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About The Age of Innocence by Edith Wharton
How is this book unique?
E-reader & tablet formatted, Font Adjustments100% Original contentUnabridged EditionAuthor Biography InsideIllustrations includedThe Age of Innocence is Edith Wharton's twelfth novel, initially serialized in four parts in the Pictorial Review magazine in 1920, and later released by D. Appleton and Company as a book in New York and in London. It won the 1921 Pulitzer Prize for Fiction, making Wharton the first woman to win the prize.[1] The story is set in upper-class New York City in the 1870s, during the so-called Gilded Age.
- Sales Rank: #1777245 in eBooks
- Published on: 2016-01-27
- Released on: 2016-01-27
- Format: Kindle eBook
Amazon.com Review
Somewhere in this book, Wharton observes that clever liars always come up with good stories to back up their fabrications, but that really clever liars don't bother to explain anything at all. This is the kind of insight that makes The Age of Innocence so indispensable. Wharton's story of the upper classes of Old New York, and Newland Archer's impossible love for the disgraced Countess Olenska, is a perfectly wrought book about an era when upper-class culture in this country was still a mixture of American and European extracts, and when "society" had rules as rigid as any in history.
From Library Journal
This 19th-century classic, read by Andrew Sachs, is a tale of betrayal, gold, and love, encased in the elegant symmetrical structure so popular in traditional English fiction, featuring Marner, the weaver, who is framed for theft by his best friend and becomes a recluse, focusing his strong affections only on the store of golden coins he receives in payment for his work. As usual, Chivers has produced an excellent audio presentation of a literary masterpiece. Alas, in this day and age fewer and fewer readers not enrolled in literature classes actually read the works of what are frequently referred to as "dead white males" even if, as in this case, they were actually written by a woman. For this reason, this title is recommended for all academic but only larger public libraries.
-I. Pour-El, Iowa State Univ., Ames
Copyright 2000 Reed Business Information, Inc.
Review
"We can't behave like people in novels, though, can we?" -- from the book
Most helpful customer reviews
215 of 217 people found the following review helpful.
Passion and the outsider
By EA Solinas
It was a glittering, sumptuous time when hypocrisy was expected, discreet infidelity tolerated, and unconventionality ostracized.
That is the Gilded Age, and nobody knew its hypocrises better than Edith Wharton.... and nobody portrayed them as well. "The Age of Innocence" is a trip back in time to the stuffy upper crust of "old New York," taking us through one respectable man's hopeless love affair with a beautiful woman -- and the life he isn't brave enough to have.
Newland Archer, of a wealthy old New York family, has become engaged to pretty, naive May Welland. But as he tries to get their wedding date moved up, he becomes acquainted with May's exotic cousin, Countess Ellen Olenska, who has returned home after dumping her cheating husband. At first, the two are just friends, but Newland becomes more and more entranced by the Countess' easy, free-spirited European charm.
After Newland marries May, the attraction to the mysterious Countess and her free, unconventional life becomes even stronger. He starts to rebel in little ways, but he's still mired in a 100% conventional marriage, job and life. Will he become an outcast and go away with the beautiful countess, or will he stick with May and the safe, dull life that he has condemned in others?
There's nothing too scandalous about "Age of Innocence" in a time when starlets acquire and discard boyfriends and husbands like old pantyhose -- it probably wasn't in the 1920s when it was first published. But then, this isn't a book about sexiness and steam -- it's part bittersweet romance, part social satire, and a look at what happens when human beings lose all spontaneity and passion.
Part of this is due to Wharton's portrayal of New York in the 1870s -- opulent, cultured, pleasant, yet so tied up in tradition that few people in it are able to really open up and live. It's a haze of ballrooms, gardens, engagements, and careful social rituals that absolutely MUST be followed, even if they have no meaning. It's a place "where the real thing was never said or done or even thought."
And Wharton writes distant, slightly mocking prose that outlines this sheltered little society. Her writing opens as slowly and beautifully as a rosebud, letting subtle subplots and powerful, hidden emotions drive the story. So don't be discouraged by the endless conversations about flowers, ballrooms, gloves and old family scandals that don't really matter anymore.
In the middle of all this, Newland is a rather dull, intelligent young man who thinks he's unconventional. But he becomes more interesting as he struggles between his conscience and his longing for the Countess. And as "Age of Innocence" winds on, you gradually see that he doesn't truly love the Countess, but what she represents -- freedom from society and convention.
The other two angles of this love triangle are May and Ellen. May is (suitably) pallid and rather dull, though she shows some different sides in the last few chapters. And Ellen is a magnificent character -- alluring, mysterious, but also bewildered by New York's hostility to her ways. And she's even more interesting when you realize that she isn't trying to rebel, but simply being herself.
"Age of Innocence" is a subtle look at life in Gilded Age New York, telling the story of a man desperately in love with a way of life he hasn't got the courage to pursue. Exquisite in its details, painful in its beauty.
96 of 98 people found the following review helpful.
A book that should be shared between mothers and daughters
By A Customer
I find it interesting and in some ways disturbing how few (openly at least) female viewpoints are expressed among the reviews of this book. Indeed, some of reviews make it appear that there are quite a few males out there who believe females are a sexual "tabula rasa" on which they can write their judgements of what constitutes morally appropriate behavior.
This book must be understood not simply as art, but as a psychological statement, namely that sexuality exists within each of us from infancy on and parents and society deny that at their own risk.
When I was the age of the girls in this book there was no one with the courage to come forward and openly depict the flowering of female sexuality. I lived with confusion and shame about my body and my desires, hurtful feelings that lasted until I was well into my adulthood.
I came across this book in a store one day while looking for something else. I spotted the title and I vaguely remembered a news story about some people wanting to ban it, so I thought I would look at it out of curiosity. The images in it were so beautiful I almost started to cry right there, it was as though I found vindication for the very core of my being.
After taking it home, I decided to share it with my nine-year old daughter with whom I had just recently had "The Talk". It was wonderful being able to show her how her body would change and how she would be beautiful even as she changed from a girl into a woman. It is true there are already books out there that are supposed to address the issue, but so often they take a clinical approach that is scary in its own right. The artistry of this book, combined with the photographer's selection of natural-looking girls (you will not find made-up or coiffed girls in the pages of this book), will, in my opinion, help any girl appreciate her changing body.
Mothers, share this book with your daughters, it will help make so clear the many changes they are going through and how they are positive. No girl should ever have to feel shame of her own body and this book is an important step.
78 of 79 people found the following review helpful.
"An atmosphere of faint implications and pale delicacies."
By Mary Whipple
Newland Archer, the protagonist of this ironically entitled novel set in the late nineteenth century, is a proper New York gentleman, and part of a society which adheres to strict social codes, subordinating all aspects of life to doing what is expected, which is synonymous with doing what it right. As the author remarks early in the novel, "Few things were more awful than an offense against Taste." Newland meets and marries May Welland, an unimaginative, shallow young woman whose upbringing has made her the perfect, inoffensive wife, one who knows how to behave and how to adhere to the "rules" of the society in which they live.
When Newland is reintroduced to May's cousin, Countess Ellen Olenska, who has left her husband in Europe and now wants a divorce, he finds himself utterly captivated by her independence and her willingness to risk all, socially, by flouting convention. Both Ellen and Newland are products of their upbringing and their culture, however, and they resist their feelings because of their separate social obligations. Various meetings between them suggest that their feelings are far stronger than what is obvious on the surface, and the question of whether they will finally state the obvious or act on their feelings constitutes the plot.
Wharton creates an exceptionally realistic picture of New York in the post-Civil War era, a time in which aristocrats of inherited wealth found themselves competing socially with parvenus. Her ability to show the conflict between a person's need for social acceptance and the desire for personal freedom is striking. As the various characters make their peace with their decisions--either to challenge or yield to social dictates--the novel achieves an unusual dramatic tension, subtle because of its lack of direct confrontation and powerful in its effects on individual destinies. This is, in fact, less an "age of innocence" than it is an age of social manipulation.
Wharton herself manipulates the reader--some of her best dialogues and scenes are those the characters never actually have--conversations that they imagine, confrontations which they never allow themselves to have, and resolutions which happen through inaction rather than through decision-making. Filled with acute social observations, the novel shows individuals convincing themselves that obeying social dictates is the right thing to do. Though the novel sometimes seems claustrophobic due to its limitations on action, Age of Innocence brilliantly captures the age and attitudes of the era. Mary Whipple
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