coscienza di Zeno. I give it the thumbs-up.

34 of 34 people found the following review helpful.
Compassionate and clear-eyed: a masterpiece
By Gulley Jimson
I don't think Svevo is an artist that can be ruined or even significantly damaged by a translation, any more than Tolstoy can be messed up by Constance Garnett - it may not be as true to the quality of their prose, but for the most part I think their rare value is communicated as long as the translation is accurate: and this one is. The comparison to Tolstoy is apt, because I think Svevo is sort of a bridge between that tradition and Proust, where the writing starts drawing a great deal more attention to itself - and the internal workings of consciousness come to the forefront.
Svevo strikes the perfect balance between the 19th century's skill at construction complete characters (well, at least the Russians and George Eliot) and the 20th century's desire to focus intensely on processes of thinking, to lay bare the way they function. What Joyce did by actually splitting up and writing Bloom's individual thoughts, Svevo accomplishes with sentences that have the precision and wit of a French aphorist, while retaining a level of compassion that can coexist with his irony.
I remember a passage in The Confessions of Zeno (I read the Zoete translation on that one too) where, after a hilarious sequence when Zeno ends up marrying a woman that he has no interest in marrying, he comes to realize - many years later - just how much he's come to love her. Svevo is, I think, the most warm-hearted of great 20th century writers, even though all of his books are supposed to be merciless unmaskings of ineffectual men.
As much as I loved The Confessions (or Conscience) of Zeno, this is the more complete work of art. The five linked stories in Zeno didn't really cohere (especially the last chapter), but this book is beautifully paced and constructed, the work of a young man who is already a master - funny and sad and wonderful. A book to treasure.
(Incidentally: I like Joyce's title, As a Man Grows Older, but it would have been nice to have Svevo's original title back - which was only abandoned because they didn't think anyone would buy a book called Senility - certainly very few people bought Senilita when it was in Italian. And people were, understandably, confused, since there's no one in this book who is old, or any discussion in it of aging or senility.
But the whole book is filled with an atmosphere of last things: it is also about virility, and the lack of it, and the desire to both have and get away from the mental clarity that comes with intelligence. Senility: a great writer knows how to come up with a great title. But this is still a lovely book in a beautiful edition: another wonderful reissue from NYRB.)

19 of 23 people found the following review helpful.
Beware!
By A Customer
Readers should be aware that this translation, by Beryl de Zoete, is much older, freer, and less accurate than the newer one, published by Yale Nota Bene, translated by Beth Archer Brombert as "Emilio's Carnival." Don't be fooled by the classy NYRB edition; the usually impeccable editors of that series have passed this "vintage" translation into print with nary a warning. Of course, older translations may be your thing (they're certainly mine much of the time) but you should know that this edition isn't all it seems. For more information on de Zoete as a translator, see William Weaver's excellent introduction to his wonderful translation of "Zeno's Conscience," which nicely dispatches de Zoete's "The Confessions of Zeno" to the dustheap of translation history.

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Carolyn Wells was an early 20th century poet and author best known for mysteries like The Gold Bag and Fleming Stone Detective Stories

• Published on: 2016-01-07
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .24" w x 6.00" l, .34 pounds
• Binding: Paperback
• 104 pages

Most helpful customer reviews

4 of 4 people found the following review helpful.
An Old Favorite Returns
By Anne Garrett
I was delighted to find one of my dear childhood favorites back in print! Though the six Marjorie books were popular well before my time, I was enchanted by my mother's copy of Marjorie's New Friend and eventually collected the whole series at flea markets and antique stores. Marjorie's Maytime takes the Maynard family on a month-long trip in their new automobile from their home in Rockwell, NY to New York City, and through New England, finally ending in Boston. Quite a luxury in 1911!

The book's language is dated (which is part of its charm), and there are some stereotypes we try to avoid today. Of course the manners are dated as well, but Mr. and Mrs. Maynard teach proper behavior to their children without the harshness or moralizing that can offend modern readers of the Elsie Dinsmore books, for example. This family has fun together (and the money to live in enviable comfort, though the books describe it as simple); and the books were intended simply for pleasure and entertainment. Readers of the American Girls books might try these for stories actually written in the style of the times.

0 of 0 people found the following review helpful.
Wonderful book
By Suzie B.
A week ago I bought this book used showing a 1911 copyright. It had been a Christmas present from an aunt to her niece in 1929.

I loved the book. It is beautifully written. What a pleasure not to stumble over incorrect or ungrammatical language. From what I learned from my mother, born in 1894, and her scrapbook, the family and their escapades are believable.

Born in 1862, Carolyn Wells was in incredibly talented author and poet..and that's an understatement. She wrote 170 books. She wrote comic strips for newspapers.

Today she is best known for her light verse, particularly for several classic limericks.

Read all about her on wikipedia and don't miss the limerick at the end of the article.

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>> Fee Download On The Decay Of The Art Of Lying: , by Mark Twain : Illustrated, by Mark Twain

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About On The Decay Of The Art Of Lying by Mark Twain
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E-reader & tablet formatted, Font Adjustments

100% Original content

Unabridged Edition

Author Biography Inside

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On the Decay of the Art of Lying is a short essay written by Mark Twain in 1880 for a meeting of the Historical and Antiquarian Club of Hartford, Connecticut. Twain published the text in The Stolen White Elephant Etc. (1882). In the essay, Twain laments the four ways in which men of America's Gilded Age employ man's 'most faithful friend'. He concludes by insisting that: the wise thing is for us diligently to train ourselves to lie thoughtfully, judiciously; to lie with a good object, and not an evil one; to lie for others' advantage, and not our own; to lie healingly, charitably, humanely, not cruelly, hurtfully, maliciously; to lie gracefully and graciously, not awkwardly and clumsily; to lie firmly, frankly, squarely, with head erect, not haltingly, tortuously, with pusillanimous mien, as being ashamed of our high calling. The essay, Twain notes, was "offered for the thirty-dollar prize," but it "did not take the prize."

• Sales Rank: #2543289 in eBooks
• Published on: 2016-01-29
• Released on: 2016-01-29
• Format: Kindle eBook

Review

"This new World's Classics...is excellent of its kind and for its purposes - easy to recommend and impossible to fault. The Introduction is lucid and engaging...Students, teachers and the general reader will find no better companion. The advanced scholar will also learn a thing or two.''--The Recorder (International John Bunyan Society magazine)

Review

"This classic has refreshed my spirit time and again when my soul has longed for Christ-centered guidance through a maze of modern detours and diversions. I'm so grateful this special edition of The Pilgrim's Progress is now available to not only a new generation of Christians but to believers like myself who need direction and refreshment along our journey toward Home."
—Joni Eareckson Tada, Founder and CEO, Joni and Friends International Disability Center

"If any smoothing of Bunyan's seventeenth-century language plus new colored pictures can set Pilgrim's Progress aglow in the hearts of today's young readers, this lovely book will surely do it."
—J. I. Packer, Board of Governors' Professor of Theology, Regent College

"Every generation is heir to John Bunyan's timeless allegory, and to each generation falls the task of commending this tale anew. The collaboration of editor C. J. Lovik and illustrator Mike Wimmer has yielded a book that could well be a classic for our time. With great care, Lovik has combined the best elements of Bunyan's rich, evocative prose with accessibility for the modern reader. And in Wimmer, Bunyan has met his illustrator for the twenty-first century. The thirty illustrations that grace this edition are a world in themselves-the equal of any that appear in J.R.R. Tolkien's books."
—Kevin Belmonte, Lead Historical Consultant, motion picture Amazing Grace

"If you are looking for a classic edition of The Pilgrim's Progress, with a simplified form of Bunyan's original text, traditional color illustrations, and explanatory notes, this is undoubtedly the version for you."
—Tim Dowley, Author of The Christians

"For two centuries following its publication (Part 1 in 1678, Part 2 in 1684), The Pilgrim's Progress gained the status of best-read book (apart from the Bible). This magnificent production by Crossway with stunning illustrations by Mike Wimmer should help reinstate Bunyan's classic allegory to the status it belongs. It should be a question we ask ourselves: Have I read The Pilgrim's Progress? If not, repent immediately, for in taking up this volume you will find pastoral insights from a pastor of souls to help you discover the biblical way of salvation and aid you in the journey home."
—Derek W. H. Thomas, Senior Minister, First Presbyterian Church, Columbia, South Carolina; Robert Strong Professor of Systematic and Pastoral Theology, Reformed Theological Seminary, Atlanta, Georgia

"C. J. Lovik's new edition of The Pilgrim's Progress almost takes one's breath away. The text is readable, the notes are clear, and the illustrations are absolutely beautiful. This is a book to be in everyone's library and will definitely occupy a prominent place in the libraries provided for Rafiki's children and adults in Africa. It is a joy to know that Lovik's edition of the Bunyan classic will be read by and to thousands of children throughout the world."
—Rosemary Jensen, Founder and President, Rafiki Foundation; Author of Praying the Attributes of God and Living the Words of Jesus

"This is one of the best books I've ever read."
—Mark Dever, Senior Pastor, Capitol Hill Baptist Church, Washington DC; President, 9Marks

"The Pilgrim's Progress has long been a favorite of many. Now there is even more to love with this beautiful, updated edition. Editor's notes clarify the ideas in John Bunyan's classic allegory, while footnotes show where in Scripture Bunyan found them. The detailed color illustrations will delight both new readers and long-time lovers of this beloved tale."
—Starr Meade, Author of Keeping Holiday and Training Hearts, Teaching Minds

"Like countless others, I have been greatly influenced by The Pilgrim's Progress. Charles Spurgeon called it 'next to the Bible, the book that I value most.' It has already inspired generations, and I am confident that this new edition will inspire the rising generation. It is refreshingly readable while remaining true to this timeless classic. The illustrations, Scripture references, and study notes make it a superb resource for family devotions and study groups."
—Susan Hunt, former Director of Women's Ministries, PCA; author, Women's Ministry in the Local Church

"The longer I journey through our dear Immanuel's land, the more grateful I am for John Bunyan's 'dream' and the cruel imprisonment that occasioned it. What a gift weary travelers have been given in this precious, timeless classic-and what beauty, insight, and encouragement was borne out of his suffering! Unafraid to challenge the outward trials of moralism, materialism, and persecution, humble enough to confess his own doubts and despair, Bunyan leads us on our way to the Celestial City we long to see. And what a gift modern readers have been blessed with in C. J. Lovik's careful editing and Mike Wimmer's luminous illustrations! This book is beautiful! The Pilgrim's Progress has always been a cherished treasure, but this edition makes Christian's story-our story-sing! I'm so thankful for it!"
—Elyse M. Fitzpatrick, counselor; speaker; author, Found in Him

"If a picture truly does speak a thousand words, this version of Pilgrim's Progress will be the best of all. Combining the beauty of Mike Wimmer's illustrations with this timeless classic is a stroke of genius."
—Steve Murphy, Publisher, Homeschooling Today magazine

From the Back Cover

Often rated as important as the Bible as a Christian document, this famous story of man's progress through life in search of salvation remains one of the most entertaining allegories of faith ever written. Set against realistic backdrops of town and country, the powerful drama of the pilgrim's trials and temptations follows him in his harrowing journey to the Celestial City.
Along a road filled with monsters and spiritual terrors, Christian confronts such emblematic characters as Worldly Wiseman, Giant Despair, Talkative, Ignorance, and the demons of the Valley of the Shadow of Death. But he is also joined by Hopeful and Faithful.
An enormously influential 17th-century classic, universally known for its simplicity, vigor, and beauty of language, The Pilgrim's Progress remains one of the most widely read books in the English language.

Most helpful customer reviews

90 of 90 people found the following review helpful.
A great essay about Lying
By Nick
Once again, Mark Twin is the master of essays, this time about lying. It's done in an over the top fashion, making you realize that we're all liars on a daily basis, and we do it reflexively but that it's a dying art.

Twain argues that we don't lie for the right reasons, and we need to address that. The essay is a bit short but still poignant even today. Twain's at his best in this essay, and it's well worth the download - even better because it's free.

37 of 38 people found the following review helpful.
a 20 minute glimpse of genius
By T. T. Walker
Read it. It is only an essay, it's free, and it won't take long. You'll be glad you did.

31 of 32 people found the following review helpful.
Short but Funny
By William
A very short but quite funny examination of the sad state ot that most noble and necessary art: lying. This short essay is in the same vein as Eramus's In Praise of Folly, and just as satisfying.

See all 642 customer reviews...

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## Get Free Ebook The Imitation of Christ: , by Thomas à Kempis : Illustrated - Original & Unabridged (Free Audiobook Inside), by Thomas à Kempi

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About The Imitation of Christ by Thomas à Kempis
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E-reader & tablet formatted, Font Adjustments

100% Original content

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Author Biography Inside

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The Imitation of Christ by Thomas à Kempis is a Christian devotional book. It was first composed in Latin ca.1418-1427. It is a handbook for spiritual life arising from the Devotio Moderna movement, of which Kempis was a member. The Imitation is perhaps the most widely read devotional work next to the Bible,and is regarded as a devotional and religious classic. Its popularity was immediate, and it was printed 745 times before 1650. Apart from the Bible, no book has been translated into more languages than the Imitation of Christ. The text is divided into four books, which provide detailed spiritual instructions: "Helpful Counsels of the Spiritual Life", "Directives for the Interior Life", "On Interior Consolation" and "On the Blessed Sacrament".The approach taken in the Imitation is characterized by its emphasis on the interior life and withdrawal from the world, as opposed to an active imitation of Christ by other friars.The book places a high level of emphasis on the devotion to the Eucharist as key element of spiritual life.

• Sales Rank: #1996116 in eBooks
• Published on: 2016-01-27
• Released on: 2016-01-27
• Format: Kindle eBook

Amazon.com Review
The Thomas à Kempis fan club includes St. Ignatius, Thomas Merton, Thomas More, and even Agatha Christie's Miss Marple. (She reads a chapter of The Imitation of Christ every night before sleep.) Imitation has exerted immense influence on Christian worship, ethics, and church structure, because it gives specific yet broad-minded guidance about the central task of Christian life--learning to live like Jesus. Better to read this book a little here and there, now and then, than to try gobbling it cover to cover. Imitation is no triumph of orderly thinking, but it's a great monument and incentive to deep living. --Michael Joseph Gross

Review
If a man tells you that he is fond of the Imitation, view him with sudden suspicion; he is either a dabbler or a saint...Heaven help us if we find easy reading in the Imitation of Christ -- Ronald Knox None, I believe, except the Bible, has been so universally read and loved by Christians of all tongues and sects -- Thomas Carlyle The most influential devotional book in Western Christian history -- Professor John van Engen

Language Notes
Text: English, Latin (translation)

Most helpful customer reviews

167 of 171 people found the following review helpful.
Listening with the Heart
By Mark Blackburn
"Want to know the best advice I ever heard?" asked Larry King, in an interview published today in Canada's National Post newspaper: "I never learned ANYTHING while I was talking." 50 years experience at the interviewer's microphone and Larry's best advice comes down to one word. "Listen!"

Coincidentally (or maybe not!) I picked up this just-received book, sent to me by a dear friend who recalled my reviewing an earlier published edition of this same "Ronald Knox translation." And it literally fell open to these words,

"By all means ask questions, but LISTEN to what holy writers have to tell you . . . often enough, (when we hear) Holy Scripture, we are distracted by mere curiosity; we want to seize upon some point and argue about it, when we ought to (listen) and move on."

I flipped open "The Imitation" just now and my eyes (lately fixated on my newest pride and joy were these: (p 32 under the heading, "ABOUT SELF-CONFIDENCE, AND HOW TO GET RID OF SELF-CONCEIT")

"It is nonsense to depend for your happiness on created things (and) why all this self-importance? Do not boast of riches, if you happen to possess them . . . nor about the important friends you have; boast rather of God's friendship.

"Do not give yourself airs, if you have physical strength or beauty; it only takes a spell of illness to waste the one, or mar the other. Do not be self-satisfied about your own skill or cleverness; God is hard to satisfy, and it is from him that they come, all these gifts of nature.

"He reads our thoughts, and will only think the worse of you, if you think yourself better than other people. Even your good actions must not be a source of pride to you: If you have any good qualities to show for yourself, credit your neighbor with even better qualities: that is the way to be humble.

"To be humble is to enjoy undisturbed peace of mind, while the proud heart is swept with gusts of envy and resentment."

----

Seven years ago (on my birthday actually) I wrote my very first review for Amazon.com -- for an earlier re-print of this same translation. This latest version, from Ignatius Press of San Francisco, is far-and-away the most beautiful and features cover art by Andrea Solario (1480-1540) from the "Galleria Borghese, Rome" -- painted about a century after Thomas a Kempis produced his "Imitation." Inside artwork includes some marvelous, same-period woodcuts by Albrecht Durer.

----

In his (2005) FOREWARD to this new edition, psychologist and priest Benedict Groeschel (seen by millions on his "Sunday Night Live" TV show on EWTN) recalls stealing his first copy of the "Imitation" from the public library in his Caldwell NJ hometown - slipping it into his schoolbag intending to return it "to its rightful place on the shelf, in two weeks time, the ordinary period for a book loan in those days."

"The title suggested to my 12-year-old mind that this must be a story about someone who pretended to be Jesus. I went and sat by a window . . . the spring sun (shining) on the oak table, I can still see my blue-sweatered arm around the book as I began to read:

"'Vanity of Vanities - all is vanity except to love God and serve him alone.' At that moment I was electrified, and I sat there reading page after page . . . . for two hours, mesmerized by the book!"

----

As for the translation? Is it really the best-ever? I stand by my thoughts of seven years ago:

"I have several translations of the Imitation but I keep coming back to this one. I believe many readers will find this translation 'flows' better than the others, written as it is in a warm, gentle and accessible style by a master translator and communicator, Monsignor Ronald Knox. A convert to Catholicism who produced an acclaimed Latin-to-English translation of the Bible, Knox completed the first 30 or so chapters of the Imitation before his death in 1957. He wrote to Michael Oakley, two months before his passing: "If I die without finishing my translation, please tell my executors that you are to finish it." The younger Latin scholar did a splendid, seamless job of completing Knox's superb translation of what was--until this century--the second most widely read book in the world. What a delight that this version is once again available, [50 years] after its first publication. If you purchase only one copy of the Imitation in your lifetime, make it this one."

245 of 255 people found the following review helpful.
Best Translation of the World's 2nd Most Important Book
By Mark Blackburn
I have several translations of the Imitation but I keep coming back to this one. I believe many readers will find this translation 'flows' better than the others, written as it is in a warm, gentle and accessible style by a master translator and communicator, Monsignor Ronald Knox. A convert to Catholicism who produced an acclaimed Latin-to-English translation of the Bible, Knox completed the first 30 or so chapters of the Imitation before his death in 1957. He wrote to Michael Oakley, two months before his passing: "If I die without finishing my translation, please tell my executors that you are to finish it." The younger Latin scholar did a splendid, seamless job of completing Knox's superb translation of what was--until this century--the second most widely read book in the world. What a delight that this version is once again available, almost 40 years after its first publication. If you purchase only one copy of the Imitation in your lifetime, make it this one.

180 of 191 people found the following review helpful.
The way to happiness and peace
By Adam C. Roberts
As a pastor I see so many people who are miserable. They are depressed, filled with worry and have so little joy in their lives. This book speaks specifically to those problems.
In a nutshell this book says that we are miserable because we are trying to find joy in other people and in other things and everything out there will fail us and let us down. The only thing that provides true happiness, peace and contentment is God. The Imitation of Christ goes through exercises on how we can detach ourselves from worldly things to focus on God. Once we are focused solely on God and have the faith that God will provide everything we need, then we can really enjoy the world around us. Enjoy it because once we receive true happiness from God we can see how beautiful the world is and enjoy it as the gift God created it to be, instead of something that we grab onto in the hopes that it will provide us our happiness and security.

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* PDF Ebook The Wullie Glass Notebooks: Second Chance, by Jack Laing

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Wullie Glass is 34 year police veteran, salvaged at point of death and retrained as a patrol officer in space. In “Second Chance” he finds himself investigating a wide range of crimes in some very alien environments. From sex offences and petty thieves all the way through to dealing with terrorism on a massive scale, Wullie discovers it is pretty the same job just a different galaxy.

• Sales Rank: #1851722 in eBooks
• Published on: 2016-01-09
• Released on: 2016-01-09
• Format: Kindle eBook

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0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Outstanding like the first book.

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^^ Download PDF Othello: , by William Shakespeare - Illustrated (Comes with a Free Audiobook), by William Shakespeare

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How is this book unique?

Original & Unabridged Edition

Tablet and e-reader formatted

Short Biography is also included

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One of the best books to read

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Othello (The Tragedy of Othello, the Moor of Venice) is a tragedy by William Shakespeare, believed to have been written in the year 1603, and based on the short story Un Capitano Moro ("A Moorish Captain") by Cinthio, a disciple of Boccaccio, first published in 1565. This tightly constructed work revolves around four central characters: Othello, a Moorish general in the Venetian army; his beloved wife, Desdemona; his loyal lieutenant, Cassio; and his trusted but unfaithful ensign, Iago. Because of its varied and current themes of racism, love, jealousy, betrayal, revenge and repentance, Othello is still often performed in professional and community theatre alike and has been the basis for numerous operatic, film, and literary adaptations.

• Sales Rank: #508549 in eBooks
• Published on: 2016-01-04
• Released on: 2016-01-04
• Format: Kindle eBook

From Publishers Weekly
Starred Review. Shakespeare's legendary tragedy is revisited in this spirited and entertaining production that ran in London from November 2007 to February 2008. The flawless, talented cast features Ewan McGregor as the conniving Iago, Chiwetel Ejiofor as Othello (whose performance won him the Olivier Award as best actor) and Kelly Reilly as Desdemona. There is also excellent support from Tom Hiddleston (as Cassio) and Michelle Fairley (as Emilia). This audio production is a rousing, theatrical performance expertly guided by director Michael Grandage. Complete with a musical score as well as full sound effects and background noises, listening is so enjoyable that the play speeds by at breakneck pace. An enclosed booklet contains color photographs of the production and a well-written essay by drama professor Russell Jackson. There's also an entertaining bonus DVD disc featuring interviews with the cast and crew. Brilliantly produced in all departments, listening is the next best thing to seeing it live. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal

Gr 10 Up-Naxos AudioBooks' top-drawer Classic Drama Series blissfully continues with this exquisite rendition of Othello starring Hugh Quarshie, Anton Lesser, Emma Fielding, and a full cast of professional English actors with extensive credits in the Royal National Theatre, BBC Radio Drama Company, and the Royal Shakespeare Company. Shakespeare's most domestic tragedy is an exceedingly complex journey through jealousy, self-doubt, inadequacies, and societal acceptance. Passed over for military promotion, Iago, perhaps Shakespeare's most nefarious character, manipulates Othello's downfall, culminating in the murder of his beloved wife, Desdemona, and Othello's subsequent suicide. Under David Timson's stewardship as director, the story is beautifully and simply told, embellished only with intermittent brassy flourishes of classical music and a dramatic echo effect and throbbing heart beat to underscore Othello's chaotic descent and rage. While the entire cast is excellent, the trio of Quarshie (Othello), Lesser (Iago), and Fielding (Desdemona) are outstanding. An outline of each individual cassette, complete synopsis, full notes regarding the text, and cast biographies are included in a compact 24-page supplemental booklet. For all collections.-Barry X. Miller, Austin Public Library, TX

Copyright 2001 Cahners Business Information, Inc.

From Booklist
This impressive audio is a version of a London theatrical performance featuring McGregor as Iago, Chiwetel Ejiofor in the role of Othello, and Kelly Reilly playing Desdemona. In a studio recording session, the actors “reproduced as closely as possible the stage production.” Authentic sound effects and background music further enhance the presentation. Experiencing a play aurally is different than viewing a stage performance, and sometimes it is difficult to distinguish between the voices in the predominantly male cast. Nevertheless, this is an excellent vehicle for introducing the classic tragedy to students and Shakespeare fans. An accompanying DVD includes interviews with cast members. Their discussions of the characters, analyses of motivations, and decisions on delivering lines are thoughtfully presented. These fascinating commentaries add immeasurably to listeners’ comprehension of the play and the acting process. --Barbara Baskin

Most helpful customer reviews

28 of 31 people found the following review helpful.
An excellent book!
By Megan
I was assigned to read "Much Ado About Nothing" for my block class, and my initial thought was, Oh, how boring. I don't want to read Shakespeare. I won't even be able to understand it. Let me tell you, I was very wrong! This book was excellent- one of the best I've ever read. It contained romance, humor, comedy, and drama- so many diverse qualities that I rarely find in books these days! The main characters, Beatrice and Benedick, add humor and warmth to the book. They argue and insult each other, yet they are really in love. Hero and Claudio are the lovebirds, but the evil Don John tries to get in the way of this with a deceitful plan. Even though this book was written centuries ago, the main themes still apply to today, (such as the Beatrice and Benedick theme). That is why this book is a classic. Oh, and understanding it isn't a problem, either. This was my first Shakespeare book ever (I'm only 14), and I understood the plot, characters, and the theme. I enjoyed it at the same time. So order this book today. You won't regret it!

42 of 51 people found the following review helpful.
What is with you people?
By Brianna Rhywhen
I am here to do my part in diminishing the value of all the one- and three- star reviews posted here, the authors of which are clearly the same person or all from the same class of children too young to read the play. Amazon visitors reading these should know two things: the reviewer is a twit, and this play is wonderful.

I, for one, am a sucker for romances; if you are, Beatrice and Benedick will make the play worthwhile. Predictability be damned, they were an adorable couple. The main couple, Hero and Claudio, are boring; the other one will make you swoon. Beatrice and Benedick are funny, clever, and stubbornly reluctant to admit they love each other. To wit, they're perfect for one another.

I have read two contradictory criticisms regarding the language in the play on Amazon: that the language is too simple for Shakespeare's standards, and that the language is too difficult. The latter was from the kid's reviews; for everyone else, the language is not so difficult to decipher that you need to avoid it. The Folger edition, at least, has one page of notes for every page of text, noting both puzzling references to Elizabethan beliefs, such as that sights draw blood from the heart, and language problems caused by the hundreds of years between Shakespeare's time and ours. The editors do all the work for you. You have no excuse. (Oh, and that the language is too simple: Bah. It's Shakespeare. That's impossible. I loved all the double entendres; this play was very witty.)

One criticism I somewhat agree with is that the plot is boring. Hero and Claudio, being the main couple, get much time, and I didn't care much about Don John's vengeance, but at least half of my favorite couple was usually present, and by no means do Hero and Claudio's plot monopolize the story. Much Ado About Nothing is often genuinely entertaining, which is what kept me interested. The plot's not the point here, it's the dialogue.

In sum, the language is poetic, but not so much so that it reads like Klingon, the romance will make you sigh, and the plot is at least good enough to keep Beatrice or Benedick in most of the time. Don't let the previous reviewers deter you: Read it.

54 of 67 people found the following review helpful.
Unusable and Eclectic Ideas Ruin this Important Edition
By Desertmartin
Claire McEachern's Introduction, notes and commentary on Much Ado About Nothing suffer from the decline in real scholarship over the last few years. Previous introductory materials in Arden edition have always built on the solid scholarship of the past, adding new ideas and research as integrated parts of the growing body of knowledge associated with Shakespeare scholarship. McEachern's abandons most of the valid accepted readings of this play to wander rather aimlessly down the tunnel of self-promoting feminist, postmodern eclecticism. As a college professor, I am dismayed to see Arden turn to such contemporary and popular approaches at the exclusion of real context. The Arden editions have always set the standard, but are now falling prey to the subjective, personalized, even vindictive vents of the academic few. The field of Shakespeare criticism, unfortunately, is in danger of collapsing in on itself, and becoming completely irrelevant to anything other than these marginalized interest. More specifically, McEachern's search for sources for the play becomes a labyrinthine exposé of speculative inference and unrelated texts, ignoring primary sources for a new historicist fascination with the obscure. The tenor of her subjective argument about the play is captured in her overdone attack on Benedick as misogynist and Beatrice's rendering as the shrew. The problem, obviously, is the imbalance here; the feminist objective reduces a complex and humorous interplay to victimizer and victim, both seen from one perspective. Ignoring the historical contexts of the play, she focuses instead on marginal texts that only partially relate to the central themes of the play, to the social context, and to the audience's understanding both of Shakespeare's environs and present-day concerns. McEachern eventually backs herself into ridiculous corners, such as pages of arguing how women of the period who were too talkative (such as Beatrice) were labeled promiscuous, only to concede that Beatrice is never so labeled or even considered such. Her complete overblown fascination with the few humorous "cuckold" references in the play channel her criticism into a reductive and extremely limited analysis of minor factors in the play, while she completely avoids the important social considerations of marriage, challenges to gender roles, and the place of female intelligence in Shakespeare's society. It is a sign of the worst kind of scholarship, that her introduction to Much Ado About Nothing runs to nearly 145 pages, once the length of only the Hamlet introduction among the Arden editions (the only play, because of its complexity, demanding such a lengthy explication). Ego gets the better of scholarship here, and buries the important and necessary social, political and cultural ideas associated with this play. If McEachern's editing and commentary is a sign of things to come from Arden, they can expect to lose readers on all levels who find such marginalized approaches to important scholarship outside the interest of students and professionals alike.

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